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5 Great Book Club Picks

5 Great Book Club Picks

By Jennifer McClelland-Smith

There’s never a bad time for book club. Whether your book club is more of a wine club or a snacks club or a fun and friendship club, the camaraderie that comes with a group of people reading the same book and talking it out is unmatched. We’ve rounded up some of our Forge book club favorites that all have reading group guides. They’re perfect for getting the conversation going and offering ways to go deeper into these meaty books.


Place holder  of - 73Remembrance by Rita Woods
Remembrance is one of those books it’s impossible NOT to talk about. It takes you on a journey throughout the country and the ages telling the story of an elderly woman in the present, a slave in 1791 Haiti and an escaped slave in New Orleans in 1857. There are elements of magic that make this a rich book experience like no other. Find the reading group guide here!

Image Placeholder of - 13Father of Lions by Louise Callaghan
Animal lovers and people interested in Middle East politics will be equally captivated by Father of Lions. Louise Callaghan is Middle East Correspondent for the Sunday Times and her take on this incredible story of a zookeeper and the measures he takes to save his animals in the wake of the Iraq War is a truly thrilling read. Find the reading group guide here!

Placeholder of  -73The Devil’s Half Mile by Paddy Hirsch
Fans of thrillers and historical fiction should look no further than this book, set in 1799 New York City. Dealing with the fallout of a financial crisis, racial tensions and corrupt financiers, The Devil’s Half Mile feels almost contemporary. Young lawyer Justy Flanagan is on the hunt for his father’s killer and the twists and turns he faces will keep you on the edge of your seat. Find the reading group guide here!

Image Place holder  of - 4Midnight at the Blackbird Café by Heather Webber
If your book club loves nothing more than a cozy read, Midnight at the Blackbird Café is the perfect choice. It’s a sweet Southern story about a girl who returns to the small town where her mother grew up with a magical twist. There are quirky characters, heartwarming romance and enough pie recipes to make your mouth water. Do NOT read this on an empty stomach! Find the reading group guide here!

Poster Placeholder of - 69A Dog’s Promise by W. Bruce Cameron
Dog lovers and book lovers alike know Bruce Cameron is the best choice for an uplifting canine read. This third book in the Dog’s Purpose series continues the story of Bailey and introduces us to Lacey, another very good dog. No one can write the soul of a dog quite like Bruce. And the way these two pups unite a fractured family gives readers plenty to howl about. Find the reading group guide here!

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$2.99 Ebook Deal: The Devil’s Half Mile by Paddy Hirsch

The ebook edition of The Devil’s Half Mile by Paddy Hirsch is on sale now for only $2.99! Get your copy today!

About The Devil’s Half Mile:

Seven years after a financial crisis nearly toppled America, traders chafe at government regulations, racial tensions are rising, gangs roam the streets and corrupt financiers make back-door deals with politicians… 1799 was a hell of a year.

Thanks to Alexander Hamilton, America has recovered from the panic on the Devil’s Half Mile (aka Wall Street), but the young country is still finding its way. When young lawyer Justy Flanagan returns to solve his father’s murder, he exposes a massive fraud that has already claimed lives, and one the perpetrators are determined to keep secret at any cost. The body count is rising, and the looming crisis could topple the nation.

Order Your Copy

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This sale ends 12/18/19.

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Six Mysteries That Kept Us On Our Toes In 2019

Six Mysteries That Kept Us On Our Toes In 2019

By Alison Bunis

How was your 2019? Did you hit your Reading Challenge goal of 25 books by the end of the year? Or however many books you wanted to read? If so, color me impressed! If not, we’ve got a few suggestions here with enough spine-tingling, page-turning mojo to make sure you rip right through them. And since you won’t be able to put these mind-bending mysteries down until you’ve finished them, you’ll definitely be able to pad your end-of-the-year reading numbers.

 

Redemption Point by Candice Fox

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A disgraced former cop and a convicted murderer don’t sound like the P.I. dream-team, but Candice Fox is so good, she not only makes it work—she makes you wonder why you didn’t think of it first. In Redemption Point, the follow-up to Crimson Lake, Ted and Amanda are pulled in separate directions. As Amanda investigates the murders of two young bartenders, Ted desperately tries to prove, once and for all, that he was not the man who brutally abducted Claire Bingley. If Ted can’t prove his innocence, he’ll be the victim of a brutal revenge plot orchestrated by Claire’s devastated father. As Ted and Amanda circle closer to the truth, redemption appears to be on the cards—but it may cost them their lives.

