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5 Mystery & Thriller Books Set in Los Angeles

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By Lizzy Hosty

Australian novelist and #1 New York Times bestselling author Candice Fox’s newest novel Gathering Dark is a standalone thriller set in Los Angeles. To get you ready to read Gathering Dark, out March 16th, here are some more suspenseful novels also set in the City of Angels!

 

 


And Now She’s Gone by Rachel Howzell Hall

Place holder  of - 82Troubled by her past, Grayson Sykes is now tasked with finding Isabel Lincoln, but Grayson quickly discovers that Isabel might not be missing; she might not want to be found.

 

 

Dead West by Matt Goldman

Image Placeholder of - 32The fourth entry in the critically acclaimed Nils Shapiro series, Dead West follows Minneapolis private detective Shapiro on yet another exciting case. What seems to be a cut and dry investigation – is Beverly Mayer’s grandson throwing away his trust fund in Hollywood in the wake of his fiancée’s tragic death? – soon turns deadly, as Nils Shapiro realizes there are people out there who want the Mayer family dead.

Indigo by Loren D. Estleman

Poster Placeholder of - 39Indigo, book 6 in the Valentino Mysteries series, has Valentino tasked with collecting a prized donation to the university’s library; Bleak Street, classic noir movie thought lost to time. The rising star of the movie, Van Oliver, disappeared before the movie was finished, and everyone suspected his alleged ties to the mob had come back to haunt him. Now, Valentino wants to be the first to release the movie, and knows the best way to entice an audience: finding out what exactly happened to Van Oliver.

Made To Kill by Adam Christopher

Image Place holder  of - 36An ode to the classic film noir, Made to Kill is Adam Christopher’s fourth book following LA detective Ray Electromatic, who always solves the case – even if he forgets the case after 24 hours when his robotic memory gets wiped. His newest client is strangely familiar, and Ada, the supercomputer inside his ear, won’t tell him if he’s met her before. Racing against the clock to solve the case before his memory is wiped, Ray tries to solve the mystery of the missing Hollywood star, and figure out where he’s met the client before.

Gathering Dark by Candice Fox

From the #1 New York Times bestselling author Candice Fox comes a new mystery, this time set in California. Dr. Blair Harbour, once a respected surgeon and now an ex-con trying to reconnect with her son, is asked for help to find her former cell mate’s missing daughter. The only person standing in her way is the detective already on the case, and the person who arrested Blair for murder, Detective Jessica Sanchez.

 

Order a Copy of Gathering Dark!

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March 2021 Forge eBook Deals

It’s a new month, so it’s time for a new round of Forge ebook deals! See below for what we have on sale for the whole month of March.


Dead West by Matt Goldman

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Nils Shapiro accepts what appears to be an easy, lucrative job: find out if Beverly Mayer’s grandson is foolishly throwing away his trust fund in Hollywood, especially now, in the wake of his fiancée’s tragic death. However, that easy job becomes much more complicated once Nils arrives in Los Angeles, a disorienting place where the sunshine hides dark secrets.0000

Nils quickly suspects that Ebben Mayer’s fiancée was murdered, and that Ebben himself may have been the target. As Nils moves into Ebben’s inner circle, he discovers that everyone in Ebben’s professional life—his agent, manager, a screenwriter, a producer—seem to have dubious motives at best.

With Nils’ friend Jameson White, who has come to Los Angeles to deal with demons of his own, acting as Ebben’s bodyguard, Nils sets out to find a killer before it’s too late.

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Tower Down by David Hagberg

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A mercenary killer blows up a pencil tower in Manhattan, sending it crashing down and killing hundreds of people. CIA legend Kirk McGarvey believes someone in the Saudi Arabian government, feeling the pinch of declining oil revenues combined with the escalating costs of defending the country’s borders against ISIS, is behind the attack. The Saudis hope to awaken America’s military might against ISIS.

No one in the White House or the CIA wants to believe that more Americans could die. McGarvey, his partner Pete Boylan, and his longtime friend, computer genius Otto Rencke, are certain that another attack is imminent. The trio must stop the killer before he strikes again.

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These sales end on 3/31/2021 at 11:59 pm.

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Books That Helped the Tor Staff Survive 2020

We are so, so close to 2020 being over and while we can’t wait to finally escape the dumpster fire that was this year, we’re also taking the time to look back at the books that helped get us through. Check out which books we are most grateful for here.


book-jordan-hanleyJordan Hanley, Marketing Manager

Tor.com Publishing novellas have really pulled me through 2020. They’ve also saved my Goodreads reading challenge! Here’s a few short novellas I’ve read that kept my passion for reading good horror alive:

I still have quite a few horrific Tor.com Publishing novellas on my TBR, including Ring Shoutby P. Djèlí Clark. These slender volumes keep me turning pages long into the night and have kept my 2020 reading challenge alive (or, perhaps, undead!)

book-system-redLauren Anesta, Senior Publicist

I, personally, think The Murderbot Diaries (by Martha Wells) is the #1 science fiction series ever published. I stand by this bold claim because it has been absolutely the only thing I’ve been able to read for pleasure since March 8, 2020, the day my attention span officially died. Murderbot, a mascot for socially anxious people everywhere, feels somehow even more relevant at a time when we’re all isolated. Like Murderbot, I’ve fully retreated into the comfort of my favorite TV shows and have lost my ability to maintain a conversation with people IRL. Murderbot has Sanctuary Moon, I have 21 seasons of Midsomer MurdersMurderbot is often angry and frustrated and doesn’t want to stop watching TV, but it gets up and gets the job done anyway, because people rely on it. I know I’ve certainly needed that reminder more than once in the past year, and Murderbot does that for me—but gently, and cushioned in pages full of high-intensity space battles, heist action, and technobabble.

