John Teschner - Tor/Forge Blog

Excerpt Reveal: Valley of Refuge by John Teschner

Valley of RefugeIn this high-stakes, character-driven thriller, a Hawaiian family must decide the future of their ancestral land when a tech billionaire decides he wants it for himself, and won’t take no for an answer.

What would you do if you. . .

. . .were offered an obscene amount of money for your family’s ancestral land? For Nalani and her mother, the money that could change their lives—at the sacrifice of everything they believe—is a double edged blade, and they’re not sure they can trust the secretive tech billionaire holding it out to them as if it were an olive branch. But what happens when a man with unlimited wealth is given an answer he doesn’t want to hear?

. . .woke up on a plane en route to a tiny Hawaiian island, with no memory of who you are or why you’re there? Janice, whose only clues are the passport in her pocket, and a locked phone with increasingly alarming text alerts about a situation she may or may not be part of, barely knows where to start. Navigating an unfamiliar place, and her own unfamiliar mind, Janice seeks to discover who she is, and answer the question of why she is here, and exactly whose side is she on?

As plans are set in motion that carry them down dangerous and unexpected paths, all involved must decide just how far they are willing to go to reach their goals, before turning back is no longer an option.

Valley of Refuge will be available on October 3rd, 2023. Please enjoy the following excerpt!


The bassline vibrated the walls of the hallway. She was leaving the bathroom, adjusting the hem of her shirt self-consciously. Had she forgotten a zipper? How much had she had to drink?

Why was it so bright?

She had to shoulder her way through the crowd. People gave her dirty looks. They weren’t dressed for the club. They wore uniforms, or joggers with hoodies, or shorts with ugly patterned shirts. But beyond them, she could see the oval doorway that led to the wide-open space of the dance floor.

They were talking about her, their voices barely audible above the noise. It would feel so good, to make it to that high, bright space and have room to move.

And to be with her, the woman dancing with her eyes shut.

She was in a dream, she knew that. But she wanted so badly to be back on the dance floor. No reality could be more important than that. She was pushing more frantically now. But the harder she pushed, the more they pushed back. Someone was shouting in her face. She craned her head to find the exit, to be anywhere but in this bright, narrow hallway.

She opened her eyes.

“Ma’am!” A wild-eyed woman was practically in her lap. She tried to kick but hit something hard, and pain exploded in her shin.

“Ms. Diaz!”

Her name?

The woman was wearing a uniform. A cop? A nurse?

She looked up and saw two circles dancing in and out of focus in an oddly low and curving ceiling. To her left, a portal, beyond it, blue.

She was on an airplane.

There were two other flight attendants standing in the aisle. And two men, one Black, one white. Big men.

She was on an airplane. And there was a problem. She was the problem.

She closed her eyes and held up her hands. “Okay,” she said. “Okay.”

“Ma’am, there is a team of emergency responders waiting for us at the airport. They want to know, have you taken any drugs or medications?”

She began to answer. Opened her mouth. Shut it. Tried again.

“What’s my name?”

The flight attendant glanced back at her colleagues.

“Your name is Janice. Janice Diaz. According to your boarding pass.”

“How did I get here?”

“Just like everyone else, ma’am. You boarded in Seattle.”

“And where are we landing?”

“LIH. Lihue Airport. Hawaii.”

Janice Diaz leaned back. “That sounds nice.”

The flight attendant stepped back into the aisle, whispered to her coworkers.

“Ms. Diaz, what is the last thing you remember?”

She almost told her about the woman on the dance floor. Then she pictured the Seattle airport. Escalators and empty glass hallways. She knew it well. She tried filling it with people. Faceless, hurrying bodies. She tried to remember the bench she’d chosen at the gate, where she’d bought coffee, the line for security. There was nothing there. Her mind was clear and bright.

She took a deep breath, waited for the never-ending stream of images and mental chatter that constituted who she was.

She took another breath.

“Ma’am?” The flight attendant was in the seat beside her. “I’m going to sit right here until we land.”

Without thinking, Janice Diaz clasped the flight attendant’s hand. “Am I all right?”

“Oh, honey.” The woman lifted a strand of hair from her face. One fingertip brushed her forehead, and the full arc of her skull fluoresced with pain. “I don’t think so.”

Click below to pre-order your copy of Valley of Refuge, available October 3rd, 2023!