 

Tell Me No Lies by Shelley Noble

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Lady Dunbridge—Phil to her friends—has no intention of sitting around and missing out on all the fun just because she happens to be a widow. She got into some wonderfully scandalous adventures in Ask Me No Questions, and now she’s back with her signature brand of stylish sleuthing in Tell Me No Lies. Murder and scandal abound in Gilded Age Manhattan, after all. This time, a handsome young business tycoon has been murdered. His death could send another financial panic through Wall Street and out into the country beyond. Someone simply must do something. And Lady Dunbridge is happy to oblige.

 

The Murder List by Hank Phillippi Ryan

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Rachel North loves her life. Her hard work and dedication in law school have paid off in the form of a top-notch internship with the Boston DA’s office. She’s in a loving, happy marriage, and her handsome, devoted husband just happens to be a successful defense attorney. Rachel knows that it’s her smarts and her determination to do the right thing got her here, and she’s got a clear picture of what the future will bring. 

Problem is, of course, she’s wrong. And in this cat-and-mouse game, the battle for justice is about to become a fight for survival.

 

Hudson’s Kill by Paddy Hirsch

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When Justy Flanagan became a city marshal at the end of The Devil’s Half Mile, he thought he’d seen the worst New York City had to offer. Now, in 1803, the city continues to surprise him with worse depravities than anyone could have imagined. When a young black girl is found stabbed to death in an alleyway, Justy and his old friend Kerry O’Toole, now a schoolteacher, each follow the girl’s murder down separate paths to the same shadowy community on the edge of the growing city. There is a craven political conspiracy in the heart of the city, and it’s tied up with a stunningly depraved criminal enterprise—and Justy and Kerry must fight to save the city, save themselves, and bring the girl’s killer to justice.

 

They All Fall Down by Rachel Howzell Hall

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A group of sinners. An isolated island. A mysterious force picking them off one by one. If it sounds familiar, no, this is not And Then There Were None, although you’d be forgiven for thinking that—Rachel Howzell Hall was inspired by Agatha Christie’s classic when she sat down to write They All Fall Down. In this case, ten sinners become seven, and we’re updated to present day, where Miriam Macy receives a surprise invitation and sails off to a luxurious private island off the coast of Mexico with six other strangers. Surrounded by miles of open water, everyone soon learns that they have been brought to the remote island under false pretenses—and that they all harbor a secret. Danger lurks in the lush forest and the lonely mansion. Sporadic cell-phone coverage and miles of ocean keeps the group trapped. And strange accidents stir suspicions, as one by one . . .they all fall down

 

Heart of Barkness by Spencer Quinn

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No offense to all the human narrators in the crime fiction genre, but Chet the dog might just take the cake as our very favorite crime narrator. He’s a dog who solves crime—along with his P.I. pal Bernie, of course. Chet & Bernie are both music lovers, so when former country superstar Lotty Pilgrim turns up at a local bar, they drive out to catch her act. Bernie’s surprised to see someone who was once so big performing in such a dive, and drops a C-note the Little Detective Agency can’t afford to part with into the tip jar. And then the C-note is stolen right from under their noses—even from under Chet’s, the nose that misses nothing. Soon they’re working the most puzzling case of their career, and Chet & Bernie find themselves sucked into a real-life murder ballad where there’s no one to trust but each other.

 

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On the Road: Tor/Forge Author Events in November

Your favorite Tor/Forge authors are hitting the road in November! See who’s coming to a city near you this month.

Alison Wilgus, Chronin, Volume 2: The Sword in Your Hand

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Thursday, November 7
Kinokinuya Books
New York, NY
6:00 PM

Shannon Price, A Thousand Fires

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Saturday, November 9
Books Inc Campbell
Campbell, CA
4:00 PM

Jenn Lyons, The Name of All Things

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Thursday, November 7
Half Price Books
Dallas, TX
6:00 PM

Friday, November 8
Poisoned Pen
Scottsdale, AZ
7:00 PM

Sunday, November 10
Mysterious Galaxy
San Diego, CA
4:00 PM

Monday, November 11
University Bookstore
Seattle, WA
5:00 PM

Kel Kade, Fate of the Fallen

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Thursday, November 7
Half Price Books
Dallas, TX
6:00 PM

