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Five Writers Who Hooked Author Alex Gilly

Author Alex Gilly has joined us on the blog today to talk about the writers who have inspired him throughout his life. Read more below, and order your copy of his newest thriller Death Rattle, now available wherever books are sold!


Place holder  of - 92By Alex Gilly

Reading got me into writing. As a kid and an adolescent, I would fall under an author’s spell, and then it would seem to me that that writer was more like a sorcerer than a normal person who sat at a desk all day writing one sentence and then another. There had to be magic involved. 

Grown up, I yearned to cast spells like that, so I set out to learn how to write a novel. Turns out, it’s by sitting at a desk every morning and writing one sentence and then another.  

And yet. Even now, the reader in me still believes in magic. When I find a new author to love, it’s not hard to imagine them in a wizard’s hat, pockets full of magic dust. I turn the pages and ask myself, “How do they do that?”

Below is a list of five writers who bewitched me at various stages of my life. It’s not a complete list and there’ll be more to come. But these writers all enchanted my reading life enough to make me want to write.  

  • 1) Jean-Michel Charlier and Jean Giraud

My family moved countries a lot when I was a kid and my French mother wanted me to learn French so she used to give me bandes dessinées, French comic books like Tintin and Asterix. These BDs come in series, so if you get hooked on one, you’re in luck because there are usually dozens more.  At around 12 years of age, I discovered Blueberry, written by Jean-Michel Charlier and illustrated by Jean Giraud.

Mike Blueberry is a tough guy with a Belmondo nose who roams the United States still reeling from the Civil War drinking whiskey, playing his bugle and fighting injustice wherever he finds it. He’s an ally to Native Americans, African Americans and women, in a wild west dominated by white men with guns. Thinking about it now, Blueberry is a kind of precursor to Lee Childs’ Jack Reacher. He’s got the same scrappy wanderer energy: a free-roaming ex-army loner who gets into scrapes, fights bad guys and defends the defenseless. 

Just a word on this whole comics vs. graphic novel thing. If you’re not into comics, call it a graphic novel. I’ve never been convinced of the distinction between the two anyway. And if you think you’re not into graphic novels, let Blueberry be the one to change your mind. 

 

  • 2) Agatha Christie

I became a loyal subject to the Queen of Crime at around 14 years of age. Poirot surely is a contender for the greatest sleuth in crime writing. In an Agatha Christie story, pretty much every character has both the motive and the means to be the killer — what better way to keep readers hooked than to make everyone a suspect! And unless you can tell me otherwise, it was Agatha Christie who invented the big reveal parties at the end of crime novels, when the sleuth gathers everyone in a room and methodically re-creates the crime before revealing the killer. It might seem a bit camp and theatrical now, but it’s become a standard set-piece of the genre. The recent movie Knives Out had great fun with it.  

 

  • 3) Ed McBain

I found McBain on my Dad’s shelves. The Penguin Crime paperbacks from the 1970s and early 80s. I still remember the covers vividly: the lowercase sans-serif font, the dirty black-and-white photos of New York, sometimes with a colored graphic of a syringe or a revolver superimposed over it, the hard titles like Cop Hater and Lady Killer.  

 After Christie’s cozy English villages, it was a thrill to discover the mean streets of the 87th Precinct. It made me feel a lot more grown up than I was, which was 15 years old. McBain also made me wise to the importance of creating a compelling villain. The Deaf Man is one of the greatest villains of crime writing, no question.  

 

  • 4) Carl Hiaasen

If I’m remembering this right, I found Hiaasen because one day I finished reading everything Elmore Leonard had ever written and I was craving more and then I saw a cover of a Hiaasen book with a Leonard blurb on it. Or maybe someone said if you like Leonard, you’ll like Hiaasen. Either way, for me one led into the other. Which is not to say they’re the same. Elmore Leonard is funny, but he’s funny in a cool, wry way. Hiaasen is laugh-out-loud-on-a-crowded-train funny. He showed me crime writing could be absurd and riotous. He also introduced me to weird America. I can’t remember which book it was in — I read pretty much his whole life’s work in a frenzy, starting a new one the minute I’d finished the last one — but there was one story involving a lustful dolphin and one of those wheel locks people used to put on their steering wheels that I’ve never forgotten. 