book-9781250229861Libby Collins, Publicist

WHAT A YEAR, AM I RIGHT. Books were the most (only?) consistent thing in my 2020, and I’m grateful for so many of them. I took special comfort in some amazing TDA titles, including The Invisible Life of Addie LaRue by V.E. Schwab. What a timely testament to the beauty of being alive, even during the hard times. This was also the year I *finally* made myself acquainted with Murderbot, and I am extremely in love. Martha Wells’s novella series, The Murderbot Diaries, were a source of comfort and I can’t wait to get to the novel, Network Effect. Two others that provided a different sort of comfort were Lavie Tidhar’s By Force Alone and Matt Goldman’s Dead West. The former is an Arthurian myth reimagined with Scorsese-type gangster characters—very bloody, very profane, very fun. The latter is a mystery, the fourth in Goldman’s Nils Shapiro series, with a well-rounded, funny, very lovable Midwesterner visiting LA for the first time to solve a Hollywood murder. I have to mention an upcoming title from the one and only Catherynne M. Valente, called The Past is Red. It’s a sharp, satirical, dystopian novella rooted in environmentalism featuring one of the most enjoyable main characters I’ve read recently. And finally, She Who Became the Sun by Shelley Parker-Chan. This one also doesn’t come out until 2021 (July 20, 2021, in case anyone wants to jot that date down so they can run to their nearest bookstore or pre-order the heck out of this one) but I read it in 2020 and wow, did I love it. I felt consumed by this book while I was reading it, and all the moments I wasn’t reading it were spent basically thinking about it and the characters in it. Here’s to another year and an endless pile of new books to get us through.

book-9781250217288Rachel Taylor, Marketing Manager

So I don’t know about y’all, but I kicked off this year thinking I was going to CRUSH my Goodreads challenge. But then…2020 happened and my attention span went straight out the window. But suddenly, TJ Klune was there to save the day. The House in Cerulean Sea was one of the first books I read after starting at Tor and I devoured it in a single day. It was the warm, comforting read I needed this year and it truly saved me in the early days of the pandemic. I spent most of the year anxiously hovering, waiting for Under the Whispering Door, TJ’s next adult book with Tor, to come in. Though it’s not publishing until September 2021, I was lucky enough to read it early and once again was completely absorbed. This is a must-read for 2021 and I personally can’t wait for more people to get their hands on the book so we can scream about it together.

book-9781250214751Giselle Gonzalez, Publicity Assistant

There’s so many books that I’m so greatful to have read in 2020, but if I had to narrow it down, Riot Baby by Tochi Onyebuchi would definitely be at the top of my list. Riot Baby was the first work I’ve read by Tochi and it is absolutely essential reading. It is powerful, eye-opening, moving, and nerdy-as-heck. A book I will never forget and will recommend to everyone! Another novel that I’m grateful to have read this year is Of Women and Salt by Gabriela Garcia. As a Cuban American woman it’s rare that I find a book that portrays my experience and that of the women in my family, but this novel felt like coming home. It’s a story of family, women, immigration, loss and it’s absolutely stunning, fierce and left me in a puddle of tears. It was one of the first times I saw myself and my family in a book and it holds a special place in my heart.

book-9781250229793Leah Schnelbach, Staff Writer, Tor.com

Two of my favorite reads this year were, on the surface, quite different: Drowned Country, Emily Tesh’s sequel to her lovely Silver in the Wood, and Marilynne Robinson’s Gilead, which won the Pulitzer Prize in 2005.

Drowned Country is a funny, ache-y return to characters I loved. Henry Silver and Tobias Finch are one of my favorite literary couples (honestly, my only quibble with these books is that they’re not giant fantasy doorstoppers because I want to spend more time with those two) and Henry’s monster-hunting mother is hilarious. But what’s great about Drowned Country is that it takes this trio and deepens them. The narrative hops around in time, stranding us in terrible memories before dropping us back in the present, creating a palpable sense of Henry’s grief. By letting Henry’s neediness shade into real selfishness, Tesh is able to explore the consequences and put the poor, silly boy through more of an emotional wringer. Meanwhile, Tobias’ taciturn nature very nearly ruins everything, until the moment when he allows himself to act on impulse (and thus saves the day), and Adela Silver is older now, and has vulnerabilities of her own. Plus there’s a terrifying quest? And a whole new fantasy country? And a new character, Maud Lindhurst, who holds her own even with Henry’s mother? The book gently worries at the idea of past mistakes echoing up into the present—both personal failings like Henry’s, and the giant, world-shattering choices that led to the Drowned Country in the first place.

Now, Gilead is again, on the surface, quite different. The engine of the book is that Reverend John Ames, a septuagenarian father, is writing letters for his seven-year-old son. The Reverend has a heart condition. He could go at any time. The letters may be the only way the boy will know his father, so Rev. Ames knows he has to get them right. This is a slow, quiet, meditative book about the different shapes love can take. It spends pages and pages turning over one idea, one memory. It also talks, beautifully and at length, about John Brown’s fight against slavery, and the ultimate moral failure of the nice white people who refused to back his fight. The threads of personal history and national catastrophe weave together beautifully to add up to a book that is, at its heart, about the need to connect across time.

In both cases, these books allowed me to slow down and spend time with characters who became quite real. They gave me space to think about the past as both personal and political, and to read about people who are brave enough to drop their defenses and be honest with each other in order to heal sins of the past.

book-AnnelieseAnneliese Merz, Publicity Assistant 

I’ve been immensely grateful for so many books this year, but I think that if I had to choose (help, Tor is making me!), I would say The House in the Cerulean Sea by TJ Klune was the perfect pick me up and feel good book that I needed in this god awful year that is 2020. I would also say, I finally read the Shadow and Bone series by Leigh Bardugo in preparation for the show coming to Netflix in April 2021 and my body and mind is SO ready!