Friday, November 8
Poisoned Pen
Scottsdale, AZ
7:00 PM

Sunday, November 10
Mysterious Galaxy
San Diego, CA
4:00 PM

Monday, November 11
University Bookstore
Seattle, WA
5:00 PM

Hank Phillippi Ryan, The Murder List

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Saturday, November 2
Bouchercon
Dallas, TX
2:30 PM

Saturday, November 16
Holiday Inn, New Orleans Airport
Metairie, LA
8:30 AM

Paddy Hirsch, Hudson’s Kill

Saturday, November 16
Camarillo AAUW Author’s Luncheon
Ventura, CA
10:00 AM

W. Bruce Cameron, A Dog’s Promise

Saturday, November 9
Horizon Books
Traverse City, MI
12:00 PM

Tuesday, November 12
Riverstone Books
Pittsburgh, PA
7:00 PM

Saturday, November 16
Changing Hands
Tempe, AZ
7:00 PM

Sue Burke, Interference

Thursday, November 21
Mages & Quinn
Minneapolis, MN
7:00 PM

Naomi Kritzer, Catfishing on CatNet

Mages & Quinn
Minneapolis, MN
7:00 PM

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Listen to an Audiobook Excerpt of Hudson’s Kill by Paddy Hirsch

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Image Placeholder of - 49New York in 1803 is rife with tension as the city expands, and whoever knows where the city will build can control it. And violence builds as a mysterious provocateur pits the city’s black and Irish gangs against each other.

When a young black girl is found stabbed to death, both Justy Flanagan, now a City Marshal, and Kerry O’Toole, now a school teacher, decide separately to go after the killer. They each find their way to a shadowy community on the fringes of the growing city, where they uncover a craven political conspiracy bound up with a criminal enterprise that is stunning in its depravity.

Justy and Kerry have to fight to save themselves and the city, and only then can they bring the girl’s killer to justice.

Hudson’s Kill, the thrilling sequel to The Devil’s Half Mile, is now on sale. Please enjoy the following excerpt from the audiobook, narrated by Euan Morton, who currently stars as King George in Hamilton.

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Order Your Copy:

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On the Road: Tor/Forge Author Events in October

Your favorite Tor/Forge authors are hitting the road in October! See who’s coming to a city near you this month.

Jillian Boehme, Stormrise

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Wednesday, October 2
Barnes & Noble
Whitehall, PA
6:00 PM

Lauren Shippen, The Infinite Noise

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Wednesday, October 2
Books Are Magic
Brooklyn, NY
7:00 PM

Paddy Hirsch, Hudson’s Kill

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Wednesday, October 2
A Room of One’s Own Bookstore
Madison, WI
6:00 PM

Thursday, October 3
Once Upon a Crime
Minneapolis, MN
7:00 PM

Raymond Khoury, Empire of Lies

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Friday, October 4
Murder by the Book
Houston, TX
6:30 PM

Saturday, October 5
Poisoned Pen
Scottsdale, AZ
6:00 PM

Monday, October 7
The BookMark
Jacksonville, FL
7:00 PM

Cora Carmack, Rage

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Wednesday, October 2
Books Are Magic
Brooklyn, NY
7:00 PM