 

  • 5) Georges Simenon

I own a 28-volume omnibus edition of the works of Simenon the spines of which, when you line up the books in order, spell ‘Le Monde de Simenon’. If you’re going to get addicted to something, you like to keep an eye on your supply. I’m up to the first ‘O’ so there’s no need to re-up yet.  

Simenon is my current addiction. There’s an aphorism that when ugly buildings get old enough, people start thinking of them as beautiful. The same thing happens with genre writers. I was at a dinner party once and the lady next to me asked me what I did and when I told her I wrote crime fiction she said, “I never read crime novels.” Then, perhaps sensing she might have caused offense (she hadn’t), she asked me what crime novels I suggest she read. When I said Raymond Chandler and Dashiell Hammett she said, “Oh, I’ve read them.” Chandler and Hammett were considered pulp in their day. They only got elevated to the status of ‘proper’ writers later. Simenon is a bit like that. He produced books at an astonishing rate, pumping them out in weeks rather than months. You’d think someone who wrote that quickly would produce cardboard characters, barely more than sketches. Not Simenon. I’m not the first to say this, but is there a sharper observer of human character in crime writing than Georges Simenon? He is the master wizard to whom all we apprentices must pay our dues.

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Excerpt: Death Rattle by Alex Gilly

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Alex Gilly’s Death Rattle is a riveting thriller for fans of Don Winslow’s The Border.

A death in a migrant detention center leads officer Nick Finn and his wife, human-rights lawyer Mona Jimenez, to investigate the prison’s account of what happened.

Trouble is, the company that runs the prison is on the verge of signing a billion-dollar procurement contract with Homeland Security. And there are people in this world for whom a billion dollars is worth a whole lot more than one human life. Or even three.

Death Rattle will be available on July 14, 2020. Please enjoy the following excerpt.


Prologue

With the swell and the way the wind was gusting, Marine Interdiction Agent Vernon Gomez was struggling to keep the spotlight locked on the panga. One second the little open boat was inside the circle of light, the next it had slid back into the surrounding murk. Agent Nick Finn stood under the Interceptor’s canopy, glancing from the panga to the rain clutter on the radar screen, thinking, a night like this, it was a miracle they’d found it at all.

The panga, as usual, was packed to the gunwales. Gomez’s spotlight clung to it long enough for Finn to glimpse a woman clutching a child and two men bailing water. He also had time to see that some genius had hacksawed away the forward flotation compartment to make room for more passengers. He took one look at how low the boat was in the water and picked up the radio mic.

“Long Beach, this is Interceptor One, over.”

A voice crackled back. Finn spoke up against the rain pelting the hardtop. He said, “I’m looking at a suspected illegal entry vessel, twenty-foot-long open boat, taking on water. Looks like her engine’s out. I need a chopper and a utility out here to take everybody off.”

“Interceptor One, what’s your position?” said the voice.

Finn gave their position, some ten miles southwest of Newport Beach. Finn was vessel commander, so this was his operation. He turned to tell the newbie, Marine Interdiction Agent Antonio Figueroa, to do a head count of the people aboard the panga. But Figueroa was bent over the rail, throwing up. So Finn turned instead to Marine Interdiction Agent Amanda Chinchilla. “Ask them how many people they’ve got aboard,” he said.

Chinchilla’s voice boomed through the bullhorn. The squall lulled, and Finn heard a man at the rear of the sinking boat shout back, “Veintidós!”

Even Finn, no linguist, could understand that. He relayed the information back to Long Beach before Chinchilla had a chance to translate. He asked how long till his backup got there. “Stand by,” said the voice on the radio. Finn looked at Chinchilla and Gomez. By their solemn faces, he figured they were thinking the same thing he was. What he was thinking was, the panga was going to sink long before the chopper arrived. Finn decided on a course of action, then let five seconds pass, counting them out in his head.