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Matt Goldman on the Differences Between Writing TV and Books

Did you know that in addition to writing his Nils Shapiro series, author Matt Goldman is also an Emmy Award-winning TV writer? He’s joined us on the blog today to talk about the differences between writing for TV and writing novels. Read his insight below, and pre-order a copy of his upcoming book Dead West, the next book in the Nils Shapiro series!


By Matt Goldman

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I’m often asked how I went from writing TV comedy to murder mysteries. Well, if you’re as introverted as I am and spend twenty-five years in rooms full writers pitching jokes at you all day, murder comes to mind. That is not a joke. But it’s not the whole story either. I love writing TV, and I love TV writers. I have spent tens of thousands of hours in rooms full of brilliant imaginations. They have taught me character, dialogue, story, arcing relationships, and series architecture. All those aspects of writing TV apply to writing novels. It’s a lot—let’s say seventy percent of the skills one needs to write a book. But the other thirty percent differentiates the two.

The biggest difference is working alone versus working in a group. How TV is written differs from show to show, but most shows rely on a room of writers. I experienced a room as small as four and as large as fourteen, but most were between eight and ten. As a group we would identify story ideas and choose the ones we thought would make good episodes, then one writer would leave the room to write a one-page description of the story. The room would go over that page and suggest changes, the process directed by the showrunner, also called the head writer who is often the creator of the show. It’s their vision and final say that directs the creative process.

When the showrunner approves the one-page, it goes to the studio and/or network executives for their approval. Some stories don’t survive this process. The ones that do go to the next step.

When the powers that be approve the one-page, the story goes back into the writers’ room. There, we break the story, which means work it out from beginning to end by conceiving the basics of each scene and writing it on a white board. That can take anywhere from a day to a week or more. When that’s done, usually the showrunner assigns the outline to a writer or team of writers, and they go off and write an outline. Then the process starts all over again. The outline goes to the writers’ room where it’s reworked, to the studio and/or network executives for approval, and after changes are suggested and made, the new version of the outline goes back to the writer(s) and they leave the room to write the script.

That can take anywhere from a weekend to a couple of weeks. (Larry David wrote my favorite Seinfeld episode “The Contest” over a weekend). When the writer(s) finish a first draft, it goes through the same process as the one-page and outline, but often two or three or more times.  When the writers, studio and/or network, and sometimes the stars and/or director, all sign off on the script, then it goes into production. There’s a whole other process of rewriting/rehearsing/rewriting that happens there, some for content, some for production logistics and costs, but I’ll skip that now. When the show is finally shot, it goes into editing. Editing is the same as writing, but working with shot footage instead of words.

Now for novel writing. A writer sits down and writes a book. The End.

That’s an oversimplification, but not by much. The vast majority of novelists I know, even in the plot-heavy genres of mysteries and thrillers, do not outline. That surprises most readers, but it’s true. What we do is get an idea (don’t ask from where—I don’t know), mull it around in our heads for a week or six months or ten years, then sit down and write. For me, no one sees the book or even part of it until I’m happy with it, which usually takes three or four drafts.

Then my wife reads it. She’s smart. She gives me her thoughts and I incorporate most of them. Then I send it to a few beta readers and my agent, all smart, too. I address most of their thoughts. Then it goes to my super smart editor, and her suggestions make the book better.

A huge difference between writing books and writing TV is the input I receive on a manuscript versus the input I receive on a teleplay. It’s for this reason: a script is a blueprint. It’s not a house. It’s a plan to build a house. The house you envision from the blueprint will differ from how someone else envisions the house from the same blueprint. Yes, there’s the kitchen with equal dimensions, but the cabinetry, countertops, appliances, flooring, and lighting vary greatly. When screenwriters write scripts, different people picture different things. The chasm is even greater with outlines. When executives read scripts, they often feel disappointed because they expected something different based on what they envisioned from the outline. The process is messy, and the showrunner often has to fight for their vision—also referred to as voice. Sometimes they compromise to make the conflict go away. When voice gets watered down, shows get bad. Real fast. That’s another blog post.

A book, however, is the house. The author shows the reader exactly what the kitchen looks like, if it’s important to the story. If it’s not, no one cares about the kitchen because the author communicates their voice unimpeded by external input. This can be good or bad, depending on the author. But when my agent reads my manuscript she can suggest improvements from within the voice. It’s already there. That’s why people who like a book are usually disappointed in the movie—the voice was compromised somewhere in the process.

There are other differences between writing TV and books. But the ability to communicate voice and vision through a manuscript versus a teleplay is the biggest. Oh, and no production assistants bring you snacks when you write books. Maybe book writing isn’t as great as I thought.

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Excerpt: Dead West by Matt Goldman

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In the words of Lee Child on Gone to Dust, “I want more of Nils Shapiro.” New York Times-bestselling and Emmy Award-winning author Matt Goldman happily obliges by bringing the Minneapolis private detective back for another thrilling, standalone adventure in Dead West.

Nils Shapiro accepts what appears to be an easy, lucrative job: find out if Beverly Mayer’s grandson is foolishly throwing away his trust fund in Hollywood, especially now, in the wake of his fiancée’s tragic death. However, that easy job becomes much more complicated once Nils arrives in Los Angeles, a disorienting place where the sunshine hides dark secrets.

Nils quickly suspects that Ebben Mayer’s fiancée was murdered, and that Ebben himself may have been the target. As Nils moves into Ebben’s inner circle, he discovers that everyone in Ebben’s professional life—his agent, manager, a screenwriter, a producer—seem to have dubious motives at best.

With Nil’s friend Jameson White, who has come to Los Angeles to deal with demons of his own, acting as Ebben’s bodyguard, Nils sets out to find a killer before it’s too late.

Dead West will be available on June 2, 2020. Please enjoy the following excerpt.