Monday, October 7
Brazos
Houston, TX
6:30 PM

Friday, October 11
BookBar
Denver, CO
5:00 PM

Annalee Newitz, The Future of Another Timeline

Tuesday, October 1
Lawrence Public Library
Lawrence, KS
6:00 PM

Monday, October 7
Harvard Bookstore
Cambridge, MA
7:00 PM

Tuesday, October 8
American Writers Museum
Chicago, IL
6:30 PM

Wednesday, October 9
Brazos Bookstore
Houston, TX
6:30 PM

Thursday, October 10
Town Hall Seattle
Seattle, WA
7:30 PM

Friday, October 11
Barnes & Noble at Clackamas Town Center
Portland, OR
7:00 PM

Jennifer L. Armentrout, The Burning Shadow

Monday, October 7
FoxTale Book Shoppe
Woodstock, GA
6:30 PM

Tuesday, October 8
Writers Block
Winter Park, FL
6:30 PM

Wednesday, October 9
Blue Manatee Literacy Project
Cincinnati, OH
6:00 PM

Thursday, October 10
Schuler’s Books
Grand Rapids, MI
7:00 PM

Friday, October 11
Mysterious Galaxy
San Diego, CA
7:00 PM

Hank Phillippi Ryan, The Murder List

Thursday, October 17
Oblong Books & Magic
Rhinebeck, NY
6:00 PM

Wednesday, October 23
Women’s National Book Award
Delray Beach, FL
6:30 PM

Charlotte Nicole Davis, The Good Luck Girls

Tuesday, October 1
The Strand
New York, NY
7:30 PM

Wednesday, October 2
Books Are Magic
Brooklyn, NY
7:00 PM

Thursday, October 3
The Lit. Bar
Bronx, NY
6:30 PM

Tuesday, October 8
Barnes & Noble
Huntington Beach, CA
7:00 PM

Wednesday, October 23
Kansas City Public Library
Kansas City, MO
6:30 PM

W. Bruce Cameron, A Dog’s Promise

Saturday, October 12
Second Star to the Right
Denver, CO
2:30 PM

Monday, October 14
Rainy Day Books
Fairway, KS
6:00 PM

Tuesday, October 15
North Central College, Stevenson Hall
Naperville, IL
7:00 PM

Wednesday, October 16
Elm Street Theater
Woodstock, GA
7:00 PM

Thursday, October 17
Eldersburg Elementary
Skyesville, MD
6:30 PM

Monday, October 21
Towne Book Center & Cafe
Collegeville, PA
7:00 PM

Wednesday, October 23
BookPeople
Austin, TX
7:00 PM

Thursday, October 24
Tattered Cover
Denver, CO
7:00 PM

Monday, October 28
Rakestraw Books
Danville, CA
7:00 PM

Tuesday, October 29
Vroman’s
Pasadena, CA
7:00 PM

Jenn Lyons, The Name of All Things

Tuesday, October 29
Eagle Eye Bookshop
Decatur, GA
7:00 PM

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Start a Discussion With The Devil’s Half Mile Reading Group Guide

Start a Discussion With

Image Place holder  of - 5The Devil’s Half Mile by Paddy Hirsch is a riveting historical thriller debut set in 1799 New York City, perfect for the fans of Gangs of New York and the works of Caleb Carr and Erik Larson.

Seven years after a financial crisis nearly toppled America, traders chafe at government regulations, racial tensions are rising, gangs roam the streets and corrupt financiers make back-door deals with politicians… 1799 was a hell of a year.

Thanks to Alexander Hamilton, America recovered from the panic on the Devil’s Half Mile (aka Wall Street), but the young country is still finding its way. When young lawyer Justy Flanagan returns to solve his father’s murder, he exposes a massive fraud that has already claimed lives, and one of the perpetrators are determined to keep secret at any cost. The body count is rising, and the looming crisis could topple the nation.

Hirsch_Devils_RGG (1)

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Three Murders That Transformed New York City

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Paddy Hirsch’s upcoming novel, Hudson’s Kill, tells the story of the murder of a young black girl in 1803 New York City. While Hirsch’s book is fictional, he did a lot of research on the real murders that happened in the city at the turn of the 19th century. Below he shares what he learned.


By Paddy Hirsch

When the Revolutionary War ended in 1783 and the King’s soldiers departed for England, the King’s laws went with them. Good riddance, most people said. British rule had been oppressive, restrictive and expensive.

But at the turn of the 19th Century, New York was under pressure: every month, thousands of people decanted from transatlantic ships onto the wharves of the East and Hudson River. But there weren’t enough jobs, and many of the newcomers turned to crime: theft, prostitution, protection, arson, counterfeiting and thuggery.

The city’s merchants cried out for some kind of police force to protect their investments and livelihoods, but a majority of the power brokers in New York refused. They remembered how the British kept a standing army within the city’s limits, and used it to keep the people in line. What was the difference between that and a uniformed police? It was an infringement of liberty, they argued.

And then the murders began.

The Murder of Guilelma Sands

It’s unlikely that Gulielma Elmore Sands was the first woman murdered in post-colonial New York, but the killing itself, the discovery of her body and the subsequent trial were all firsts for the city in their own ways.