Poster Placeholder of amazon- 72

Image Placeholder of bn- 82

Image Placeholder of booksamillion- 22

ibooks2 99

Poster Placeholder of bookshop- 1


The Non-Fiction Pieces That Inspired Project Namahana by John Teschner

Project NamahanaEveryone loves a good villain: the scheming mastermind, the taunting bully, the monster under the bed. However, real world evil often stems not from one individual, but from a long line of people making small, selfish decisions. In his upcoming thriller Project Namahana, John Teschner casts a corporation as his antagonist and asks the question, can a person make evil choices without being evil themselves? Read on for Teschner’s thoughts on life changing books, his experiences in the Peace Corps, and the subtleties of structural violence.

By John Teschner:

All of us have certain “Before and After” books that abruptly changed how we see the world. Sometimes so thoroughly, it’s easy to forget we ever saw things differently. 

For instance, after 30+ years of being a know-it-all, I became slightly less obnoxious in 2014, thanks to a lesson on why that attitude could get me killed, courtesy of Laurence Gonzales’ profound book Deep Survival – Who Lives, Who Dies, and Why:

A closed attitude, an attitude that says, ‘I already know,’ may cause you to miss important information. Zen teaches openness. Survival instructors refer to that quality of openness as ‘humility.’

This February, I was reminded of another Before and After book when I saw the news that Paul Farmer, the founder of Partners in Health, had died unexpectedly. 

In 2005, I borrowed his book, Pathologies of Power, from a Peace Corps buddy during our second year as volunteers in a poorly-conceived HIV education initiative serving the Kenyan public school system. Like most HIV interventions at the time, our work focused on prevention and personal responsibility. We were told that when Kenyans asked us why anti-retroviral drugs that were widely accessible in the US were not available to them, we should say these drugs had side effects the Kenyan health system wasn’t capable of managing.  In other words, it was no one’s fault—at least, no American’s fault—that a treatable disease in one country was a death sentence in another.

The hollowness of that claim became obvious when PEPFAR–George W. Bush’s anti-AIDS initiative—made anti-retrovirals widely available in Kenyan clinics. There was no more mention of the side effects. This was vivid confirmation of Farmer’s point in Pathologies of Power: the suffering caused by systemic inequities is no different from suffering caused by more obvious sources—both are acts of violence. 

Just because no individual had made a deliberate choice to cause the suffering of Kenyans with untreated AIDS, it didn’t mean no one was implicated. In fact, we all were.

The term for this is Structural Violence, and once you see it somewhere, you start recognizing it everywhere—sometimes in literal structures, like the interstate highways constructed in the 50s and 60s that deliberately demolished and isolated prosperous black communities. It soon becomes clear that while clear-cut forms of violence—murder and war—fill up the headlines, the vast majority of human suffering is caused by structural forces with no obvious guilty party.

This, obviously, is a challenge for novelists.

The novel, by definition, chronicles the individual experiences of a small cast of characters. A novel has stakes because characters’ decisions have concrete results with a moral dimension. The more directly a decision is linked to a result, the more entertaining the story: Mark decided to hit Sam. Sam fell down. What happens next?

The more links we add between decisions and results, the less compelling the story becomes. Villains become harder to identify. Heroes’ work becomes more mundane. We are in the realm of politicians and lawyers, not detectives and spies.

My first novel was inspired by a NYT Magazine story of structural violence: for decades, as told by Nathaniel Rich, DuPont factories dumped toxic chemicals in West Virginia streams, abetted by permissive regulators and a corporate bureaucracy that distributed the action of poisoning other human beings into a chain of indirect decisions carried out by hundreds of employees. The hero was a lawyer, and the story played out primarily in conference rooms and courthouses. 

The article is compelling. And authors like Rich, Michael Lewis, and John Carreyrou have shown you can turn these stories of structural violence into riveting narratives. 

But can you make them a thriller? That was the goal I set for myself.

First, I had to understand how these structures actually function. From the sociologist Robert Jackall, I learned corporate managers make directives as vague as possible, forcing those lower down the chain to make ever more concrete decisions. And from Stanley Milgram, I learned it’s human nature to shift our model of morality when following orders, justifying actions we would never do on their own.

So, in Project Namahana, I plotted a series of events that tear down the distance between a powerful executive and the consequences of his decisions. Over the course of the novel, Michael Lindstrom is thrust into direct contact with the kind of violence his company had been doling out in a more or less legal and socially acceptable way for decades.

