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Happy Birthday, Addie! V. E. Schwab Visits the Tor Books Office

The Invisible Life of Addie LaRue by V.E. Schwab TPBHappy Birthday, Addie! Hope your celebration day is unforgettable <3

Here at the Tor office, we’re showing our appreciation for The Invisible Life of Addie LaRue with a special visit from V. E. Schwab. Check her out as she talks about the writing process, the new paperback edition, and more.


The Writing Process of Addie LaRue

 

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Favorite Characters of Addie LaRue

 

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The Paperback of Addie LaRue

 

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The Movie of Addie LaRue

 

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BookTok & Addie LaRue

 

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Rapid Q&A!

 

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Pre-order The Invisible Life of Addie LaRue in Paperback Here:

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Q&A With Ed McDonald & Catriona Ward

Daughter of Redwinter by Ed McDonald / Looking Glass Sound by Catriona Ward

Recently, fantasy author Ed McDonald (of Daughter of Redwinter fame) and horror author Catriona Ward (you might recall The Last House on Needless Street and Sundial, but have you added Looking Glass Sound to your TBR?) dropped by our office to answer some of our burning-est authorial questions! And we thought those answers were SO good, that we’re sharing them with all of y’all 😎

Check ’em out!

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How Long Have You Studied the Blade? 

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What Inspired Looking Glass Sound?

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As a Seasoned Author & Game Master, How Do the Two Disciplines Relate?

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Could You Describe Your Writing Process?

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What Character Do You Relate to Most in Daughter of Redwinter?

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What Advice Do You Have for Authors Trying to Write Horror?

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Rapid-fire Questions!

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Order Daughter of Redwinter Here:

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Pre-order Looking Glass Sound Here:

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Questions & Answers with Olivie Blake!

The Atlas Six and The Atlas Paradox by Olivie Blake

We recently hosted Olivie Blake, superstar author of the smash-hit Atlas series (currently encompassed by The Atlas Six and sequel The Atlas Paradox), at our office and were so excited to meet her in person! We took the opportunity to ask her some Very Important questions we’ve been wondering about for quite a while. As expected, her answers were thoroughly delightful : )

Check ’em out!


What would your thesis be for induction to the Alexandrian Society?

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Of the titular six, who would be your closest ally and nemesis

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What can you tell us about Little Chmura’s art pairings for The Atlas Paradox?

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And we also asked a serious of vital queries in rapid succession—vampires or werewolves, telepathy or telekinesis, etc.

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Order The Atlas Paradox Here:

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Q&A with Sarah Adlakha, Author of She Wouldn’t Change a Thing

Placeholder of  -68Want to know more about debut author Sarah Adlakha and her new book She Wouldn’t Change a Thing? Keep reading to see her answers to all of our burning questions!


What kind of research did you do for this book? Did you learn anything surprising?

The main character of She Wouldn’t Change a Thing is a psychiatrist, a mother, and a wife. She is a woman who struggles with wearing too many hats, being everything to everyone, yet not feeling like she’s enough for anyone. She is the person I was before I changed careers. So there really wasn’t too much research for me to do in order to get inside her head or to understand the world she came from. The only scene that required any research was one in which Maria undergoes hypnosis. Once I learned the technique, I really wanted to try it out on someone, but – for obvious reasons – I still haven’t found any takers. 

What is your writing routine?

My writing routine depends on the time of year. During the school year, when I am at home by myself, I am able to carve out some time during the day for writing. I also run a medical practice from home, but it doesn’t take up my whole day. When my youngest is home from school, it is impossible to get any writing done during the day, so I start when she goes to bed and generally stay up past midnight. It isn’t ideal, but it works, and it has definitely taught me some excellent time management skills.

What is the best piece of writing advice you ever received?

Perfect is the enemy of good. The subjectiveness of writing doesn’t fit my personality as well as the concreteness of the sciences. Right and wrong makes sense to me, and when I started the editing process for my first novel, I had a difficult time accepting that at some point, I just had to let go and be okay with imperfection. I could spend hours rewriting one paragraph trying to make it perfect, oftentimes going back to the beginning and using the very first draft I’d created. It took me a long time to learn that, regardless of the words that found their way onto the page, perfection looks different to different people. 

When writing a book, do you plan it out first or do you go with the flow?

I am a plotter, through and through. I am envious of people who can go with the flow and learn what’s going to happen as they write it. I know from the first word how my story is going to end. Not only do I write out a synopsis, but I write out a summary of each chapter before I create an outline to detail each paragraph. Things might change a bit within the paragraphs – and there is certainly a fair amount of editing that goes into it – but I have found that if I try to wing it, I will spend an inordinate amount of time rewriting in the end. 