From the moment Sands’ body was discovered on a cold January morning in 1800, stuffed into a well, strangulation marks around her neck, the case was a media sensation. All of New York’s newspapers – all relatively new at the turn of the century – fought to cover The Manhattan Well Murder in all its lurid detail. Rumors abounded about the character of the woman and the identity of her killer, but a narrative quickly emerged: 21-year-old Sands, a Quaker, lived in a boarding house owned by a cousin on Greenwich Street; she had developed a friendship with a fellow boarder, Levi Weeks; over time the friendship had developed into a secret romance; Sands had become pregnant; they were planning to elope on the evening of December 22, 1799; Sands had left the boarding house, wrapped up against the freezing cold in a shawl, hat and earmuffs; she was never seen alive again.

Weeks was promptly arrested. His trial was set for March 31, 1800. New York’s newspapers – and its populace – were full-throated and almost unanimous in their conviction that Weeks was guilty. Not quite unanimous, because there was a handful of New Yorkers who believed in, and held out for, due process and the presumption of innocence. They included Aaron Burr and Alexander Hamilton, both of who defended Weeks in court in the first American murder trial to be entirely documented by a stenographer.

It later emerged that Burr and Hamilton may have agreed to defend Week’s for rather grubbier reasons than their love for the law. They were both in debt to a man named Ezra Weeks, a powerful and wealthy contractor who also happened to be Levi Week’s brother. Perhaps it was that whiff of cynicism that galvanized the newspapers. Perhaps it was the courtroom trickery practiced by Burr and Hamilton’s partner, a specialist in criminal law named Brockholst Livingston who eventually became a Supreme Court jurist. Whatever the cause, when the jury returned with a verdict of not guilty, and the judge announced an acquittal, the newspapers howled. The people howled louder. Fearing for his life, Levi Weeks had to flee the city.*

The media coverage of the Manhattan Well Murder lent weight to arguments that New York, as it grew, was becoming increasingly lawless. The city was essentially unpoliced, other than by a night watch that kept an eye out for fires, and a small team of marshals and constables, who assisted the courts in rounding up witnesses and carrying out judgments. It wasn’t enough, but there was still considerable resistance to creating a police force. Instead, the Mayor, Edward Livingston, expanded the Marshals service, and in 1802 appointed a High Constable, Jacob Hays.

Hays rotated into and out of the post of High Constable several times until 1810, when he was appointed for a term that ended up lasting 35 years. As the crime rate increased in the early 1800s, Hays was able to apply increasing pressure on the Mayor’s office to expand the constabulary. But in 1836, his efforts were given a particular boost in by something that was by no means exceptional at the time: the murder of a prostitute.

The Murder of Helen Jewett

Prostitution was a common form of employment for women in New York in the early 1800s. It was also very high risk. Prostitutes were more likely to die of disease, alcohol abuse or starvation than murder, but violent death wasn’t uncommon. What made the murder of Helen Jewett so remarkable was the media coverage. And the coverage by one publication in particular.

James Gordon Bennett had founded the New York Herald in 1835, and he was desperate to make his newspaper stand out in a crowded field. When Helen Jewett – born Dorcas Doyen in Augusta Maine – was found murdered in her boudoir, the penny press flocked to tell the story. Instead of covering the story the usual way, giving it shared space with other news of the day, Bennett decided to do something different with the Herald. He put every reporter he had on the story, and blanketed coverage. His people interviewed everyone and anyone with the flimsiest connections to the case; he wrote opinion, published exclusives, indulged in speculation, exaggeration, even fabrication.

The tactic paid off. The Herald became a must-read. And, in a way, the murder itself was less important than what came after. Jewett was a celebrated, high-end prostitute who was killed by a blow to the head. Her alleged assailant, a man named Richard Robinson, was arrested, tried and acquitted on the basis of an alibi. Like Levi Weeks, 35 years before, Robinson fled the city. He died not long after.

But the Herald was not finished with the crime. A year later, Bennett published a front page story using the Jewett murder as a benchmark to measure the rising murder rate in the city. As the article put it: “…the Demon or Fiend of Murder has stalked through the streets of our beautiful city, unchecked, unscathed.” The article detailed recent murders: of “a young German girl, innocent and virtuous”, killed and hurled off the Battery; of “a respectable white man, murdered by four negroes”; of “an industrious stevedore”, murdered and thrown into the river. The story hinted at corruption, of connected offenders protected by people in high office, and warned that if things carried on thus, “the young and “innocent” boys about town will begin to think they can commit murders with impunity.”

Other newspapers piled on, and the pressure on the Mayor’s office became intense. And then, on July 28, 1841, the body of a young woman was found floating in the Hudson river, near Hoboken, and the pot – and the city – boiled over.