One of my goals was to understand why a good person can make decisions that cause so much harm. In fact, I wanted to do more than understand; I wanted to enter the characters’ perspective and force myself and my readers to ask whether we have similar self-deceptions.

After all, there’s another reason we choose clearcut stories of heroes and villains over narratives of complex social forces: it’s not just their entertainment value, it’s the fact that we all want to identify with the hero. And stories of structural violence force us to ask whether we may sometimes be the villain as well.

Click below to pre-order your copy of Project Namahana, coming June 28th, 2022!

Image Placeholder of amazon- 51

Placeholder of bn -61

Poster Placeholder of booksamillion- 15

ibooks2 53


Place holder  of bookshop- 63


5 Thrillers Set in Hawaii to Read This Summer

Summer is upon us and if you’re looking for a Hawaiian thriller to tide you over until the next season of The White Lotus, look no further! John Teschner’s upcoming novel Project Namahana brilliantly combines all the gorgeous tropical scenery, dark secrets, and heart-pounding thrills that you crave. In anticipation of its release, here are a few thrillers examining the evil that lurks behind even the most idyllic setting…

11660590Micro by Michael Crichton and Richard Preston

A group of graduate students travel to Hawaii to work for a groundbreaking biotech company but soon find themselves stranded in the jungle and fighting for their lives.  Crichton shows us what happens when nature and technology clash in this thrilling techno-thriller full of murder, mysterious weapons, and the dangers of the natural world.

Blood Orchids by Toby Neal

The first installment in Toby Neal’s thrilling Paradise Crime series introduces readers to tough Hawaiian cop Lei Texeira. Lei has overcome a tragic past but when she finds two murdered teenagers, all her old memories come rushing back. To solve the case, she must battle her own ghosts as well as a killer who finds her increasingly fascinating. Soon Lei is trapped in a thrilling game of cat and mouse where she begins to question her very sanity.

Project NamahanaProject Namahana by John Teschner

After a string of deaths and disappearances in the jungles of Kauai, a pair of men set out to find answers to the mystery plaguing the island.  Tempers flare as the local community clashes with the greed of corporate farming and it soon becomes clear that amid the lush jungles and gorgeous beaches, all is not as it seems.


Death in Paradise by J.E. Trent

Jessica Kealoha is a L.A. homicide detective with a complicated family life and when her father dies in a plane wreck, she immediately suspects that it was no accident. She returns to her childhood home and reconnects with her family while also working to solve the mystery of her father’s death. Full of twists, turns, and a dash of romance, Death in Paradise will have you staying up past your bedtime to get to its thrilling conclusion.

Bones of Hilo by Eric Redman

Kawaka Wong is a young detective struggling to prove himself so when a wealthy businessman shows up murdered on a golf course with an ancient Hawaiian spear driven through his heart, Wong jumps at the chance to solve such a high-profile case. He soon finds himself tangled up in the mysterious history of the island as well as a string of grisly murders and he quickly realizes he may have gotten more than he bargained for.

Post written by Merlin Hoye

Click below to pre-order your copy of Project Namahana, coming June 28th, 2022!

Image Place holder  of amazon- 20

Placeholder of bn -97

Poster Placeholder of booksamillion- 62

ibooks2 62


Poster Placeholder of bookshop- 97


Excerpt: Project Namahana by John Teschner

Project NamahanaNothing stays hidden forever…

Two men, unified by a string of disappearances and deaths, search for answers—and salvation—in the jungles of Kaua‘i. Together, they must navigate the overlapping and complicated lines between a close-knit community and the hated, but economically-necessary corporate farms—and the decades old secrets that bind them.

Project Namahana takes you from Midwestern, glass-walled, corporate offices over the Pacific and across the island of Kaua‘i; from seemingly idyllic beaches and mountainous inland jungles to the face of Mount Namahana; all the while, exploring the question of how corporate executives could be responsible for evil things without, presumably, being evil themselves.

Project Namahana will be available on June 28th, 2022. Please enjoy the following excerpt!


Micah Bernt observed the beach park from the edge of the forest: a gravel road, a potholed parking lot, five ragged tents under sun-worn tarps. From this height, the ocean looked completely still and very far away, a flat blue desert one shade darker than the cloudless sky.