No better idea presented itself.

He hung up the mic.

“Here’s what we’ll do,” he said. “I’ll bring us round their weather side. Gomez, you keep them lit up. Chinchilla, you tell them we want the children first, then the women. Let’s go.”

Gomez and Chinchilla nodded and moved to their posts. No one paid any attention to Figueroa, still throwing up. Finn maneuvered the Interceptor between the panga and the swell. The squall picked up again and blasted rain across his face. Cold water had somehow slunk under his jacket and now found new courses to follow each time he moved. He felt it trickling toward his socks.

Sheltered behind the much larger vessel, the panga righted a little. But it was still dangerously low in the water—by the glare of Gomez’s spotlight, Finn could see maybe a foot and a half of freeboard above the waterline.

Another thing that worried him: the confusion on the radar screen. They were in the middle of the southern fairway into Long Beach, one of the busiest shipping channels in the world, and he couldn’t see a thing. A couple of years back, a three-hundred-foot cargo ship had crushed a twenty-five-foot fishing boat right here in the channel, and the cargo crew hadn’t even noticed. Finn fiddled with the clutter control. Nothing. He’d switched on every light the Interceptor had, figuring if he couldn’t see, at least he could make himself as visible as possible. If he’d had a Christmas tree in the bow, he’d have lit that, too.

His socks squished when he stepped over to Figueroa, still bent over the leeward rail. He grabbed the newbie by the back of the collar, hauled him over to the windward side, and pointed out at the wet darkness.

“I don’t care if you puke all over yourself. You’re on lookout duty, you hear? You see anything at all out there, you shout it out. Anything at all, even if you’re not sure it’s an actual thing, you yell out. Got it?”

Figueroa groaned and moved his head in a way that might’ve been a nod, but which might not have been.

Finn shook him, hard.

“Show me you understand what you gotta do.”

“Look out. Got it,” came the weak reply.

Finn let go of the young man’s collar and went back to supervise the rescue operation.

 

Chinchilla stepped over to him. “They say they got four children!” she said, shouting against the sound of the rain.

“Bring them up!” he said at the same volume.

She went back to the rail and started shouting in Spanish at the guy standing by the dead outboard at the panga’s stern, the guy whom Finn surmised was in charge of the whole catastrophe. Finn remained at his station with one hand on the wheel and the other on the throttle, ready to respond if Gomez, who had a clearer view of the sinking boat, hand-signaled to him to back off. The Interceptor was forty feet long, twice the size of the panga. A gust in the wind or freak wave could easily thrust them over the top of it.

He glanced over to the other rail. Figueroa was still upright, throwing up into the wind. He turned back to see Chinchilla bend over the side, haul up a small child, and set her down on the forward deck. Within two minutes, she’d hauled three children aboard. Then something went wrong; Finn heard yelling before a grown man appeared over the side. Finn recognized him as the guy from the back of the boat.

He waved the guy over to him. The man stumbled across the shifting deck and through the rain and wind toward the cockpit. Finn grabbed him by the collar.

“I said women and children first,” he said, calling the guy the worst Mexican cussword that his wife, Mona, had taught him. He resisted the urge to throw the fellow over the side, but not the one to fling him down on the deck. He looked up. Chinchilla was shouting. Something was going on in the panga. Finn stepped over the pendejo and went to the rail. A young woman wearing an oversized white T-shirt and spandex leggings was trying to push a child up the ladder. The child had clasped her tiny hands to the ladder’s lowest rungs and wasn’t letting go. The other people in the panga were crowding around the ladder, yelling at her, unbalancing the open boat. Chinchilla was shouting at them to step back, but they weren’t listening. Their refusal to heed orders was the first sign of a panic that Finn knew could prove fatal. He jammed his knees under the Interceptor’s rail, leaned down as far as he could, got a hold on the girl’s forearms, and said, “I got you, sweetheart. You can let go,” in English. Two terrified eyes met his. Her tiny hands remained prized to the rungs. Then the young woman below said something to the kid in Spanish, her voice firm and reassuring, not panicky. The child said something that sounded like a prayer—Finn heard the word Dios—shut her eyes and let go of the ladder. Finn hauled her up over the side. He settled her against the rail with the other children, then bent over the side again, extending his arms to the young woman this time. Her long black hair was plastered to her face. She reached up and took hold of Finn’s forearms.