The Murder of Mary Rogers 

Mary Rogers was a young Connecticut-born woman who worked in a New York tobacconist. She was a noted beauty, such that the New York Herald published several pieces about her, including a letter from a customer saying he had spent an entire afternoon exchanging teasing glances with her, and a poem written by an admirer extolling the heavenliness of her smile and the starriness of her eyes. In 1838, the New York Sun reported she had gone missing, and left a suicide note. The next day, however, after a spurt of media attention, Rogers reappeared, saying she had merely been visiting a friend. Reports suggested the entire event was a publicity stunt perpetrated by the tobacconist, John Anderson.

Three years later, Rogers was in the headlines again. But this time there was no hoax. “The Beautiful Cigar Girl” was found dead in the water, with bruises around her throat. It wasn’t merely her comeliness that attracted attention: the tobacconist was patronized by several prominent literary figures, including Edgar Allan Poe, as well as large number of New York’s newspapermen. The latter worked themselves into a furious lather, publicizing rumor after rumor as the case dragged on. The killer was one man, Rogers’ fiancé, Daniel Payne; it was several men, members of a New York street gang; it was a spurned customer; an unidentified officer. No story, no matter how unlikely, was left untold, and updates on the murder occupied the front pages of the papers for weeks.

No one was arrested. Then Daniel Payne killed himself. The newspapers published editorials castigating the mayor and the courts for their negligence, which had allowed New York to become a sink of lawlessness, in which a criminal community operated with almost complete freedom, unmolested by a skeleton crew of half-drunk watchmen and poorly-paid constables.

The barbs sunk home.  Within two years, the New York State Government had passed the Municipal Police Act, abolishing the old night watch system and allowing cities to create a police force. A year later, in May 1845, the New York Police Department was born.

Order Your Copy of Hudson’s Kill:

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True crime fans can still visit the final resting place of poor Guilelma – maybe. On the frozen morning in January 1800 when her body was found, the well was located in the middle of a damp area of wasteland, known as Lispenard’s Meadow. The meadow was soon to be reclaimed, filled in and developed into what is now called SoHo. For many years, the owners of a restaurant located at 129 Spring Street in Soho claimed that a brick well in the basement of their building was the very same well that Guilelma’s body had been found in. People still trek to the building – now the site of a clothing store called COS – to visit and photograph the well. But experts are skeptical. The structure is too small to be a well, they say – it’s more the size of a cistern. Moreover, wells built in 1799 were generally made of stone, not brick. Still, it’s a great story, and COS has done a great job of maintaining the structure. Basement floor. Beside the sweaters.

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Hank Phillippi Ryan & Paddy Hirsch Sit Down for a Conversation On Journalism & Writing Fiction

Hank Phillippi Ryan & Paddy

Placeholder of  -50Two of our favorite authors at Forge are journalists, and what better way to get the scoop on NPR star Parry Hirsch’s historical financial thriller Hudson’s Kill (now available in paperback) than to ask our TV investigative reporter star Hank Phillippi Ryan (The First to Lie) to interview him! As always, Hank uncovers exactly what readers need to know.

HANK PHILLIPPI RYAN: So much of your life has been just-the-facts journalism (and more about that coming up) but when you decided to take on fiction, did you worry that you’d have trouble making stuff up?

PADDY HIRSCH: Not really – I’m Irish after, all! No, but seriously, how does that old saying go … there is nothing new under the sun? Combine that with another old saying, truth is stranger than fiction, and you have all you need to make stuff up: just keep an eye on the news. Journalists are very well placed to write fiction, because part of our job is to read or listen to or watch everything that happens in the news, which means taking a ringside seat to the human circus and observing the entire panoply of crazy human behavior. Some of the stories I’ve come across in 20 years of journalism are far more brutal, hair-raising and bizarre than anything I’ve read in fiction, so all I really need to do to create a good story is mash a few real events together and change a few details. The real challenge is grafting that storyline onto characters, who way too often have their own ideas about what should happen. In short, making it up is not an issue: making it fit is a whole other kettle of fish.

HANK: The thing I love about training in journalism to write fiction is that both are all about story-telling. And no matter if the story is true or imagined, it’s still has the same necessary elements. Have you found that to be true?