Chapter 1

Beverly Mayer sat tall, strong, and upright. Her blue eyes sparkled. A pair of reading glasses hung around her neck from a gold chain. Her gray hair appeared long but was twisted and folded on top of her head like a challah. She wore a soft pink suit of thick wool. It looked European and expensive. She sat next to her husband of sixty-seven years. I know because that’s how she introduced him. “This is Arthur, my husband of sixty-seven years.”

Arthur Mayer did not speak. He rode shotgun in a vehicle called marriage. He slumped shrunken in his suit made of brown herringbone tweed. His neck was too small for his white dress shirt—the shirt didn’t touch his neck the way Saturn’s rings don’t touch Saturn. His lower jaw jutted forward. Heavy black-framed spectacles crept down his nose. A fingerprint marred the left lens. Arthur Mayer’s eyes had shrunk, too, small and green like lima beans. A Band-Aid covered something on his forehead, as if his skin had worn thin in one spot and needed reinforcement. He clutched a black metal cane in his right hand and made no eye contact. But Arthur Mayer had great hair. Thick and silver and combed meticulously. It appeared he hadn’t lost a strand since the Great Depression. I couldn’t take my eyes off it.

“Are you listening to me, Mr. Shapiro?” said Beverly Mayer. She put a smile under her nose and said, “Mr. Shapiro?”

“Yes,” I said. “I’m listening. Go ahead.”

Beverly Mayer said, “Our grandson’s fiancée died last week. Heart failure, they say. Imagine that. A twenty-eight-year-old who hadn’t been sick a day in her life. Poor Ebben is devastated. We’re already concerned about what he’s doing with his trust fund out there in Hollywood. And now this girl, Juliana, goes and dies. It’s bound to lead to imprudent decision making. For heaven’s sake, the principal from which Ebben’s trust fund grew was earned over 150 years ago. We will not sit idly and watch him squander a fortune like his father did.”

“Any foul play suspected in his fiancée’s death?”

We sat in the Mayers’ cavernous living room on St. Paul’s Summit Avenue. The mansion was built by Frederick C. Fallhauser, lumber baron and grandfather of Beverly Mayer. It had 33,000 square feet of mahogany floors, oak-paneled walls, carved wooden ceiling beams, and leaded glass windows. It’s the kind of place that, after the Mayers die, will have a gift shop and velvet ropes steering people to a box office that sells tickets for tours.

Beverly said, “The police didn’t suspect foul play. Apparently, the girl had one of those eating disorders. I suppose they all do out there in Hollywood. Maybe she starved herself to death. But why she died is not really the point. The point is we’d like to know what business dealings Ebben has got himself into. He’s having an open house tonight to celebrate Juliana’s life. I asked if Ebben meant a funeral. He said no, a celebration. I don’t know what that is. Regardless, Arthur and I would like you to be there.”

“In Los Angeles? Tonight?”

“Yes. It’s only 7:00 A.M. there. You have plenty of time to make it.”

I looked at Arthur to see if he agreed but got nothing. He might have been sleeping with his eyes open. I said, “All right, well, I suppose I can get on a plane to Los Angeles and find out how Ebben is spending his money. But you do realize once he received the trust fund, it’s his. He can do whatever he wants with it. You have no recourse against your grandson.”

“We have no legal recourse,” said Beverly Mayer. “That I understand. But Arthur and I are still the heads of this family, and families are like small countries with their own rules and penalties when a member steps out of line. The good news for Ebben is he’s our only grandchild. That makes him a wealthy man. The bad news for Ebben is he’s our only grandchild. Our eyes are on him alone. Do you have children, Mr. Shapiro?”

The house smelled of wax and varnish. A radiator knocked and clanged. The old wooden floors creaked. I felt my early childhood in the air but had no idea why.

I said, “Yes. I have a daughter.”

“And how old is she?”

“She’s ten months old.”

“Oh my,” said Beverly Mayer. “You started late. Young wife?”

“No.” That was true on two counts: the baby’s mother was my age and she wasn’t my wife. To explain how Evelyn Stahl-Shapiro came into this world would take too many minutes and looks of disapproval from the woman who thought families are like nation-states.

“Well, good for you,” said Beverly Mayer. “You’re in for quite a ride.”

“I’m enjoying it already.”

“Now,” said Beverly Mayer, “what I’m about to tell you I’ve already told to Mr. Ellegaard, but since you’re the one going to Los Angeles, he advised I repeat it to you. He said you might pick up on something he missed.”

Ellegaard was my business partner at Stone Arch Investigations. My tall, stoic, morally upright Scandinavian—a mandatory fixture in any Minnesota enterprise.

“Ebben received $50 million on his thirtieth birthday. Before that he behaved quite respectably. Brown University then an MBA at Wharton. He worked two years as an investment banker for Piper in New York City then returned home to work in private equity. He did everything he could to educate himself about money. But six months before his thirtieth birthday, he quit his job, let his hair grow, and stopped wearing suits and ties. Somehow he met a girl named Juliana Marquez, fell in love, and got engaged. They flew all over the world, taking meetings in Los Angeles and New York and London and Beijing of all places. When I ask what he’s up to, he says some nonsense about exploring new opportunities.”

“You think he’s lying?”

“Only by omission,” said Beverly Mayer. She straightened her long spine. “What I fear Ebben’s not telling us is he’s getting involved in the motion picture business. And I happen to know something about that business and how they prey on good people with money. My older sister, Grace, may she rest in peace, was quite beautiful and married a powerful agent at the William Morris Agency in New York. It was his job to find funding for films, and I heard him boast several times, quite coarsely, about getting fools to open their wallets because they so badly wanted to participate in show business. He used to say, ‘The key is to get them spending. Invite them to parties with beautiful people. They’ll feel lucky to be there even though they paid every dime for that party.’ Then he would laugh and puff on his cigar. It’s that cigar smoke that killed my sister. Vulgar habit. Vulgar man.”