A wave shouldered its way between the two boats, separating them. Finn felt the woman’s arms yank out of his hands. She splashed into the strip of roiling water.

“Man overboard!” he screamed. He pointed and kept pointing at the spot where he’d seen the young woman go in. He felt the Interceptor backing away—Gomez making sure they didn’t run over the person in the water. Chinchilla had the spotlight now. She swept it back and forth over the foam.

No sign of the woman.

Finn knew, like every mariner, the first rule of man overboard is, keep it to one man overboard. You throw the man a life ring, a life vest, a line, anything; you never dive in after Him.

Finn ignored the rule. He had trained as a rescue swimmer with the navy’s Maritime Expeditionary Security Force. He unclipped his utility belt.

The moment he hit the water, his clothes became instantly heavy. He also got a shock from the cold: it was March, and the water temperature hadn’t broken sixty degrees. He kicked hard to get his head above the surface, and when he did, he heard the shriek of the wind, like an endless piece of paper being torn. Voices in Spanish and English screamed from both boats. The DHS seal on the Interceptor’s side—an eagle with an olive branch in one set of talons, arrows in the other—looked huge from the water’s surface. Waves surged over his head. He swallowed mouthfuls of seawater. Chinchilla was still sweeping the light over the spot where the young woman had gone under; he swam toward it and dived.

Beneath the surface, the spotlight’s muted shine penetrated three or four feet, and in this dimly lit sphere the sea’s dark shades shifted in sudden streaks like wet paint beneath an artist’s scraper; below that, it was entirely black.

At the very edge of the reach of light, he glimpsed a flash of white.

He took two big strokes and swept a hand in front of his face as though pushing aside a curtain; it brushed against something solid. He reached around the woman’s torso with one arm and with his free hand pressed the inflator trigger on his emergency vest. He burst through to the surface and into the howling wind.

An emergency-yellow flotation sling attached to a line hit the water next to Finn. He wrangled the woman into it, clipped her in, then tugged on the line. He watched her get lifted out of the water, hauled up, he imagined, by Chinchilla’s barbell-tooled arms. Someone on deck kept shining the spotlight down on him. By its light, he noticed dozens of twenty-dollar bills floating on the surface all around him. He swam for the ladder on the side of the Interceptor, grabbed the lowest rung, waited for the hull to roll toward him, kicked hard, and pulled himself out of the sea.

 

Gomez helped him over the side and kept holding him. Finn shrugged him off and made it clear he was all right. But his teeth were chattering, and he wrapped himself in the space blanket that Gomez handed him. He felt something sticking to his cheek. He peeled it off: a twenty-dollar bill.

He turned his attention to the girl supine on deck. Chinchilla was kneeling beside her, her ear to the young woman’s mouth, listening for breath. After a moment, she pinched the woman’s nose, covered her mouth with her own, and blew hard, her cheeks puffing; the marine interdiction agent pulled away, and the young woman puked; Chinchilla stuck two fingers into the woman’s mouth, scooped out vomit, then bellowed another lungful of air into her; the woman coughed, puked some more, opened her eyes. Her white T-shirt was hitched up above her belly button, revealing a money belt. Finn noticed that its zipper had split open.

Then he looked up and saw Figueroa with his back to the wind, staring at Chinchilla reviving the woman.

“Figueroa! Goddammit, keep your eyes outward!” he yelled.