He heard a truck and slipped the pack from his shoulders into the tall grass. The driver never glanced his way, but he felt the eyes of the teenager sprawled in a beach chair in the bed. Bernt’s father was a Missouri Rhinelander, his mother Filipino. In California, people assumed he was Mexican. Here he could pass for local, as long as he didn’t open his mouth.

Bernt nodded and the boy nodded back.

He waited for the teens to carry their spearfishing gear under the ironwood trees. Then he shouldered his pack and followed the edge of the field until he found a narrow path leading into the forest. The tracks of dirt-bike tires interlaced in the hard-packed dirt. When the trail crossed a stream, he turned and followed the thin flow of water between mud-caked boulders. In a few minutes, he reached a spot where it pooled deep enough to dip a bottle without stirring any silt.

He scrambled out of the stream, dropped his pack and sank into the ferns, drank a liter of water in two gulps. No birds called in the forest. The stream was silent.

From his rucksack, he pulled an eight-by-eight tarp, twelve carabiners, and three rolls of 550 cord. He staked out a simple A-frame, hanging the tarp over a line between two trees. He took the second length of 550, tied one end to a grommet in the tarp and stretched it to a tree ten feet away. He wrapped the line from tree to tree until he had a rough perimeter at shin level. He strung a second line a couple feet outside the first, then clipped the two lines together with ten of the carabiners at equal distances. He hung the last two carabiners from the line in his tent.

Finally, he unstrapped his sleep system and laid his patrol bag under the tarp. He forced his heavy bag into a stuff sack for a pillow and laid it below the carabiners, where he would hear them jingle if anyone tripped the cord.

It was easier to go through the routines than resist them.


He left camp before dawn each morning. There were always people up early at the beach park: GT fishermen with their elaborate gear, uncles stopping by to throw net for an hour before work, kids in the tents getting ready for school. Bernt would walk up the road to wherever he’d left his car—a different place each night—then drive south to Kealia and park at the restrooms.

On windless mornings, glassy sets rolled in at Kealia like ripples on a pond. One or two at a time, surfers would tilt onto a peaking wave, coast down the face with a few laconic strokes, stand high near the collapsing water. Bernt came to recognize a few who caught more than the others. One, a woman, was the best. Seeing her flash along a fast right then carve her board three hundred degrees to extend the ride a few more seconds before gracefully topping the wave and reappearing with her feet high in the air, her arched back accentuating the slim cut of her bikini against her brown skin, was the high point of Bernt’s day.

He used shampoo and soap under the outdoor shower, wrapped a towel around his waist to strip off his wet shorts and dress himself, propped a mirror on the hood to shave, ran a dollop of product through his hair. He had no illusions that the runners and dog walkers on the trail, the surfers pausing to read the water before dashing down the beach, the handful of tourists up this early, didn’t grasp his situation with one glance.

If it was depressing to know the best part of his day was already over, he tried to take comfort in knowing this, the worst part, was almost over, too.


On his eighth day in the woods, Bernt interviewed for a job selling mowers and marine engines. The manager who interviewed him was barely out of high school. His grandfather had founded the shop. His great-grandfather had been an indentured laborer. Lining the walls above the kid’s desk were faded photos of families in crisp kimonos posing stiffly in front of plantation houses. Bernt asked the kid to drop the hourly by a buck fifty and increase his commission five percent, and he agreed. He’d catch hell from his grandfather when the old man found out.

That evening, Bernt drank a six-pack of Heinekens on a picnic table at Kealia. The waves were breaking cleanly, but he never saw the woman.

It was nearly dark as he walked toward the beach park. The parking lot was empty except for three ice heads lingering around a rusting pickup. He’d seen them before and given them little thought, beyond the operational concerns of the attention they might draw. He had a professional opinion on how they handled businesses—selling so blatantly and so close to the families in the tents—but this wasn’t his community. Anahola was a Home Lands area. He assumed their disrespect was noted. Someone would take care of it eventually.

He was moving through the shadowed tree line when a rusty van pulled into the lot, a wooden rack screwed straight into its roof, a pile of battered surfboards and random junk roped haphazardly on top, one rear window jammed askew. A bearded man unfolded from the driver’s seat, his head darting until his gaze froze on the baggie that flashed in an ice head’s palm. A woman watched keenly from the passenger seat, surveying them all with a vigilance bordering on hatred.


Just a short time on island and the word came automatically. Whether they lived out of a van or owned ocean-front property, they all reminded him of the outnumbered white kids at his high school: pitifully eager to fit in or resolutely oblivious to anyone outside their tiny circle.