I looked to Arthur Mayer who had yet to make eye contact with me. He moved, so I knew he wasn’t stuffed. I said, “I can go to Los Angeles, Mrs. Mayer, but you might get better results hiring a private detective there.”

“No,” she said without hesitation. “I trust you. I trust Mr. Ellegaard. I’ve spoken to half a dozen people who sing your praises. People I’ve known for over half a century. People I trust. If you’re smart enough to solve the Duluth Murders, you’re smart enough to figure out Los Angeles. If you need help when you’re there, then hire away. We will spare no expense.”

“Just to make sure I understand: you will spare no expense to confirm your grandson, Ebben, is investing in show business? Because that’s easy to find out. You could probably pick up the phone and ask him. I bet he tells you the truth.”

“I have asked him, Mr. Shapiro. And he has denied it.”

“I thought you said he lied by omission.”

“Well, it’s not a direct denial. He just keeps saying something about new opportunities.”

“Maybe because it’s too hard to explain. Maybe he’s investing in virtual reality, augmented reality, or artificial intelligence.” Beverly Mayer responded with the same blank expression as her husband’s. I said, “Or maybe Ebben’s new opportunity isn’t about business. Maybe it’s about love.”

“Oh, dear,” said Beverly Mayer. “Young people no longer need love. The world today offers love’s advantages à la carte. No need to buy the whole shebang to get the few things you want.”

That got a response from Arthur Mayer. His eyes swung toward his wife then he exhaled what sounded close to, “Huh?”

Beverly Mayer ignored her husband of sixty-seven years. She reached to the side table, grabbed an envelope, and handed it to me. On it, she had typed MR. SHAPIRO with an actual typewriter. “Here is Ebben’s address in Los Angeles. He’s rented a house for the winter. We’ve also included a check for $25,000. That should cover your travel expenses and fee.”

“That’s quite generous. Thank you.”

“Arthur and I won’t live forever, and the money will eventually go to Ebben anyway. We are more than willing to leave him a little less to straighten out that boy.”

Arthur Mayer sighed, either to communicate he agreed or to remind me he was alive.

I stepped out of the Mayer mansion and into mid-January. A perfect winter day. Three degrees, no wind, and bright sunshine in a sky so blue it’d make the ocean green with envy. I put sunglasses on my face and walked down to Summit Avenue where I’d parked my hockey mom mobile. I had planned on replacing the Volvo station wagon with something less maternal, but since Evelyn was born, it had become too damn practical.

A large man sat in my passenger seat. He wore a 5-XL parka, fur-lined aviator hat, sunglasses, and scarf wrapped around his face. The rest of him was in there somewhere. I sat behind the wheel and said, “Why’d you turn off the car? Get a little heat in here and you wouldn’t have to wear everything you own from the big and tall man’s shop.”

“I like being bundled up,” said Jameson White, his voice muffled under his scarf. “Can’t do that when the heat’s on. Get too sweaty.”

“All right if I turn the heat on while we’re driving?”

The big man nodded. I started the car. He pulled the aviator hat from his head. His big Afro hit the car’s ceiling. Jameson White was six foot seven inches tall—his hair didn’t have much room. He unwrapped his scarf, revealing a beard he’d grown since leaving his job. A temporary leave, I hoped. I pulled onto Summit Avenue.

Jameson said, “What took you so long in there?” I handed Jameson the envelope from Beverly Mayer. He read, “Mr. Shapiro. We going to visit your dad?”

“No. We’re going to Los Angeles.”

 

Chapter 2

A couple years ago, I took a hunting arrow in the shoulder and would have bled out if a medical examiner hadn’t been on-site and had the good sense to cauterize my wound. Still, I needed surgery and a week in the hospital. But I was working the case of a missing seventeen-year-old girl and couldn’t take a week. So my ex-wife hired a private nurse to tend to me twenty-four seven to clean my wound, change my bandages, and make sure I didn’t miss a dose of antibiotics.

That nurse’s name was Jameson White. The best trauma nurse—correction: nurse practitioner—in Minnesota.

When I met Jameson, he had a booming laugh and all the charm and twinkle his six – foot – seven – inch frame could hold. He’s a great talker—I’m a decent listener. We became friends. He was fascinated by my work and offered to help if we needed him. Once in a while, we did. Private investigators sometimes hire distractors to divert the attention of their subjects. It’s usually a pretty man or woman, but in certain situations a six – foot – seven – inch – tall black man with a giant Afro worked beautifully. Especially a man full of charm, social grace, and intelligence. You couldn’t take your eyes off Jameson. His physical immensity drew you to him and his charisma kept you there.

I didn’t know anything about Jameson’s private life other than what he’d told me. He was single. He followed a woman to Minnesota. It didn’t work out but I never asked why.

Jameson played offensive line in the Canadian Football League for the Montreal Alouettes. Played his college ball at UCLA and knew Los Angeles. Knew it well because he spent his summers driving a cab after football practice. I’d never been to that town and needed local expertise I could trust. That was one reason I invited Jameson White to join me in Los Angeles.

The second reason—the big reason—was because a year earlier, a gunman entered a middle school, killed fourteen students, three teachers, and wounded ten others. All because one of the teachers refused him a second Tinder date. The first victims were rushed to Jameson White’s ER. He worked until every child and teacher who could be saved had been saved. He saw too many of them die. Thirty-some hours of saving and losing people, mostly children. Then he went home. Next day he returned to work and did so the day after that. For five months Jameson White worked his shifts without complaint. Then he fell apart.

Now, he sat in my passenger seat as I drove away from the Mayer mansion and headed west on Summit Avenue. Car exhaust condensed out of tailpipes like clouds, swirled in the automobiles’ wakes then vanished. The January sun bounced off yesterday’s three fresh inches of snow. The town lay frozen white and clean.