The young man wheeled around. Finn grabbed the spotlight and scanned the nearby water until he found the panga. It had drifted away twenty feet and was even lower in the water now. Two guys were frantically bailing with buckets; everyone else was scooping with their hands. Finn calculated that there were still sixteen people aboard. Only the children, the young woman that he had rescued, and the captain were safely about the Interceptor. Without taking his eyes off the panga, Finn held up his open hand and yelled, “Gomez! Watch my signal! Another ten feet forward and to starboard . . . Hold!”

On the command Hold! he clenched his fist. The Interceptor drifted alongside the panga, closing the gap. Chinchilla joined Finn at the rail. Finn said, “Tell them if they crowd the ladder, they’ll capsize.”

Chinchilla turned to the people below and fired off a series of commands. He was relieved to see that there was no rush for the ladder. The migrants came up one by one, moving with orderly haste, shuffling around to rebalance the panga whenever a person stepped off. As each person came over, Finn handed them each a space blanket, then directed them where to sit on the foredeck, distributing the weight. He noticed the young woman he’d pulled out of the water curled up under a silver sheet, next to the child she’d helped out of the panga. They were both looking at him gratefully. He unclenched his jaw a little. The operation was almost over.

Right then came a scream from the dark side of the boat. Everyone turned to the windward rail. Looming out of the night, high as mountain, was the bow of a container ship.

Finn’s heart broke its chains and rushed his throat.

 

Viewed close up and from sea level, even in the dark, the bow of the cargo occupied most of the sky, and Finn had to tilt his head back so far to see its top that the back of his skull pressed against the top of his inflated life preserver.

The freighter blasted its foghorn. The bone-shuddering volume left everyone aboard the Interceptor shell-shocked. Finn shone his spotlight on its red bow bulb shouldering aside the sea, displacing a huge wave, coming at them like a locomotive. He knew that this close, a ship that big hadn’t enough room to veer, let alone stop, and that it would crush them the way a battle tank crushes a lizard. If the people aboard the panga and the Interceptor wished to remain alive, the ship’s horn was saying, they needed to get out of the way.

Now.

He turned away from the monster and stamped down his own terror. The Interceptor had been designed to go fast; if he moved now, they’d clear the freighter’s path. But moving now meant abandoning the remaining people in the panga. He counted four still in it, plus one on his way up the ladder. He figured he needed ninety more seconds to get everyone aboard.

He turned back to the freighter.

“What’s it going to be, boss?” said Chinchilla, her voice quicker than usual.

Finn met her gaze.

“Carry on,” he said.

She nodded, went back to helping people come over the rail. Finn handed them emergency blankets and pointed where to sit. They had enough time, he told himself. It would be close, but they had enough time.

“Are you crazy?” said a voice behind him. Finn wheeled around. Figueroa. His eyes as wide as eyes can go.

“We’ll all die!” he screamed. He waved his hand at the freighter. “We have to get out of the way!”

“Sit down, Figueroa,” said Finn.

But the young man didn’t listen. He shoved Gomez from the wheel. “I don’t want to die!” he screamed. “We have to g—”

He slumped to the ground, midsentence. Gomez calmly reholstered his Taser and returned to his position.

Finn shone the spotlight back on the panga and saw that in the commotion, the two boats had separated. The two men still aboard, the ones who’d hadn’t stopped bailing since the Interceptor had found them, looked back at him. They’d stopped bailing now. What was the Point?

“Ten feet forward, Gomez,” said Finn, making his voice calm. Search lights from high above swept back and forth over the people huddled on the Interceptor’s foredeck. If it’d been day, the freighter would’ve blocked out the sun. The Interceptor came back up alongside the panga. The first of the last two guys scrambled onto the ladder and started climbing. The giant ship was blaring her horn nonstop now, so loud that Finn nearly didn’t hear Gomez shout, “We gotta go, boss!”

The Interceptor began to rise on the freighter’s bow wave, going up fast like they’d stepped onto an escalator. The last migrant now had his arms on the ladder—the moment his feet were off the panga, Finn shouted, “Go! Go!”