PADDY: Absolutely. I work as an editor at NPR, producing a daily show called The Indicator from Planet Money. That means I help reporters shape news stories about business, finance and the economy. And it’s remarkable how the same questions I ask myself about my fiction work come up over and over when I’m editing these news stories about the economy: Where’s the drama? Where’s the tension? What’s the arc of this story? Why should the listener care about this? What’s at stake? And then the mechanics of storytelling: Use active verbs; write short; make every word count; don’t let the story slow down; find good characters and let them speak; don’t use too much exposition at any one time; be creative about helping the listener understand the complicated parts of the narrative. The same things that keep you glued to a news story about a financial fraud or a merger gone bad are the same things that keep you turning the pages of a thriller.

HANK: And you’ve made such a wonderful name for yourself with your Whiteboard videos–cleverly and brilliantly explaining complicated concepts in a relatable and entertaining way. How does complicated-into-entertaining inform your fiction?

PADDY: That’s so kind of you, Hank, thank you! I loved producing those Whiteboard explainers, and in fact my debut novel, The Devil’s Half Mile, actually started out as a non-fiction extension of that work. I’d already written a book called Man versus Markets, explaining how markets work, and wanted to write a follow up about stock exchanges, and how and why the New York Stock Exchange was created. I found the research process fascinating, but I didn’t find it easy writing a compelling narrative. In fact, frankly, what I was writing was deadly dull, and I found myself writing less and less. So, to keep my hand in –  and to spice things up – I decided to write a murder into the story. It was much more fun to write, of course, and it gave me a way to put some color into the otherwise rather colorless topic of financial regulation! This isn’t a new thing, to be sure: fables do exactly the same thing, by using a simple fictional narrative as a vehicle to deliver a moral or practical message. I do the same thing with my explainers, and I’m enjoying doing the same thing in my novel series, each of which has some kind of business shenanigans at its core.

HANK: Your newest book, Hudson’s Kill, is getting rave reviews… Congratulations! You transport the reader to what one reviewer called “the powder keg” of New York in 1803. I always start with one gorgeous core of an idea for my books, do you? What was that core for Hudson’s Kill?

PADDY:  The aim of the series is to have some kind of business or financial wrongdoing at the core of very book. In Hudson’s Kill, it’s the wild speculation that went on when the plans for the development of the island of Manhattan were being drawn up in secret in the early 1800s. While I was researching the effects of that speculation on marginal communities in New York, I stumbled upon a story about what was likely the first Muslim community in America – made up of men and women sold into slavery in West Africa, and sold to plantation owners in the Carolinas. These slaves were particularly valuable to owners in that area because they had a very specific skillset – the ability to farm rice. So valuable to one plantation owner, in fact, that he allowed them to practice their religion  – or at least turned a blind eye to it. This story fascinated me, and became the germ of an idea that became a central part of Hudson’s Kill.

Image Place holder  of - 89HANK: I started to say: “the research must have been so much fun!” And then I realized… Some people don’t like research. But you do, don’t you?

PADDY: Oh I love it. I get lost in it. I love the big stuff, like who did what, and how, and when, but I’m particularly attracted to the research of what the British historical novels Antonia Hodgson calls “street history”, that is winkling out the details of how people lived at ground level back then: what they wore under their clothes, how much sugar they put in their tea; how often they bathed; what they used to clean their teeth; where they went to the loo when they were caught short in the middle of the day etc etc.  I love those details, and I think they really bring a story alive. I also love researching how people used to speak: argot and slang are fascinating to me, which is why I love Lyndsay Faye’s work so much: her book The Gods of Gotham is in some ways all about language. And again, argot is another way to really transport a reader and add color to a narrative. It does make a glossary vital, however!

HANK: In true Paddy Hirsch style, you include an explainer in Hudson’s Kill, a way to make sure that readers understand the language differences. What was it like to live back then, do you think?

PADDY: I think it must have been incredibly hard to live back then – especially if you were poor, as most people were. The pace of life would have been a lot slower, of course, so that might have been a bit nicer, but staying alive to enjoy that slower pace would have been a challenge. If you didn’t die early from some disease that no-one understood, you still had to navigate a world that was cruel and unstable for those without some kind of financial cushion. There were hardly any rules governing commerce or the workplace; there were no protections for the poor; and the rule of law was capricious and wielded in favour of the rich. One mistake could tip you out of your dwelling and into the street, and if you didn’t have money to buy your way out of a problem, your life would likely become severely truncated.