Jameson said, “Los Angeles? Why would we go to Los Angeles?”

I told Jameson about Beverly Mayer and her grandson, Ebben, and Ebben’s dead fiancée, Juliana, and said, “You want to go see Ellegaard with me or should I drop you off so you can pack?”

“I don’t know. I haven’t decided if I’m going.” Jameson folded his arms and looked out the passenger window.

Leaving Jameson behind wasn’t an option. Not since his breakdown. An old teammate of his was an assistant coach at UCLA. The two of them had remained close friends. I called the guy last night and told him I might be coming out for a job. If I brought Jameson, would he be able to spend some time with the former giant of joviality? He said he’d take Jameson the whole visit. He’d bring him to work. Have Jameson teach those kids how to use their hands and feet. I thought that might do Jameson some good, although I wasn’t ready to part with him the whole visit.

I also wanted to get Jameson out of town on the anniversary of the school shooting. He didn’t need to relive that. It’s bad enough every subsequent mass shooting in the country dragged him back down. That’s something he’d have to manage for the rest of his life.

We stopped at the Mississippi River. Evaporate froze above the open water—it looked like steam. I turned right then jogged northeast, on and off East River Parkway. The big man still stared out his window, arms folded.

I said, “I called your buddy August last night. Told him we might be coming out to L.A. He sounded pretty excited.”

Jameson said, “You told August I might be coming out?”

“He wants to take you to practice to learn the young’un linemen a thing or two.”

“I get it. You want to hand me off so you don’t have to babysit me anymore.”

Seven months ago, I got a call from a doctor in Jameson’s ER. The doctor said Jameson hadn’t showed up to work in two days, and the ER staff had discovered Seconal missing from the lock-up. I drove straight to Jameson’s place and knocked on the front door. No answer. I picked the lock and found him wearing his usual gray sweatpants and sweatshirt, drinking Redbreast, eating Pop-Tarts, and watching The Price Is Right. The bottle of Seconal was on the coffee table.

“I see my Irish whiskey habit has rubbed off on you.” He turned his head and showed me his glassy eyes. “How many of those did you take?”

Jameson White said, “Not enough.”

I have kept him close ever since.

I pulled into the parking structure at Riverplace and said, “Guess you’re coming with me to see Ellegaard.”

“I like Ellegaard,” said Jameson. “More than you.”

“You know that’s not true. You like us the same.”

Jameson sighed. “Yeah, I do.”

I drove down a level toward my parking spot, though I hardly needed a reserved space. The Saint Anthony Main area boomed in the eighties and nineties, but now it had more vacancies than tenants. I said, “I’m not babysitting you, Jameson. If you want to kill yourself, I sure as hell can’t stop you. But sometimes a guy needs a friend. I’m honored to be that friend. And I thought you could use some warm weather and a walk on the beach and to visit your old campus and football buddy. That wouldn’t be so painful, would it?”

Jameson shook his head.

“Plus, I don’t know that town. Traffic’s supposed to be a nightmare. Thought maybe you could help me find my way around town.”

Jameson White turned his big face toward me. “I got to fly first class. I don’t fit in coach.”

“I’ll ride up there with you. I heard you can eat all the peanuts you want. Come on. Let’s go see Ellegaard. After that, I’ll drop you at home to pack and we’ll head to the airport.”

“Heh,” said Jameson, a hint of a smile in his voice, “pack. You don’t got to pack for L.A. All you need is a T-shirt, pair of shorts, and flip-flops. Pack. Such a Minnesota boy.”

“No shit. That’s why I need you.”

 

Chapter 3

Kenji Thao greeted us at the reception desk. He first came to Stone Arch Investigations as an intern from Harding High School. A handsome kid with kind eyes, broad nose, and big smile. He combed his thick black hair like young Elvis Presley and wore a wisp of unripe facial hair. He’d carved out a personal style of white shirts under suit vests. A pocket watch rested in one of the vest’s pockets fastened to a chain that ran across to the other pocket. I’d seen the actual watch once. Kenji’s only defect was he stood five feet ten inches tall, defying the Hmong stereotype of being short. I don’t care for it when people who are supposed to be short are taller than me. I blame hormone-infused milk of which I drank none because I’m lactose-intolerant.

“Hey boss,” said Kenji. “You going to California?”

“We are.” I handed him the envelope minus the check.

“What up, Jameson?”

Jameson nodded. “Kenji.”

“Please book us a flight leaving this afternoon, a nice rental car but not a convertible because I have delicate skin, and a good hotel near the address in here.”

Jameson said, “And I got to fly first class. I don’t fit in coach.”

Kenji looked at me for approval. I gave it.

We walked toward Ellegaard’s office. Kenji said, “You want a seat in first class, Nils, or are you small enough to ride on Jameson’s lap?”

Anders Ellegaard sat at his desk reviewing a document, a highlighter in hand. Sunlight poured in through the window in the stone wall. Ellegaard squinted in the bright light. He kept his eyes on his work and said, “How did Beverly Mayer behave?”

“Her face smiled but the rest of her didn’t. You should come to Los Angeles with us.”

“Wish I could. Maisy and Olivia both have hockey tournaments this weekend. Molly and I have to divide and conquer. I’d send Annika with you if she wasn’t on vacation.” Annika Brydolf was our junior investigator. She’d taken her two kids to Florida—her first vacation in over ten years. Ellegaard looked up. He and Jameson exchanged nods. Ellegaard had approved paying Jameson’s way in return for him playing tour guide. Truth is, Ellegaard would have approved it even if Jameson had never been to Los Angeles. He loved the big guy just as much as I did.