He hauled the guy aboard, then turned and saw the whale-sized red bulb just meters away and rushing at them.

He thought, Too late. I’ve killed us all.

 

Everybody in the Interceptor stared back. Only Finn, Chinchilla, and Gomez were focused forward, straining with everything they had, wishing for the Interceptor’s propeller blades to take hold of the wind-whipped water.

It came down to five meters. The freighter’s bow was no more than five meters from the Interceptor’s stern by the time the speedboat’s four propellers at last gripped the water and slingshotted her forward, sending her surfing down the ship’s bow wave. The noise of the outboards, the wind, the bow wave, and the ship’s horn were earsplitting, but through it all Finn still heard the cracking sound of the ship pulverizing the panga.

Gomez had opened the Interceptor’s throttles all the way. The Interceptor rushed ahead of the ship, launching off waves. When they had gained maybe fifty meters, Gomez started arcing the boat east, out of the freighter’s path.

A minute passed, and now they were in the great ship’s lee. Gomez pulled the throttles back into neutral; the Interceptor came off the plane and drifted to a stop. The rain had stopped, and the clouds were dispersing. No one said a word. Finn breathed what felt like the first breath of the rest of his life. The migrants stood at the rail, silver foil wrapped around their shoulders, and stared at the cargo ship parading past, a fast-moving sheer wall of steel darkly visible in what light the night sky had to offer, the ship going on and on, like it would never end. Chinchilla, Finn, and Gomez stood under the hardtop by the console. Figueroa was coming to on deck.

From the direction of Long Beach behind them came the thrum of a helicopter approaching.

Copyright © Alex Gilly

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Six Books We Can’t Wait to Read in 2020

Six Books We Can’t Wait to Read in 2020

By Alison Bunis

How’s your 2020 to-read list looking? Nice and neat, every book listed in the order you want to read them? You know exactly what books you’ll be reading when for all of 2020, right? It’s almost January, everything should be all planned out…Yeah, no one does that. Not even the Forge team, and we’re pretty big book nerds here. Even if you tried to make a list like that, it can be so hard to stick to, because sometimes you see a book that you just have to read this very second. We get it. 

But we do like to know what great stuff we can look forward to reading in the upcoming year, and we figured you might, too. So here’s a list of six of the great books coming out from Forge this year! Put them on your (disorganized, not-in-any-particular-order) to-read list now!

Nobody Does It Better by Mark A. Altman and Edward Gross (2/11/20)

Place holder  of - 33For over five decades, the cinematic adventures of James Bond have thrilled moviegoers. Now, bestselling authors Mark A. Altman and Edward Gross take you behind-the-scenes of the most famous and beloved movie franchise of all-time filled with reflections from over 150 cast, crew, critics and filmmakers who reflect on the impact of this legendary movie franchise as well as share their thoughts about their favorite (and least favorite) 007 adventures and spy mania which gripped fans the world over in the wake of the success of the James Bond films. Get your martini glasses out, and get ready to learn the incredible, uncensored true stories of the James Bond franchise, from the birth of Bond through the latest adventures. Don’t worry—since Nobody Does it Better is hitting shelves on February 11th, there’s plenty of time to read it before No Time to Die comes out in April!. 

Crash by David Hagberg and Lawrence Light (4/28/20)

Image Placeholder of - 13Whether you’re a financial junkie or have never gotten closer to the stock market than watching Wall Street, Crash will strike a chord with everyone who remembers the 2008 financial crisis. Much like in our reality, the world’s economies are groaning under too much debt. If one thing goes wrong, the entire rickety system collapses. In Crash, with debt-burdened governments and businesses worldwide about to go bust, a cabal of Wall Street big shots plot to provide that one thing that goes wrong. In 24 hours, a powerful computer worm will smash the exchanges and spark an international panic. The Wall Street gang’s investment bank will be the last one standing, able to make a killing amid the ruins.But when one of the bank’s computer experts, Cassy Levin, spots the worm, she invents a program to destroy it, and her bosses have her kidnapped. When Cassy disappears, her boyfriend Ben Whalen, a former Navy SEAL, starts looking for her, and ends up stumbling onto the entire plot. Now Ben only has one day to save the woman he loves and prevent a global economic collapse like we’ve never seen before.