HANK: In historical fiction, there is always the balance —in that you know what actually happened, and the characters don’t. How does that inform what you write, if it does?

PADDY: I think it depends on the frame you’re writing in. You always know what the timeline of events was, but how your characters react to those events and the way they interact is the most important part of a work of historical fiction, just as it is in any other novel and you have almost completed freedom there. It does mean that you can’t frame your story too tightly, of course. I try to have as accurate a frame as possible, but I keep the boundaries pretty wide and don’t hem in the characters too much. It also helps that there’s not much written about the early 1800s in New York, so I can get away with a lot more!

HANK: How does Hudson’s Kill–the experience of it, the writing of it, the research for it— color how you see financial New York now?

PADDY: I was stunned when I saw the first map for the development of New York, produced by a man named Joseph Mangin in 1801. At that time, New York hadn’t even been but as far as Canal Street. But Mangin envisaged a city that occupied the whole of the island of Manhattan, and apart from the addition of landfill and the city’s parks – including Central Park – his plan looks almost identical to the map of New York today. It’s incredible to me that politicians then had kind of foresight and courage, when it came to making long-term plans. Today politicians can’t think beyond the next election cycle, which precludes that kind of planning on a grand scale. As for financial New York, it showed me that little has changed on Wall Street. The lack of transparency in any business or civic plan inevitably results in speculation, and without any kind of check or balance, speculation can lead to individual ruin and institutional collapse. That’s an argument for simple but firm regulation in financial markets, something that was being wildly debated then, and continues to be debated today.

HANK: We always talk about how a book’s main character must change in a good novel. But how do you want your readers to change?  After they read the book’s final words, close it, and think about it?

PADDY: I’d like my writing to raise questions in people’s minds about the big themes in my books: slavery, immigration, gender equality, religious tension, financial regulation. The tension in these issues is what drives my characters, so I’d love to hear whether they make people see a side to those issues than they might not have considered before.

HANK: Do you remember how you felt about writing fiction before you started, and how you feel now? Are you… Proud of yourself? Surprised? Thrilled?

PADDY: I’m a bit stunned, to be honest. I’ve always loved fiction – everything from spy thrillers to classic murder mysteries – and I’d tried my hand at writing a novel a few times before. Those efforts were….not very good, to be honest. So I convinced myself that I’d never be able to sell anything as a novelist, and I focused on my non-fiction work. But the creative work just kept calling, like an itch I had to scratch, and eventually I quit my job to see if I could complete a manuscript and sell it. I would never have been able to do that without the support of a host of people, in particular my wife, who gave me the space and encouragement I needed, and the occasional spur. Now that my second book is going out, I feel proud and grateful and excited all at the same time. This has opened a door for me that I never thought would open, and that’s an incredible gift. Frankly, I feel more lucky than even an Irishman has any right to be!

HANK: Yes, we’re both lucky to be living the writing—and reading—life! Congratulations, Paddy, on a wonderful novel!


HANK PHILLIPPI RYAN is on-air investigative reporter for Boston’s WHDH-TV, winning 36 EMMYs and dozens more journalism honors. Nationally bestselling author of 11 thrillers, Ryan’s also an award-winner in her second profession—with five Agathas, three Anthonys, the Daphne, and the coveted Mary Higgins Clark Award. Critics call her “a master of suspense.” Her novels are Library Journal’s Best of 2014, 2105, and 2016, and her highly-acclaimed TRUST ME was chosen for numerous prestigious Best of 2018 lists. Hank’s newest book is THE MURDER LIST. The Library Journal starred review says, “Masterly plotted—with a twisted ending—a riveting, character-driven story. A must-read.”

PADDY HIRSCH has worked in public radio at NPR and Marketplace for ten years. He came to journalism after serving for eight years as an officer in the British Royal Marines, and lives in Los Angeles. While The Devil’s Half Mile is his fiction debut, Hirsh has also written Man vs. Markets, a nonfiction book explaining economics.

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The Devil’s Half Mile: Interactive Map

As the release date for Hudson’s Kill by Paddy Hirsch approaches we couldn’t help but reminiscence on the first book in his thrilling series about Justice Flanagan. So travel back in time with us as we revisit The Devil’s Half Mile with this interactive map.


Explore downtown New York in 1799 as seen in Paddy Hirsch’s new historical novel The Devil’s Half Mile with this interactive map, including photos and clips from the audio book.

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