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Excerpt: Vengeful by V.E. Schwab

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Place holder  of - 19 Welcome to #FearlessWomen! A super-powered collision of extraordinary minds and vengeful intentions—V. E. Schwab returns with the thrilling follow-up to Vicious.

Magneto and Professor X. Superman and Lex Luthor. Victor Vale and Eli Ever. Sydney and Serena Clarke. Great partnerships, now soured on the vine.

But Marcella Riggins needs no one. Flush from her brush with death, she’s finally gained the control she’s always sought—and will use her new-found power to bring the city of Merit to its knees. She’ll do whatever it takes, collecting her own sidekicks, and leveraging the two most infamous EOs, Victor Vale and Eli Ever, against each other once more.

With Marcella’s rise, new enmities create opportunity–and the stage of Merit City will once again be set for a final, terrible reckoning.

Vengeful will be available on September 25th. Please enjoy this excerpt.

I

FOUR WEEKS AGO

HALLOWAY

“I won’t ask you again,” said Victor Vale as the mechanic scrambled backward across the garage floor. Retreating—as if a few feet would make a difference. Victor followed slowly, steadily, watched as the man backed himself into a corner.

Jack Linden was forty-three, with a five-o’clock shadow, grease under his nails, and the ability to fix things.

“I already told you,” said Linden, jumping nervously as his back came up against a half-built engine. “I can’t do it—”

“Don’t lie to me,” warned Victor.

He flexed his fingers around the gun, and the air crackled with energy.

Linden shuddered, biting back a scream.

“I’m not!” yelped the mechanic. “I fix cars. I put engines back together. Not people. Cars are easy. Nuts and bolts and fuel lines. People are too much more.”

Victor didn’t believe that. Had never believed that. People were more intricate perhaps, more nuanced, but fundamentally machines. Things that worked, or didn’t, that broke down, and were repaired. Could be repaired.

He closed his eyes, measuring the current inside him. It was already in his muscles, already threading his bones, already filling his chest cavity. The sensation was unpleasant, but not nearly as unpleasant as what would happen when the current peaked.

“I swear,” said Linden, “I’d help you if I could.” But Victor heard him shift. Heard a hand knocking against the tools strewn across the floor. “You have to believe me…” he said, fingers closing around something metal.

“I do,” said Victor, eyes flicking open right as Linden lunged at him, wrench in hand. But halfway there, the mechanic’s body slowed, as if caught in a sudden drag, and Victor swung the gun up and shot Linden in the head.

The sound echoed through the garage, ricocheting off concrete and steel as the mechanic fell.

How disappointing, thought Victor, as blood began to seep across the floor.

He holstered the gun and turned to go, but only made it three steps before the first wave of pain hit, sudden and sharp. He staggered, bracing himself against the shell of a car as it tore through his chest.

Five years ago, it would have been a simple matter of flipping that internal switch, killing power to the nerves, escaping any sensation.

But now—there was no escape.

His nerves crackled, the pain ratcheting up like a dial. The air hummed with the energy, and the lights flickered overhead as Victor forced himself away from the body and back across the garage toward the wide metal doors. He tried to focus on the symptoms, reduce them to facts, statistics, measurable quantities, and—

The current arced through him, and he shuddered, pulling a black mouth guard from his coat and forcing it between his teeth just before one knee give way, his body buckling under the strain.

Victor fought—he always fought—but seconds later he was on his back, his muscles seizing as the current peaked, and his heart lurched, lost rhythm—

And he died.

 

II

FIVE YEARS AGO

MERIT CEMETERY

Victor had opened his eyes to cold air, grave dirt, and Sydney’s blond hair, haloed by the moon.

His first death was violent, his world reduced to a cold metal table, his life a current and a dial turning up and up, electricity burning through every nerve until he finally cracked, shattered, crashed down into heavy, liquid nothing. The dying had taken ages, but death itself was fleeting, the length of a single held breath, all the air and energy forced from his lungs the moment before he surged up again through dark water, every part of him screaming.

Victor’s second death was stranger. There had been no electric surge, no excruciating pain—he’d thrown that switch long before the end. Only the widening pool of blood beneath Victor’s knees, and the pressure between his ribs as Eli slid the knife in, and the world giving way to darkness as he lost his hold, slipped into a death so gentle it felt like sleep.

Followed by—nothing. Time drawn out into a single, unbroken second. A chord of perfect silence. Infinite. And then, interrupted. The way a pebble interrupts a pond.

And there he was. Breathing. Living.

Victor sat up, and Sydney flung her small arms around him, and they sat there for a long moment, a reanimated corpse and a girl kneeling on a coffin.

“Did it work?” she whispered, and he knew she wasn’t talking about the resurrection itself. Sydney had never revived an EO without consequences. They came back, but they came back wrong, their powers skewed, fractured. Victor felt gingerly along the lines of his power, searching for frayed threads, interruptions in the current, but felt—unchanged. Unbroken. Whole.

It was a rather overwhelming sensation.

“Yes,” he said. “It worked.”

Mitch appeared at the side of the grave, his shaved head glistening with sweat, his tattooed forearms filthy from the dig. “Hey.” He drove a spade into the grass and helped Sydney and then Victor up out of the hole.

Dol greeted him by leaning heavily against his side, the dog’s massive black head nestling under his palm in silent welcome.

The last member of their party slumped against a tombstone. Dominic had the shaken look of an addict, pupils dilated from whatever he’d taken to numb his chronic pain. Victor could feel the man’s nerves, frayed and sparking like a shorted line.

They’d made a deal—the ex-soldier’s assistance in exchange for taking away his suffering. In Victor’s absence, Dominic clearly hadn’t been able to keep his end of the bargain. Now Victor reached out and switched the man’s pain off like a light. Instantly, the man sagged backward, tension sliding like sweat from his face.

Victor retrieved the shovel and held it out to the soldier. “Get up.”

Dominic complied, rolling his neck and rising to his feet, and together the four of them began filling Victor’s grave.

***

Two days.

That’s how long Victor had been dead.

It was an unsettling length of time. Long enough for the initial stages of decay. The others had been holed up at Dominic’s place, two men, a girl, and a dog, waiting for his corpse to be buried.