The Nemesis Manifesto by Eric Van Lustbader (5/19/20)

Image Place holder  of - 66Get excited for a new series from Eric Van Lustbader, packed with Russian meddling, American fragmentation, global politics, and the adventures of singular new hero Evan Ryder. Evan is a lone wolf, a field agent for a black-ops arm of the DOD, who has survived unspeakable tragedy and dedicated her life to protecting her country. When her fellow agents begin to be systematically eliminated, Evan must unravel the thread that ties them all together…before her name comes up on the kill list.

The list belongs to a mysterious cabal known only as Nemesis, a hostile entity hell-bent on tearing the United States apart. As Evan tracks them from Washington D.C. to the Caucasus Mountains, from Austria to a fortress in Germany where her own demons reside, she unearths a network of conspirators far more complex than anyone could have imagined. Can Evan uproot them before Nemesis forces bring democracy to its knees?

Death Rattle by Alex Gilly (7/14/20)

Poster Placeholder of - 35When Carmen de la Vega’s boyfriend tries to kill her, she hands over all her savings to a smuggler and sets out from Tijuana in a small, leaky boat. Within sight of the California coast, the boat starts to sink, and its passengers have to be rescued by border patrol. Soon after, Carmen turns up dead in a privately-operated Migrant Detention Center. Neither Nick Finn, the officer who saved Carmen from drowning, or his wife, human-rights lawyer Mona Jimenez, are satisfied with the prison’s account of what happened to Carmen. Trouble is, the company that runs the prison is on the verge of signing a billion-dollar procurement contract with Homeland Security. And there are people in this world for whom a billion dollars is worth a whole lot more than one human life. Or even three. 

South of the Buttonwood Tree by Heather Webber (7/21/20)

Placeholder of  -84If you were enchanted by Heather Webber’s Midnight at the Blackbird Café, then boy do we have good news for you: she’s got a brand new book this July, filled with just as much warmth, magic, and charm as her first. This time, we meet Blue Bishop, a town outcast who has a knack for finding lost things. While growing up in charming small-town Buttonwood, Alabama, she’s happened across lost wallets, jewelry, pets, her wandering neighbor, and sometimes, trouble. No one is more surprised than Blue, however, when she comes across an abandoned newborn baby in the woods, just south of a very special buttonwood tree.

Meanwhile, Sarah Grace Landreneau Fulton is at a crossroads. She has always tried so hard to do the right thing, but her own mother would disown her if she ever learned half of Sarah Grace’s secrets.

The unexpected discovery of the newborn baby girl will alter Blue’s and Sarah Grace’s lives forever. Both women must fight for what they truly want in life and for who they love. In doing so, they uncover long-held secrets that reveal exactly who they really are—and what they’re willing to sacrifice in the name of family.

An Irish Country Welcome by Patrick Taylor (10/06/20)

In the close-knit Northern Irish village of Ballybucklebo, it’s said that a new baby brings its own welcome. Young doctor Barry Laverty and his wife Sue are anxiously awaiting their first child, but as the community itself prepares to welcome a new decade, the closing months of 1969 bring more than a televised moon landing to Barry, his friends, his neighbors, and his patients, including a number of sticky questions.

A fledgling doctor joins the practice as a trainee, but will the very upper-class Sebastian Carson be a good fit for the rough and tumble of Irish country life? And as sectarian tensions rise elsewhere in Ulster, can a Protestant man marry the Catholic woman he dearly loves, despite his father’s opposition? And who exactly is going to win the award for the best dandelion wine at this year’s Harvest Festival? 

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