Ellegaard smiled an easy smile. He had crow’s-feet around his eyes. I met him when we were both cadets at the Minneapolis Police Academy. Nineteen years later, he looked the same other than those crow’s-feet. And lines in his forehead. He looked like a boy with a man’s markings. I wondered if I’d always see him like that—if I were incapable of seeing him as a forty-one-year-old.

I placed the check on his desk. “Seems like a lot of money for almost no work. How well do you know Beverly Mayer?”

Ellegaard looked up and said, “Not well. But my parents know Beverly and Arthur’s son and his wife. Not that they run in the same social circle. My mother decorated their lake home, and they became friends. My parents spend weekends up in Brainerd with them.”

“Beverly said something about Ebben’s father squandering his trust fund.”

“He didn’t squander it. He started a foundation to narrow the achievement gap in Minnesota schools.”

“Wow. Beverly Mayer is a piece of work.”

“Not a nice woman by all accounts. Her son doesn’t talk to her.”

“What’s her grandson, Ebben, like?”

“I asked around before I sent you to the Mayers. I haven’t heard a bad thing about Ebben. Not from business associates. Not from family. Not from ex-girlfriends. He’s respected and well-liked. And if he’s investing in entertainment projects, no one cares other than Beverly Mayer. This job should be a paid vacation. Might as well enjoy it.”

Paid vacations, like free lunches, exist in the land of unicorns and once-in-a-lifetime investment opportunities. I said, “Did you hear Ebben’s fiancée died last week?”

“Yeah,” said Ellegaard. “His parents are concerned about him. I think Beverly’s just concerned about the money.”

Kenji Thao stuck his head into Ellegaard’s office. “Do you want to fly at 1:21 or 3:10?”

I turned to Jameson, “What do you think, boss?”

Jameson said, “1:21. The 3:10 would put us on the ground around 5:00 Pacific time. Los Angeles is a parking lot at 5:00.”

“Local knowledge. Can’t beat it.”

“Kind of just common sense, but whatever.”

I dropped Jameson at home to pack his T-shirts, shorts, and flip-flops and went home to do the same.

 

She had put the DO NOT DISTURB sign on the condo door to let me know the baby was napping. We had stolen the DO NOT DISTURB sign from the Fairmont Hotel in the Canadian Rockies. I asked her to marry me during that trip while hiking a trail high above the emerald-colored Lake Louise. It was mid-July, sunny, and warm. We trekked over what remained of an avalanche flow, which, the previous winter, had taken out thousands of pine trees. The avalanche had ripped the trees out by their roots and snapped them into bits. But the ice and snow captured and preserved the trees, keeping them fresh and green and fragrant like Christmas, even months after they’d been torn from the soil. I had planned on proposing at dinner, but the avalanche flow proved too picturesque and smelled like what I’d want heaven to smell like. So much beauty in the aftermath of destruction. It was just too damn symbolic of our romance. I had the ring with me because I didn’t feel safe leaving it in the hotel room. She said yes, and we continued up the trail, me with one wet knee.

I removed my shoes in the hall, turned the door handle like a safecracker, then tiptoed into the foyer. My fiancée sat on the couch, half under a wool throw, typing away on her laptop. She’d left work early to spend the afternoon with Evelyn Stahl-Shapiro. She had never wanted a baby, but in March we’d marry and that would officially make Gabriella Nuñez Evelyn’s stepmother. That thrilled Gabriella.

I looked at the baby monitor on the end table. Evelyn slept under her quilt. I wanted to go get her, but Gabriella thought we should let her sleep because Evelyn had a cold and needed the rest. She sucked a pacifier in her mouth and held one in each hand. I didn’t think it was a big deal that Evelyn still used a pacifier at ten months old, but Micaela and Gabriella wanted it gone. That was another beautiful gem in the aftermath of destruction. Micaela Stahl, my ex-wife, Evelyn’s mother, had embraced Gabriella Nuñez, not only as my fiancée, but as Evelyn’s soon-to-be stepmother.

The aftermath of my failed marriage had spent its energy like a tsunami after an earthquake. It destroyed everything in its path. But it was over, and the seas had grown calm. Gabriella had to fight through insecurity and convention to trust that I had let go of Micaela. She’d succeeded. It’s what happens when you fall in love with a skilled cop—she knows when you’re lying and she knows when you’re telling the truth. Gabriella, even though she sometimes doubted it, understood I was emotionally free and clear to love her. And with each passing month, Gabriella’s trust grew to match what she knew. I loved her. Only her.

We all lug around baggage. Mine was I had been married to Micaela. Years after our divorce, we’d fall in and out of bed together. The physical part of our relationship lived while the emotional part died. We held onto it like Evelyn held onto her pacifiers. We didn’t think Micaela could get pregnant so we did nothing to prevent the possibility. Then without telling me, Micaela took clomiphene and got pregnant at forty years old. The baby certified the death of our romantic relationship. It was as if Micaela and I were meant to have a baby together. Nothing more.

I’d met Gabriella when we were in our early twenties, both cadets at the Minneapolis Police Academy with Ellegaard. Micaela had known her for years—the two had always liked each other. That made for an unconventional but functional family. Micaela and Gabriella read the same parenting books and bored me with the same conversations about sleep training and diet and waiting lists for preschools.

I sat on the couch next to Gabriella, wriggled my way under the blanket, and kissed her.

Her dark eyes shined. Her black hair fell straight to the middle of her back. She said, “Thank you.”

“Come to Los Angeles with us.”

“The job is on?”

I nodded. “You can drive down to San Diego to see your family. Or maybe they’ll come up for a few days.”

Gabriella said, “Wish I could. But you’ll be back soon.”

“Yes, I will. With a perfect farmer’s tan.”

“Ooh. I can’t wait.”

We stared at the baby monitor and watched Evelyn sleep. It was weekday winter quiet. Windows shut and we were probably the only souls in the building. We just sat there staring at and listening to Evelyn breathe. Little moments. Take ’em when they come.