“It’s not much,” said Dom now, opening the front door. And it wasn’t—a small and cluttered single bedroom with a beat-up sofa, a concrete balcony, and a kitchen covered in a thin layer of dirty dishes—but it was a temporary solution to a longer dilemma, and Victor was in no condition to face the future, not with grave dirt still on his slacks and death lingering in his mouth.

He needed a shower.

Dom led him through the bedroom—narrow and dark, a single shelf of books, medals lying flat and photographs facedown, too many empty bottles on the windowsill.

The soldier scrounged up a clean long-sleeve shirt, embossed with a band logo. Victor raised a brow. “It’s all I have in black,” he explained.

He switched on the bathroom light and retreated, leaving Victor alone.

Victor undressed, shrugging out of the clothes he’d been buried in—clothes he didn’t recognize, hadn’t purchased—and stood before the bathroom mirror, surveying his bare chest and arms.

He wasn’t free of scars—far from it—but none of them belonged to that night at the Falcon Price. Gunshots echoed through his mind, ricocheting off unfinished walls, the concrete floor slick with blood. Some of it his. Most of it Eli’s. He remembered each and every wound made that night—the shallow cuts across his stomach, the razor-sharp wire cinching over his wrists, Eli’s knife sliding between his ribs—but they left no mark.

Sydney’s gift really was remarkable.

Victor turned the shower on and stepped beneath the scalding water, rinsing death from his skin. He felt along the lines of his power, turned his focus inward, the way he’d done years before, when he’d first gone to prison. During that isolation, unable to test his new power on anyone else, Victor had used his own body as a subject, learned everything he could about the limits of pain, the intricate network of nerves. Now, bracing himself, he turned the dial in his mind, first down, until he felt nothing, and then up, until every drop of water on bare skin felt like knives. He clenched his teeth against the pain and turned the dial back to its original position.

He closed his eyes, brought his head to rest against the tile wall, and smiled, Eli’s voice echoing through his head.

You can’t win.

But he had.

***

The apartment was quiet. Dominic stood out on the narrow balcony, puffing on a cigarette. Sydney was curled on the sofa, folded up carefully like a piece of paper, with the dog, Dol, on the floor beside her, chin resting by her hand. Mitch sat at the table, shuffling and reshuffling a deck of cards.

Victor took them all in.

Still collecting strays.

“What now?” asked Mitch.

Two small words.

Single syllables had never weighed so much. For the last ten years, Victor had focused on revenge. He’d never truly intended to see the other side of it, but now, he’d fulfilled his objective—Eli was rotting in a cell—and Victor was still here. Still alive. Revenge had been an all-consuming pursuit. Its absence left Victor uneasy, unsatisfied.

What now?

He could leave them. Disappear. It was the smartest course—a group, especially one as strange as this, would draw attention in ways that solitary figures rarely did. But Victor’s talent allowed him to bend the attention of those around him, to lean on their nerves in ways that registered as aversion, subtle, abstract, but efficient. And as far as Stell knew, Victor Vale was dead and buried.

Six years he’d known Mitch.

Six days he’d known Sydney.

Six hours he’d known Dominic.

Each of them was a weight around Victor’s ankles. Better to unshackle himself, abandon them.

So leave, he thought. His feet made no progress toward the door.

Dominic wasn’t an issue. They’d only just met—an alliance forged by need and circumstance.

Sydney was another matter. She was his responsibility. Victor had made her so when he killed Serena. That wasn’t sentiment—it was simply a transitive equation. A factor passed from one quotient to another.

And Mitch? Mitch was cursed, he’d said so himself. Without Victor, it was only a matter of time before the hulking man ended up back in prison. Likely the one he’d broken out of with Victor. For Victor. And, despite knowing her less than a week, Victor was certain Mitch wouldn’t abandon Sydney. Sydney, for her part, seemed rather attached to him, too.

And then, of course, there was the issue of Eli.

Eli was in custody, but he was still alive. There was nothing Victor could do about that, given the man’s ability to regenerate. But if he ever got out—

“Victor?” prompted Mitch, as if he could see the turn of his thoughts, the direction they were veering.

“We’re leaving.”

Mitch nodded, trying and failing to hide his clear relief. He’d always been an open book, even in prison. Sydney uncurled from the sofa. She rolled over, her ice blue eyes finding Victor’s in the dark. She hadn’t been sleeping, he could tell.

“Where are we going?” she asked.

“I don’t know,” answered Victor. “But we can’t stay here.”

Dominic had slipped back inside, bringing a draft of cold air and smoke. “You’re leaving?” he asked, panic flickering across his face. “What about our deal?”

“Distance isn’t a problem,” said Victor. It wasn’t strictly true—once Dominic was out of range, Victor wouldn’t be able to alter the threshold he’d set. But his influence should hold. “Our deal stays in effect,” he said, “as long as you still work for me.”

Dom nodded quickly. “Whatever you need.”

Victor turned to Mitch. “Find us a new car,” he said. “I want to be out of Merit by dawn.”

And they were.

Two hours later, as the first light cracked the sky, Mitch pulled up in a black sedan. Dom stood in his doorway, arms crossed, watching as Sydney climbed into the back, followed by Dol. Victor slid into the passenger’s seat.

“You sure you’re good?” asked Mitch.

Victor looked down at his hands, flexed his fingers, felt the prickle of energy under his skin. If anything, he felt stronger. His power crisp, clear, focused.

“Better than ever.”

 

Copyright © 2018 by Victoria Schwab

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Start a Discussion with the City of Lies Reading Group Guide

Placeholder of  -13 “I was seven years old the first time my uncle poisoned me…”

Outwardly, Jovan is the lifelong friend of the Chancellor’s charming, irresponsible Heir. Quiet. Forgettable. In secret, he’s a master of poisons and chemicals, trained to protect the Chancellor’s family from treachery. When the Chancellor succumbs to an unknown poison and an army lays siege to the city, Jovan and his sister Kalina must protect the Heir and save their city-state.

But treachery lurks in every corner, and the ancient spirits of the land are rising…and angry.

Did you race through Sam Hawke’s debut novel of poison, treachery, and family loyalty? Want to talk about it with your friends or bookclub? Well, gather together your favorite #FearlessWomen and discuss a different acclaimed science fiction or fantasy novel every month. We’ll get you started with a few questions about City of Lies!