He was about to turn his back and step into the forest when he saw the woman frown and twist in her seat, speak angrily to someone. A spark flared in his brain. In ordinary situations, threat assessment was automatic and unconscious. But an error—even as minor as the occupancy of a vehicle—set off alarms. He looked more closely. Then he stepped out of the tree line.

He reached the group as the bearded man was passing over the folded bills. Bernt caught his hand and threw the man’s fist back at him, easily causing him to stagger back toward the van. “If I see you here again,” Bernt whispered, “I’ll keep the money. And I’ll cut you.”

Anger boiled somewhere behind the man’s eyes. But only fear was strong enough to cut through his confusion. The woman was more collected.

“Fuck you!” she screamed. “You need to mind your own fucking business. Who the fuck you think you are? You better get your ass up, Omen, and—”

Bernt opened the door and shoved Omen into the driver’s seat. The man gave his woman a terrified glance and tried to bolt back into Bernt’s arms, but Bernt slammed the door on him.

“Get the fuck out of here!” he screamed, banging the van. It rolled forward, and for a moment Bernt locked eyes with the little boy standing between the two rear seats.

“I never knew they had one buk buk superhero. You get one magic bolo knife or what?”

Bernt turned. One of the ice heads was just a few feet away. His cheeks were hollow and his lips scabbed over, but he was still good-looking, vaguely European, with a deep tan and curly black hair. He wore work boots and jean shorts sagging from his skinny hips. His forearms were ropy with muscle. He had the hands of a carpenter. His hair was cropped close. A few Army tattoos, a few prison. Three inches on Bernt, at least.

“I not going give you no humbug for harassing my customers. I never like that haole bitch. But you need finish what they started.” He flashed the baggie in his palm.

“No thanks,” said Bernt.

The man turned to his friends. He was clearly the leader of their little gang. “No thank you. This Flip talk like one haole, an’ fresh off the plane, too.”

Bernt turned to walk away, but the man stepped with him.

“Where you from?”

“Kapaa,” Bernt lied.

“You stay Kapaa but you sleep in the forest? You must get trouble with your wahine.”

Bernt said nothing.

“Yeah we seen you.” For an instant, Ice Man’s eyes turned keen and piercing. “And we know you never like no pilikia. Just pay up. One hundred only.”

He walked as he spoke, drifting right, making it harder with each step for Bernt to keep all three in front of him.


Ice Man grinned, his teeth black stubs. “So what then, you like spar?”

All three were moving now, fanning out. The other two didn’t look like fighters, but they didn’t need to be.

Ice Man raised his hands.

In one motion, Bernt slipped the pack from his shoulder and lifted the heavy steel ASP from its sleeve. He let his wrist drop with the weight, flicking just enough for the baton to telescope and lock with a satisfying click.

The stranger grinned. There were plenty of nights Bernt would have been happy to see him pull a blade. But he was glad when Ice Man gestured for his boys to stand down.


After he’d watched the headlights bump across the bushes and sweep down the road, Bernt returned to his camp. He could bug out with his essentials in under two minutes, but he took the time to remove all trace. Then he walked deeper into the forest, through clearings cluttered with burnt-out cars, until he reached the ocean. He chose a small cove to wait out the night and settled into the moonshadow cast by a tall boulder.

It was always lonely, to be awake and alert in the darkness. But he was never alone.

At Benning there’d been a Weapons Sergeant who’d spent years living out of a van, climbing mountains. One night, waiting for a jump, he told a story about a time he had to down-climb a two hundred-foot face without a rope. When someone asked how he didn’t panic, he said whenever he felt it coming on, he imagined the sound of a carabiner snapping shut.

Bernt didn’t see him again after Jump School. He’d heard the guy drove his van into the mountains after his discharge and swallowed a bottle of pills. But the click of the ASP always reminded Bernt of his imaginary carabiner. The sound of safety, he had called it.

Click below to pre-order your copy of Project Namahana, coming 06.28.22!

Image Place holder  of amazon- 11

Poster Placeholder of bn- 51

Poster Placeholder of booksamillion- 65

ibooks2 82


Place holder  of bookshop- 89

The owner of this website has made a commitment to accessibility and inclusion, please report any problems that you encounter using the contact form on this website. This site uses the WP ADA Compliance Check plugin to enhance accessibility.