 

Copyright © Matt Goldman

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Eight Mysteries We Can’t Wait to Solve This Year

Eight Mysteries We Can’t Wait to Solve This Year

By Alison Bunis

The new year is finally here. Take a deep breath and savor the clean slate. But what’s that scent drifting in? Is that…new book smell?? Of course it is! Forge has a whole new lineup of fantastic mysteries for 2020, and they’ll be bringing you all the new book smell, mysterious thrills, and page-turning plot twists your heart could ever desire. To get you excited, here are just a few of the books you can look forward to this year from Forge. On your marks…get set…read!

 

Blame the Dead by Ed Ruggero (3/3/20)

Image Placeholder of - 12The nurses of the US Army’s Field Hospitals contend with heat, dirt, German counterattacks,  and a flood of horribly wounded GIs. At the 11th Field Hospital near Palermo, Sicily, in the summer of 1943, they also live with the constant threat of violent assault by one of their own—until someone shoots Dr. Myers Stephenson in the head. Former Philadelphia beat cop turned Military Police lieutenant Eddie Harkins is assigned the case, and he has no idea how to investigate a murder. But Eddie is determined to get to the truth. As his investigation gets more complicated and more dangerous, it becomes clear that this hospital unit is rotten to its core, that the nurses are not safe, and that the patients who have survived Nazi bullets are still at risk in this place that is supposed to save them.

Gone By Midnight by Candice Fox (3/10/20)

Place holder  of - 90It’s every parent’s nightmare. Four young boys are left alone in a hotel room while their parents dine downstairs. When Sara Farrow checks on the children at midnight, her son has disappeared. Distrustful of the police, Sara turns to Crimson Lake’s unlikeliest private investigators: disgraced cop Ted Conkaffey and convicted killer Amanda Pharrell. For Ted, the case couldn’t have come at a worse time. Two years ago a false accusation robbed him of his career, his reputation, and most importantly, his family. But now Lillian, the daughter he barely knows, is coming to stay in his ramshackle cottage by the lake. With Lillian at his side, Ted must dredge up the area’s worst characters to find the missing boy. The clock is ticking, and the danger he uncovers could put his own child in deadly peril.

Do No Harm by Max Allan Collins (3/10/20)

Poster Placeholder of - 40The latest book in the Nathan Heller series picks up in 1954, with Heller taking on the Sam Sheppard case: a young doctor is startled from sleep and discovers his wife brutally murdered. He claims that a mysterious intruder killed his wife. But all the evidence points to a disturbed husband who has grown tired of married life and yearned to be free at all costs. Sheppard is swiftly convicted and sent to rot in prison. But just how firm was the evidence…and was it tampered with to fit a convenient narrative that settled scores and pushed political agendas?

Dead West by Matt Goldman (6/2/20)

Placeholder of  -57In Matt Goldman’s fourth standalone entry in the Nils Shapiro series, Nils accepts what appears to be an easy, lucrative job: find out if Beverly Mayer’s grandson is throwing away his trust fund in Hollywood after his fiancée’s tragic death. But nothing is what it seems in Los Angeles. Nils quickly suspects that Ebben Mayer’s fiancée was murdered, and that Ebben himself may have been the target. As Nils moves into Ebben’s inner circle, he discovers that everyone in Ebben’s professional life—his agent, manager, a screenwriter, a producer—seem to have dubious motives at best. With Nil’s friend Jameson White, who has come to Los Angeles to deal with demons of his own, acting as Ebben’s bodyguard, Nils sets out to find a killer before it’s too late.

Of Mutts & Men by Spencer Quinn (7/7/20)

Image Place holder  of - 15Get ready for another canine crime caper, narrated by the world’s fluffiest PI: Chet the dog. When Chet and his human, Bernie Little of the Little Detective Agency. arrive to a meeting with hydrologist Wendell Nero, they’re greeted by a shocking sight—Wendell has been killed. What did the hydrologist want to see them about? Is his death a random robbery, or something more? Chet and Bernie, working for nothing more than an eight-pack of Slim Jims, are on the case. As Chet and Bernie look into Wendell’s work, their search leads to a struggling winemaker who has received an offer he can’t refuse. Meanwhile, Chet is smelling water where there is no water, and soon Chet and Bernie are in danger like never before…

The First to Lie by Hank Phillippi Ryan (8/4/20)

We all have our reasons for being who we are—but what if being someone else could get you what you want? After a devastating betrayal, a young woman sets off on an obsessive path to justice, no matter what dark family secrets are revealed. What she doesn’t know—she isn’t the only one plotting her revenge. 

An affluent daughter of privilege. A glamorous manipulative wannabe. A determined reporter, in too deep. A grieving widow who has to choose her own reality. Who will be the first to lie? And when the stakes are life and death, do a few lies really matter?

And Now She’s Gone by Rachel Howzell Hall (9/22/20)

Isabel Lincoln is gone.

But is she missing?

It’s up to Grayson Sykes to find her. Although she is reluctant to track down a woman who may not want to be found, Gray’s search for Isabel Lincoln becomes more complicated and dangerous with every new revelation about the woman’s secrets and the truth she’s hidden from her friends and family—even as Grayson is forced to confront secrets from the past she thought she’d finally left behind.

A Resolution at Midnight by Shelley Noble (10/13/20)

It’s Christmas in Gilded Age Manhattan. For the first time ever an amazing, giant ball will drop along a rod on the roof of the New York Times building to ring in the New Year. Everyone plans to attend the event. But the murder of a prominent newsman puts something of a damper on the festivities. And when a young newspaperwoman is the target of a similar attack, it’s clear this is not just a single act of violence but a conspiracy of malicious proportions. Really, you’d think murderers would take a holiday. Something absolutely must be done. And Lady Dunbridge is happy to oblige.

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