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Excerpt: The Fated Sky by Mary Robinette Kowal

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Image Placeholder of - 2 Welcome to #FearlessWomenContinuing the grand sweep of alternate history begun in The Calculating StarsThe Fated Sky looks forward to 1961, when mankind is well-established on the moon and looking forward to its next step: journeying to, and eventually colonizing, Mars.

Of course the noted Lady Astronaut Elma York would like to go, but there’s a lot riding on whoever the International Aerospace Coalition decides to send on this historic—but potentially very dangerous—mission? Could Elma really leave behind her husband and the chance to start a family to spend several years traveling to Mars? And with the Civil Rights movement taking hold all over Earth, will the astronaut pool ever be allowed to catch up, and will these brave men and women of all races be treated equitably when they get there? This gripping look at the real conflicts behind a fantastical space race will put a new spin on our visions of what might have been.

The Fated Sky will be available on August 21st. Please enjoy this excerpt.

Chapter One

IAC HEAD WARNS ABOUT CUTS IN BUDGET

BY JOHN W. FINNEY

SPECIAL TO THE NATIONAL TIMES

Aug. 16, 1961—Horace Clemons, head of the International Aerospace Coalition, warned the United Nations today that any cuts in the “minimal” space budget would make a manned Mars landing in this decade impossible. He also cautioned that any extension in the timetable of the Mars program would increase the cost of the First Mars Expedition, now estimated at $20 billion. As a result of the $600 million cut made by the United States Congress in this year’s budget, he said the IAC has had to sacrifice the “insurance” that had been built into the program “as a hedge against unforeseeable or intractable technical problems” and to delay crucial experimental flights in the Cygnus spacecraft.

Do you remember where you were when the Friendship probe reached Mars? I was getting ready to return from the moon. I’d been up in Artemis Base for a three-month rotation, flying geologists from our tiny colony out to different survey sites.

While we were all called astronauts, only a handful of us were also pilots, by which I mean glorified bus drivers. The rest of the two hundred “citizens” came and went, depending on their area of expertise. Only fifty or so were “permanent” residents in the underground bunkers we called home.

Along with half the population of the base, I skip-walked in the light gravity through a buried gerbil tube called “Baker Street” toward “Midtown.” With no atmosphere to protect us from the cosmic rays hitting the moon, we’d scraped up a layer of the moon’s surface and buried the tubes in regolith. Aesthetically, the outside of the base looked like a decaying sandcastle. The inside was mostly smooth rubber, occasionally punctuated with light wells, aluminum supports, and pressure doors.

One of the doors hissed open, and Nicole hopped through, holding the handle. She pulled the door closed behind her and dogged it shut.

I spread my legs to kill my momentum as I landed from my last skip. She’d rotated to a position here on the last ship and it was darn good to see her. “Good morning.”

“I thought you were Earthbound.” Like me, Nicole was wearing a light pressure suit, and had the rubberized safety helmet tethered at her waist like a gas mask from the war. It wasn’t much, but in case one of the tubes was breached, it would give us ten minutes of oxygen to get to safety.

“I am, but I wasn’t going to miss the first Mars probe landing.” I was currently on rotation as a copilot for the small shuttle from the base to IAC’s Lunetta orbiting platform. It wasn’t much more than a space bus, but the big ships like the Lunetta-to-Earth, Solaris class, were all piloted by men—not that I was irritable about that or anything. I patted the carryall that hung over one shoulder. “Heading straight to the Lunetta rocket after this.”

“Say hello to a hot shower for me.” She joined me in skip-walking down Baker Street. “Do you think we’ll see Martians?”

“Not likely. It looks almost as bleak as the moon, at least from the orbital pictures.” We reached the end of Baker Street. The delta-pressure gauge on the panel by the door read lunar normal 4.9 psi, so I pumped the rachet handle to open it. “Nathaniel says he’ll pull out his own eyeteeth if there are Martians.”

“That’s . . . graphic. Speaking of, how is he?”

“Good.” I pulled the door open. “He’s been making noises about . . . ah . . . rocket launches.”

Laughing, Nicole slid into the Baker Street-Midtown airlock. “Honestly, you two are like newlyweds.”

“I’m never home!”

“You should get him up here again to visit.” She winked at me. “I mean, now that private quarters are an option.”

“Yeah . . . You and the senator should probably put a little more thought into how well the air ducts carry sound.” I started pulling the hatch shut.

“Hold the door!” In Baker Street, Eugene Lindholm bounded toward us with loping strides. If you’ve never seen someone move in low gravity, it’s sort of like mixing the grace of a toddler skipping with the ground-eating stride of a cheetah.

I pushed the door open wider. He corrected badly and cracked his head on the frame as he came through.

“Are you okay?” Nicole caught his arm to steady him.

“Thanks.” He pressed a hand against the ceiling as he caught his balance. The other hand held a sheaf of papers.

Nicole glanced at me before she moved over to the door into Midtown. I nodded and dogged the Baker Street door shut, but she didn’t open the next door.

“So . . . Eugene. As someone who flies with Parker . . .” She gestured at the papers in his hand. “I don’t suppose you want to ‘accidentally’ drop some of those?”

He grinned. “If you’re hoping for duty rosters, all I’ve got are recipe clippings for Myrtle.”

“Drat.” She opened the hatch and we headed into Midtown.

Wafting in from the pressure difference came a scent rare on the moon, loam and green and the soft scent of water. The center of the colony had a broad open dome that allowed in filtered light, which nurtured the plants growing here. It was our first really permanent structure.

The areas along the walls had been partitioned into living quarters. Sometimes I wished I were still berthed here, but the newer pilots’ quarters were conveniently located by the ports. Other cubicles had been erected for offices and our one restaurant. There was also a barber shop, a secondhand store, and an “art museum.”

The very center held a tiny “park.” By “park,” I mean it wasn’t much bigger than a pair of king-sized beds, with a path through the middle. But it was green.

What did we grow in this carefully ameliorated soil? Dandelions. Turns out, when properly prepared they are tasty and nutritious. Another favorite, prickly pear, has beautiful flowers that turn into sweet seedpods, and flat pads that can be roasted or baked. It turns out that many of nature’s weeds were well suited to growing in nutrition-poor soil.

“Hot dog.” Eugene slapped his thigh. “The dandelions are in bloom. Myrtle has been threatening to try her hand at dandelion wine.”

“By ‘threatening,’ you mean promising, right?” Nicole bounded past the raised beds. “Oh, Elma, also say hello to a dry martini for me when you get home.”

“I’ll make it a double.” I had thought that Nathaniel and I would be some of the first settlers on the moon, but with the Artemis Base established, the agency had turned its attention to settling Mars, and he had to stay on Earth for planning purposes.

Mars consumed everyone’s conversations at the IAC. The computers sitting over their equations. The punch card girls keying in endless lines of code. The cafeteria ladies ladling out mashed potatoes and green peas. Nathaniel, with his calculations . . . Everyone talked about Mars.

And it was no different on the moon. On the far side of Midtown, they had brought out a giant four-foot television screen from the launch center and erected it on a sort of podium. It looked like half the colony was here, crowded around the TV.

The Hilliards had brought a blanket and what looked like a picnic lunch. They weren’t the only ones who were turning this into a social occasion. The Chans, Bhatramis, and Ramirezes had also set up on the ground near the podium. There weren’t any children yet, but aside from that, it was almost like a real town.

Myrtle had a blanket set up too, and waved Eugene over. He smiled and waved back. “There she is. Want to join us, ladies? We’ve got plenty of room on the blanket.”

“Thanks! That would be lovely.”

I followed him over to the blanket, which looked to have been quilted together from old uniforms, and settled down with Eugene and Myrtle. She’d trimmed her hair from its bouffant into something more suitable to the moon, mostly because aerosols were not a great thing to have in space. She and Eugene had volunteered to be some of the permanent residents. I sorely missed them when I was on Earth.

“Hey!” A voice from the front of the crowd cut through the murmur of conversation. “It’s starting.”

I rose onto my knees to see over the heads of the folks in front of us. In grainy black and white, the TV showed a broadcast from Mission Control in Kansas, though we were getting it with a 1.3-second delay. I studied each image, looking for Nathaniel. I loved my job, but being away from my husband for months at a time was challenging. Sometimes I thought that quitting and going back to being a computer would be appealing.

On the screen, I could see Basira working away on equations as the teletype coughed out pages. She drew a strong line under a number and lifted her head. “The Doppler signature indicates that the two-stage separation has occurred.”

My heart ratcheted up, because this meant that the probe was about to enter the Martian atmosphere. Or, rather, it had entered already. The weird thing was that all the numbers she was getting from Mars were twenty minutes old. The mission had either already succeeded or failed.

Twenty minutes old—I glanced at my watch. How much time did I have before I had to be in the hangar?

Nathaniel’s voice came over the television and I inhaled with longing. “Atmospheric entry in three, two, one . . . Speed 117,000 kilometers. Downrange distance to landing site is 703 kilometers. Expected parachute deploy in five seconds. Four. Three. Two. One. Mark. Awaiting confirmation . . .”

The entire dome seemed to hold its breath, leaving only the constant low hum of fans to stir the air. I leaned toward the screen, as if I could see the numbers coming off the teletype or help Basira with the math. Though, in truth, it had been four years since I’d been in the computer department or doing anything more complicated than basic orbital mechanics.

“Confirm parachute. Parachute has been detected.”

Someone let out a whoop in the dome. We weren’t down yet, but oh—it was close. I wrapped my fingers in a corner of the quilt, clutching it as if I could steer the probe from here.

“Awaiting confirmation from the spacecraft that retro-rocket ignition has occurred.” Still, Nathaniel was talking about an event that had happened twenty minutes ago, while I was listening to his voice from 1.3 seconds ago. The vagaries of life in space.

“At this point in time, we should be on the ground.”

Please, oh, please let him be right. Because if they failed to land that probe, the Mars mission would come to a sudden and grinding halt. I looked at my watch again. He should be announcing confirmation of the landing, but the seconds just ticked by.

“Please stand by. We are awaiting confirmation from the Deep Space Network and the Lunetta relay station.” Nathaniel wasn’t on the screen now, but I could picture him standing at his desk, a pencil gripped so tightly in his fist that it could break at any moment.

A tone sounded.

Beside me, Nicole inhaled sharply. “What is that?”

The tone repeated, and Mission Control dissolved into cheering. Nathaniel’s voice rose as he fought to be heard over the din. “What you’re hearing, ladies and gentlemen, is the confirmation tone from our Mars probe. This is the first broadcast from another planet. Confirmed. Friendship has landed, paving the way for our manned mission.”

I jumped to my feet—we all did—and forgot about gravity. Laughing and soaring awkwardly through the air, I cheered for the success of the Friendship probe and the team who had planned the mission.

“You’re late.” Grissom glowered at me as I swung into the pilot’s lounge by the port. He had his travel duffle resting by the bench and sipped from a squeeze pouch of coffee.

I glanced at the wall clock. “By thirty seconds.”

“That’s still late.”

He was right, but no one else was there to notice, and launch wasn’t for another two hours. “And you’re still ugly.”

“Heh. I figured you were watching the landing?” He passed me our flight plans to review as we walked to the ship. Grissom grumbled a lot, but he was as much of a space junkie as I was.

I nodded, flipping through the pages of burn times and rates, attitude and velocity. We’d spend three days making the transit to Lunetta, during which time there wasn’t much to do but monitor gauges. Heck, even the slow pressure increase from moon base psi to Lunetta’s standard psi was automated. “There’s not anything to see yet, but I just wanted to . . . I don’t know. Be there.”

Grissom grunted. “Yeah . . . I watched the moon landing the same way.”

Silence hung between us for a moment with the reminder that I had been on that mission three years ago. It had turned me into something of a celebrity, which was part of why I probably enjoyed life on the moon a little more than life on Earth. I didn’t have to deal with fans. Usually.

“Did you watch it? The Mars landing, I mean.”

“Nah. Listened to it on the radio.” He shrugged as we reached the corridor leading to our ship. “Spent some time with my girl before heading out. They’re rotating me down to the Brazilian spaceport for a month to train on the new ship.”

“The Polaris class?” I whistled when he nodded. “Confirmed, jealousy.”

He snorted. “It’ll take a week for me to even stand, I’ve been up here so long. The training itself won’t take more than two weeks.”

“Still. The specs on it make it look like a dream. Plus Brazil beats Kansas.” I stopped at the hatch to the pilot cabin for the taxi and checked to make sure the delta-pressure gauge was at 4.9 before opening the hatch. There was always a chance that there wasn’t a ship on the other side, even though we were at the right port. “A vertical landing will make everything so much easier when going home.”

“Won’t be as smooth as the moon lander.” He shrugged. “I’m fond of the glider myself. Get to see more on approach, but this won’t be as weather dependent, and with the hurricanes getting worse . . . On the other hand, I don’t mind the extra days in orbit waiting for a hole.”

“Sure, but that’s because you’re a wimp about gravity acclimation.” I ducked into the compact pilots’ compartment. The limp artificial gravity on Lunetta’s rotating section was one-third that of Earth—just like Mars—and made a good transition for people coming back from the moon. “I’m hoping for good weather when we head down. Can’t wait to get home.”

“Then maybe you should have been on time.”

I stuck my tongue out at him, laughing, and we got down to the business of our preflight check. One of the nice things about a takeoff from the moon is that there are far fewer variables than on Earth. Without any atmosphere to speak of, we didn’t have to deal with weather or wind or anything, really, except a little bit of gravity.

The passenger compartment behind us could hold twenty people. Most flights, it was completely full of specialists who were rotating back to Earth after whatever project they’d come up for had finished. The cargo hold, likewise, would be filled with personal luggage, science experiments, and our very few export items. For instance, one of the geologists had begun carving moon rock, and her sculptures were selling for astonishing amounts back on Earth. Myrtle’s “moon quilts” from recycled fabric also fetched enough to finance all three of their sons through graduate school. The arts were surprisingly alive and well in space. I’d even joined in with a sort of paper sculpture made from old punch cards, but hadn’t quite gotten up the gumption to try to sell them.

Even people on Earth who didn’t like the space program got all excited by anything coming from the moon. I guess if you spend millennia romanticizing a place in myths and legends, it takes a while to wear off.

Grissom and I had flown together often enough that we had the preflight check down to a routine. Not that we skipped any steps. Routine or no, weather or no, we were still sitting atop what was basically a bomb.

It’s funny . . . the way you can get used to anything.

Two hours later, we’d finished our checklist, and the passengers were all strapped into their seats. Grissom looked over at me and nodded. “Let’s light this candle.”

The engines whispered to life, nearly silent on the airless surface of the moon. We lifted off and in that acceleration I felt weight again, as if the moon wanted to pull me back down to it. Below us, the gray-and-brown craters fell away, washed in the flames of our exhaust.

I said you can get used to anything. I might have lied.

Arriving in low Earth orbit and docking with the orbital station, I was a pilot astronaut: even sitting in the copilot seat and mostly handling navigation calculations, I was intimately involved in the procedure. Grissom and I handed off our ship to the replacement pilots, who were heading out for their three-month stint on the moon, and drifted inside.

Leaving Lunetta, I was just another Earthbound passenger dropping out of orbit. So far, the International Aerospace Coalition had yet to staff any women as pilots on the big orbital rockets. It wasn’t official policy that we weren’t allowed to pilot them, but when I inquired, I always got something along the lines of how they wanted to use my expertise “where it’s most valuable.” Since the lady astronauts had gotten into the corps on the strength of our computing skills, it was hard to get them to let us sit in a different seat.

I floated into the passenger compartment with the rest of the Earthbound folks. While Lunetta had artificial gravity in the spinning outer ring, the center remained stationery for docking purposes. It made handling luggage easier and harder at the same time. It weighed nothing, but also had a tendency to wander off if you didn’t strap it down. I wedged my bag into the small compartment beneath my seat and tightened the tie-down straps before shutting the compartment door.

“Elma!” In the aisle floated Helen Carmouche, née Liu. She wore her dark hair pulled back in a ponytail and the ends floated above her head.

“I didn’t know you would be on this rocket.” Grinning, I pushed myself up to hug her, almost overshooting the mark—I’d gotten used to having at least the moon’s microgravity—but Helen hooked a foot under a rail like a zero-g pro and caught me.

Remember what I said about how you can get used to anything? This did not feel much different than running into her on a streetcar or train.

“We need to do some Earthside training.” She eyed the couch next to me. “May I?”

“Absolutely!” I swung up to let her pass beneath me. “How’s Reynard?”

She laughed as she tucked her bag into the compartment. “He says he has repainted the living room. I dread to see it.”

I pulled myself closer to the “ceiling” to let other passengers through. “Color choice or skill?”

“Two words: Martian. Red. But how would he know?” She shook her head, yanking on the tie straps with practiced ease. “We don’t have pictures from the surface yet.”

“It could be worse. It could be regolith gray.”

“Neutral may be better.” She closed the hatch of the luggage compartment with a click. “How’s Nathaniel?”

I sighed, without meaning to. It just slipped out. “Good?”

She straightened, catching herself on the seat. “That not sound good.”

“No, no. He’s fine. Everything is fine.” I pulled myself down to my seat and began strapping in. As I worked the shoulder straps into place, I could feel Helen staring at me. “It’s just hard being gone so much. You know how it is.”

She settled into the seat next to me and patted my hand. “At least we are going home.”

“I’m sorry—I shouldn’t complain, not about a three-month separation.” Helen was on the Mars mission team, so she had been training for fourteen months, and when the expedition left next year, she and Reynard would be separated for another three years. “I honestly don’t know how you’re going to do it.”

“It would be harder, I think, if we had been married longer.” She winked. “Keeps honeymoon going. You know? When I come home . . .”

“You have ignition?”

“All thrusters firing.”

Overhead the speakers crackled into life. “Ladies and gentlemen, this is Captain Cleary. We will push back from the station in a moment, and should have you back on Earth at the Kansas Astrofield in about an hour.”

Routine. I’d made the trip between Earth and the moon about a dozen times. On each trip things became a little more polished. A little more . . . normal. It really wasn’t any different now than a cross-country train trip. Except, of course, for everything.

A slight clunk reverberated through the ship as the locking mechanism released from the station. Outside the tiny porthole, fireflies seemed to eddy as the frozen condensation on the spacecraft’s skin came out of the station’s shadow and into the light of the sun. The frost flurried around us, luminescent against the ink of space.

I keep trying to say that this is nothing more than a routine, but the truth is that it is magic. Around us the great arc of the station swept in dizzying circles. If I hadn’t been strapped in, I would have leaned forward and pressed my face against the window.

“There!” Helen pointed to something just out of sight ahead of us. “The Mars fleet.”

The ship vibrated and began a slow rotation, coming around into position for dropping out of orbit. As it did, the three-ship fleet designed for the First Mars Expedition panned into view. Against the ink-black sky, the two passenger ships and the supply ship stood out as irregular cylinders, the passenger ships long and slender, girdled with a centrifugal ring like the space station. Someone had likened the ring to an . . . adult toy, which told me two things: one, that I was more of a prude than I thought I was, and two, what that particular item must look like and how it might function. I had yet to ask Nathaniel about it, because I wasn’t sure if I wanted to know if he knew what it was.

In any case, if you did not have experience with such things, the ships were an innocently beautiful sight. “You know . . . there are times when I’m a little jealous of y’all.”

“Eh.” Helen shrugged. “I’ll be doing math all the way there and back.”

“Why do you think I’m jealous?” I rolled my eyes. “I’m basically a bus driver.”

“On the moon.”

“True. And I love it, but . . . it’s not very challenging.” I probably could have gotten on the Mars mission if I’d wanted to, but the truth is that Nathaniel and I had been talking about children. “I’m thinking about retiring as a pilot and maybe going back to the computer department.”

Helen is the queen of the disdainful snort. “And go back to flying a Cessna?”

“Or doing training for incoming astronauts. I’m just . . .” Bored. “I want to focus on my marriage.”

Helen gave me one of her patented sniffs. She really is a master of those little noises of disbelief. I was saved from the full brunt of her scorn when the rocket shuddered as the captain fired the deorbit burn.

Behind us, someone whimpered a little. Helen glanced over her shoulder and leaned closer to me. “Just wait until we hit the entry interface.”

“Must be their first return to Earth.” I did not glance back. Grandma had always said that when someone was embarrassed, the cruelest thing you could do was stare at them, and I understood what they were feeling. Even with training, there was nothing like the real thing, and it was going to get a lot worse before we got down.

Helen and I chatted through the first half hour, catching up on life in space. Then a piece of popcorn began a slow fall from someone’s bag. That first sign of gravity was our indication that we’d fallen far enough toward Earth for the atmosphere to be slowing us down.

Outside, we began the slow process of heating up to 1,649 degrees Celsius. Outside the windows, the air began to glow orange with streamers of superheated atmosphere whipping past us in a wake of plasma. What’s funny is how quiet it gets during this part of the descent. We aren’t in enough atmosphere to cause vibrations, and are basically a big glider, so there’s no engine noise. But even quieter are the astronauts inside, watching the spectacle of reentry. It never gets old.

The captain banked the ship in the first of a series of long S curves to kill some of our speed. The g-forces grabbed at us, pulling me down into my couch. It was only two G, but after months at one-sixteenth, it felt as though I were buried in mud.

The g-forces continued to rise, pressing me into the side of my couch. I waited for the captain to pull us out of the turn into the next part of the S curve, but the rotation continued. This was not routine.

And being stuck in the passenger compartment, there was not a darn thing I could do.

 

Copyright © 2018 by Mary Robinette Kowal

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Would you survive as a proofer in City of Lies?

Jovan was seven years old when his uncle began training him in the subtle art of proofing, or detecting poisons. After all, being royalty is a dangerous thing—it’s not really paranoia if someone is actually out to get you. Do you have what it takes to be a proofer? Find out if you’re capable of serving royalty in our quiz!

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Meet the #FearlessWomen: Kalina from City of Lies

Image Place holder  of - 45 Duty takes precedence over all else, and I knew what it meant to fail at it far better than my brother ever could.

Kalina and her brother Jovan are descended from a long line of proofers: poison-tasters that are tasked with the protection of the Chancellor and his family. As the eldest sibling, protecting the heir should have been Kalina’s job, but her disability causes her to be sickly, and the mantle was passed from her to Jovan.

Prevented from following her destiny by the harsh physical requirements of being a proofer, Kalina turns her focus to learning. When the unthinkable poisoning of the Chancellor occurs, Kalina quickly finds herself in the position of investigator. Her extensive knowledge of other cultures, poisons, and history prove on multiple occasions to be superior to that of the heir and Jovan.

I couldn’t attend a Council meeting, fight in a battle, or protect Tain from poison, but I had my own skills, and perhaps they were more suited to finding an enemy than even my brother’s.

It’s clear that Kalina’s greatest weakness is in fact, by far, her strongest attribute. People continually undermine Kalina in City of Lies by writing her off as inferior and weak (even her own brother). And while sometimes she is confined to bed rest, she never wastes a moment to expand her knowledge and connect the clues. Certainly, flying under the radar of the powerful never hurt anyone attempting to act as a spy. Whatever Kalina lacks in physical prowess, she makes up for tenfold in cunning intelligence and a relentless drive of determination.

In fact, because of her disability, Kalina serves to undermine the typical sword-and-crown epic fantasy tropes. Rather than focusing on an entire country, City of Lies stays almost entirely within the city limits of Silasta, with only briefs trips outside. Political intrigue and mystery are the driving forces of the plot—much of it subtly nudged forward by Kalina’s guiding hand. She is fearless in her search for answers, even at her own risk, and repeatedly goes above anyone’s expectations in order to bring her home, and her people, closer to a solution.

All of this and more serves to make Kalina one of the strongest characters in City of Lies. She’s a courteous leader, a viciously intelligent student, and possesses an intense willpower that brings her to the darkest parts of the city—and beyond. The challenges she faces are daunting, but if there’s one person who could ever outwit them, it’s Kalina.

Kalina serves as a smart reminder for readers and writers everywhere: never underestimate your opponent.

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#FearlessWomen Feminist Film Mashup with The Mary Sue

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On Thursday, July 19th, Tor is sponsoring a playful and engaging feminist clip show/film analysis presented by Princess Weekes, Assistant Editor of The Mary Sue! We will be giving away free tote bags with a select #FearlessWoman book at the event.

Let’s break the mold of the oh-so-tired female narrative and challenge the ways we have come to accept female roles in film! Enjoy clips from a curated selection of films and see them through a new, feminist, pop cultural lens. This show is guaranteed to bring a fresh perspective while promoting a healthy camaraderie among event attendees.

Film clips slated to be shown and discussed are from a broad range of comedy, drama, and science fiction and fantasy—everything from Breakfast at Tiffany’s to Mad Max: Fury Road. Laugh and chat alongside The Mary Sue while sipping on the evening’s specialty cocktail and celebrating #FearlessWomen in film.

Get your tickets here!

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5 Sci-Fi Novels for Fans of Hidden Figures

As SF/F nerds, we loved the math, science, diversity, and real-life space adventures in Hidden Figures. In fact, we were hungry for more. There are plenty of lists recommending more non-fiction titles similar to Margot Lee Shetterly’s masterpiece, but not many featuring fiction. So we rounded up 5 great science fiction novels sure to grab the imagination of everyone who loved the fiercely talented women of Hidden Figures.

The Calculating Stars by Mary Robinette Kowal

Image Placeholder of - 58 Mary Robinette Kowal’s Lady Astronaut series takes place in an alternate 1950s America, where the East Coast was devastated by a meteorite strike. The meteorite wiped out entire cities along the coast, killing millions and causing, possibly, a global warming event. As a result, America jump starts the space race, locked not into a competition with the Soviet Union, but an actual race for humanity’s survival among the stars. The Earth of Kowal’s series still has a lot of the hangups of our actual past (and present)—including, most prominently, the racism and sexism the women in Hidden Figures fought so hard against—and her diverse cast of women must fight to push their way into the front lines of science.

Everfair by Nisi Shawl

Image Place holder  of - 98 Much as the women in Hidden Figures had to deal with the very real legacy of racism in America, the characters in Nisi Shawl’s fictional Belgian Congo must deal with the legacy of colonialism in this alt history steampunk novel. The plot follows a diverse cast of characters in the titular Everfair, a colony created by well-meaning Westerners to create a safe haven for everyone, including escaped slaves. Of course, well-meaning doesn’t necessarily mean self-aware, and we see the Fabian Socialists from Great Britain struggling with their own unacknowledged racism, as they try to force Western values on the colonial inhabitants. Told from a multiplicity of voices—Africans, Europeans, East Asians, and African Americans—Shawl’s speculative novel is an examination of complex relationships in an often ignored period of history.

Radiance by Catherynne M. Valente

Placeholder of  -23 If your favorite part of Hidden Figures was how it combined science, ambition, and the personal lives of its leading women, then definitely check out Radiance by Catherynne Valente. Set in an alternate history 1986 where humanity has spanned the solar system, yet talking movies are still a daring innovation due to the patent-hoarding Edison family, Radiance follows Severin Unck as she creates her final film: a documentary investigation of the disappearance of a colony on Venus. Combining love, loss, family, quantum physics, and silent film, this pulpy space opera mystery does its best to unravel the scientific and human mysteries of a fantastical universe.

Binti by Nnedi Okorafor

Place holder  of - 76 If you love reading about strong women who defy societal expectations because of their love of math and science, then the next book you should pick up is Binti, by Nnedi Okorafor. The titular Binti is a member of the Himba people, who never leave their homeworld. So when Binti denies her family and her people to attend the galaxy’s most prestigious university, Oomza Uni, she has to run away to get there. On the journey, her ship is attacked by Meduse, an alien race, and Binti must use all her resources—her intelligence, her mathematical and communication skills, and a piece of ancient Earth tech—to stay alive.

The Lifecycle of Software Objects by Ted Chiang

Poster Placeholder of - 41 Hidden Figures is a story of women of color pushing boundaries to create a scientific future that they have a place in. While that fight is definitely not over, there are potential new conflicts on the horizon as well. Namely: if and when humanity actually creates artificial intelligence, how will we treat it? What will be the relationship between people and artificial entities? These are some of the questions at the core of Ted Chiang’s novella The Lifecycle of Software Objects. Chiang follows two people and the artificial intelligence they created as they deal with the upgrades and obsolescence that are inevitable for software. The question of nature versus nurture is about to take on a whole new meaning.

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Start a Discussion with the Starless Reading Group Guide

Placeholder of  -43 “I was nine years old the first time I tried to kill a man…”

Destined from birth to serve as protector of the princess Zariya, Khai is trained in the arts of killing and stealth by a warrior sect in the deep desert; yet there is one profound truth that has been withheld from him.

In the court of the Sun-Blessed, Khai must learn to navigate deadly intrigue and his own conflicted identity…but in the far reaches of the western seas, the dark god Miasmus is rising, intent on nothing less than wholesale destruction.

If Khai is to keep his soul’s twin Zariya alive, their only hope lies with an unlikely crew of prophecy-seekers on a journey that will take them farther beneath the starless skies than anyone can imagine.

Did you devour Jacqueline Carey’s return to lush, epic fantasy? Want to talk about it with your friends or bookclub? Well, gather together your favorite #FearlessWomen and discuss a different acclaimed science fiction or fantasy novel every month. We’ll get you started with a few questions about Starless!

Tor #FW_RGG_Starless_2018
 
Want to take the Reading Group Guide with you? Download it here.

Don’t forget to join the conversation online by sharing your thoughts—and the #FearlessWomen hashtag—on Twitter and Instagram.

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Using SF/F to Break the Rules

Place holder  of - 29 Welcome to #FearlessWomen! Today, debut author Sam Hawke tackles a big question: how does science fiction and fantasy uniquely explore gender, and specifically, how does she explore gender in City of Lies?

Cultures have a lot of inbuilt norms and expectations and assumptions. Some of the deepest and most pervasive relate to gender: what it is, what it means, what roles we assign to it. Of course, cultures aren’t monolithic and generalisations are just that. No matter how rigidly a society purports to enforce gender structures, people being people, you can be sure there’ll be beautiful variations bursting out of the cracks every time you turn your back. But there’s no escaping the reality that if someone acts outside expected roles in an established culture, the culture pushes back. So in writing about an established, real world culture, you have a choice between engaging with and challenging cultural assumptions, or accepting and working your story within them.

In SF/F, you get a third option: you can just fuck all the ‘rules’ right up.

You can tell a lot of important stories that examine gender by having characters be outsiders or insiders who push against the status quo; you can help readers think through their own cultural assumptions or see themselves and their experiences reflected in a different world. Of course there is a long tradition of stories featuring female protagonists who long to escape the shackles of the role society has assigned them: the Eowyns, Alannas, and Arya Starks of SF/F are a well-established feature in the genre (less common, though, are their male counterparts who rarely strive the freedom to engage in what Western societies tend to think of as ‘feminine’ pursuits—Vanyel from Mercedes Lackey’s Last Herald-Mage novels is the earliest example I remember reading).

Modern SF/F offers more nuanced takes and a chance to explore the effects of fixed gender expectations on people who don’t fit within the cishet mould those structures are built around. Gene/Micah Grey in Laura Lam’s Pantomime is an intersex character raised female in a strict Victorian-esque world who runs away from a family’s planned non-consensual surgery to perform in a circus as male-presenting. Breq in Ann Leckie’s lauded Ancillary Justice deals with linguistic and cross-species gender identification issues, coming from a culture that does not use gendered pronouns and attempting to deal with a (human) society which does. And confronting and understanding the Fool’s gender fluidity in a traditionally patriarchal-styled society in Robin Hobb’s Realm of the Elderlings series presents ongoing and significant emotional challenges and growth for Fitz. SF/F is full of wonderful examples that turn a mirror on our own understanding of gender and ask us to look closer.

Sometimes, though, you don’t want to write about the conflicts inherent in these scenarios, about the challenges and the macro and micro aggressions faced by people outside the cultural ‘norm’. Instead, you want to upend them and explore a world without them. SF/F gives us the power and permission to start from the beginning and ask: wait, but why? Or, on the flipside: why not? What if men had been wiped out and women were able to reproduce asexually (Nicola Griffith’s Ammonite)? What if you could take on male or female appearance at will (Imajica by Clive Barker)? What if the gender of your protagonist was so unimportant to the story that you didn’t even need to disclose it (John Scalzi’s Lock In)? There’s no limit to the questions you can ask when your genre is (literally) defined by speculation. What if no-one cared to assign gender to children, leaving people were free to self-determine at their own pace? Why would a society limit its access to half the population if it was in need of certain skill sets or talents? (Most jobs don’t require genitals, after all). Playing with these assumptions can lead you to some great fun worldbuilding adventures into linguistics, history, the influence of environmental factors, religion… SF/F can explore these questions in a way that a story set in the real world can’t.

In City of Lies I wanted to play with our assumptions about family structures, and particularly how they intersect with romantic relationships. History is full of examples of conflicts built around patriarchy—women being blamed for fertility issues (hey dudes, around half the time it’s you, not her!), a child’s social value being determined by reference to the social rank and importance of the father, value judgments about the acceptability and respectability of certain relationships (heterosexual marriage) over others, and, critically, inherent uncertainty about the identify of fathers which creates risks for women. These factors underpin a lot of the cultural baggage Western societies carry about gender and acceptable behaviours. I didn’t want a bar of it. There’s enough toxic masculinity in Real World 2018™ and I didn’t want to create a fictional mirror of that.

Instead I envisioned a society which prioritised and valued blood family relationships over romantic and sexual ones. If we were socialised to treat our blood relatives as the natural ‘village’ to parent our children, the identity of the father of a child inherently diminishes, and therefore the value that society places on establishing long term couple relationships likewise diminishes. What would a society without marriage, without expectation that children leave their family home as adults, look like? How might it have developed? What would this change about how we treat each other, particularly in relation to gender and sexuality? Importantly, while I had a lot of fun with this as a worldbuilding exercise, and it gave me the society as a backdrop that I wanted for my brother/sister protagonists, it’s not the point of the story. It’s just there. SF/F gives us the freedom to write a book about poison and treachery and old magic in which it also just happens that women are regarded as equal humans whose contribution to their society is judged by their skills and talents, not their value to a man, and that’s such an obvious baseline that it doesn’t need to be a plot point. Imagine that.

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The Responsibility of Narratives

Image Place holder  of - 25 By Mary Robinette Kowal

As mainstream culture becomes increasingly vocal about the politics of gender, it makes me aware of all of the damaging narrative that I’ve internalized and which has created internal biases in myself. Those show up in my fiction. So when I sit down to write, I now assume that I have a bias.

Why is this a problem?

Because we are made of narrative. As humans, we respond to narrative in ways that we don’t respond to facts. Cory Doctorow talks about storytelling as a survival trait, and suggests that being able to empathize with a character is a survival trait. It makes sense, because if you don’t have this trait and someone tells you, ‘I went over there on that cliff and the ground gave way and I almost died!’—if you don’t internalize that in some way, you’re going to go over to the cliff, step on the unstable ground…and DIE. Being able to internalize narrative is part of what makes us human and keeps us moving forward and growing.

But we can also internalize narrative that is damaging.

So one of the responsibilities I have is knowing that people are going to internalize what I write. I have a responsibility to be aware of and cautious about passing my own biases on. That’s something I thought about very consciously for the Lady Astronaut books.

This is an alt-history starting in 1952, in which an asteroid strikes Washington, DC. I wanted to highlight the women who worked in the early space program. Let me explain how deeply these biases are woven in from narrative and how narrative can counter them.

I wrote this before Hidden Figures came out. This is an important detail. In The Calculating Stars, I have a character Helen Liu, modeled on a real life woman working at Jet Propulsion Laboratory in 1940. My beta-readers had difficulty believing that a Chinese woman would be there. They had difficulty with the black women that I had working in the computer department, even though I was basing them on real women.

After Hidden Figures came out, that reaction went away. Nothing about my writing had changed, but the narrative that people had internalized had shifted.

I had internalized it as well, honestly, but because of the larger conversation, I knew that bias was there. I assumed that women were involved in the program and had been left out. My other assumption is that people of color had been involved in the space program and been erased from the narrative.

Because the thing about gender is that you can’t look at it without the intersection of race. And when you start realizing how thoroughly and heavily women were involved in the space program, and how active people of color were involved, and how they’re just…left out. Erased. My view of the space program was flat wrong because of the media I had consumed.

If I don’t examine and look for my biases, then I’m likely to compound the problem with the stories I tell. I’d rather not, thanks. I’d rather read and internalize stories that center the people who have so often been erased.

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