Order a Copy of She Wouldn’t Change a Thing—available now!

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Q&A with Spencer Quinn, Author of Of Mutts and Men

Author Spencer Quinn answered some of our most burning questions in a rapid fire Q&A! Read his answers below, and get ready for the release of Of Mutts and Men on July 7th!


Place holder  of - 29What’s your preferred method for writing? Do you handwrite or type?

My preferred method hasn’t been invented yet. It would involve prose traveling directly from the mind to the blank page. Until then, I type. My handwriting cannot be read by human eyes.

What’s your favorite cure for writer’s block?

I step back and think of the engine that drives the story. Unfortunately, some novels don’t have engines, but in the case of Chet and Bernie, the engine is the love between the two main characters. When I remember that, some narrative route always suggests itself.

What song/album/musical artist inspires you?

Music is very important to me. I often listen while I write. Right now I seem to be enjoying the old Marty Robbins song “Begging to You,” both in Marty’s version and also Cyndi Lauper’s cover.

What’s the best writing advice you’ve ever received?

My mother, who taught me almost everything I know about writing by the time I was eleven or so, said, “Push every situation as far as you can.”

Favorite way to unwind outdoors?

It used to be skiing and playing tennis. Now it’s bike riding and playing tennis. I’ve ridden at least ten miles just about every day since the lockdown, often on Cape Cod’s beautiful Shining Sea Bike Path. (I still ski in my dreams.)

Favorite way to unwind indoors?

Sleeping at night! Isn’t that how we’re supposed to unwind? Knitting up the raveled sleeve of care, and all that? I’ve always been a great sleeper (not a napper).

Best dog name you’ve ever heard?

Chet! A surprising number of readers seem to have named dogs after him.

Pre-order your copy of Of Mutts and Men:

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Sherrilyn Kenyon Q&A

Image Placeholder of - 93 Welcome to #FearlessWomen! Today, we have Sherrilyn Kenyon, the bestselling author of the Deadman’s Cross series, stopping by to answer some questions we asked her about being a woman in genre fiction, writing female characters, and more.

How do the women in your life affect or support your storytelling?

I think my mother’s strength of character, integrity, and her raw grit comes through in every heroine and character I write. She was a woman of rare fortitude and courage the likes of which I have yet to meet again in another individual. I miss her every day of my life.

How do you think science fiction and fantasy can uniquely explore gender? How do you explore gender in your own works and/or worldbuilding?

I think they allow us to bend the rules of our own society to show the other side of things in a unique way, such as in Born of Silence where I was able to show a straight character forced to pretend to live as a gay man because of the rules of his own culture. Or in Born of Shadows where we have a world where men are scarce and it’s completely run by women. You can explore all the possibilities of how a world or culture might evolve without gender politics or with total equality such as on Andaria where men and women really have evolved to a rare equal partnership. It’s really fun to run the gamut of possibilities and see what happens when societies swing from one extreme to the other.

What woman in science fiction and fantasy inspired you, past or present? How?

Mary Shelley. The moment my brother told me that she was a teen when she wrote Frankenstein, I felt challenged and empowered. Though I would never have the hubris to compare myself to her greatness! The mere fact that she achieved something so incredible at such a young age just goes to show that no one should ever doubt themselves or their calling. If you see a mountain, climb it. Let nothing stop you. Whatever dream you have, go after it. She saw a monster and created an entire genre at an age and time when women had little power. What a world this would be if people ceased doubting and started trying. Let nothing ever hem you in. Be fearless in all things.

Do you approach storytelling differently as mainstream culture becomes increasingly vocal about the politics of gender?

No. I write my stories the way my characters tell me to. While I love and adore my readers, my goal as a writer is to listen to the characters and to do the best job I can to bring them to life the way they want me to. It’s their book. Their story. I want their voice to resonate on the page, not mine. I’m irrelevant to the tale. My voice and opinions should be invisible. The only thing that matters is the voice of the character and the truth as they know it. I want the the reader to be lost and in love with the character and nothing else. Above all, I want the reader to be entertained and to walk away with their heart aching for my book people and wanting more of them.

Order Your Copy of Death Doesn’t Bargain

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Q&A with W. Bruce Cameron, the Author of The Dog Master

The Dog Master by W. Bruce CameronAuthor W. Bruce Cameron discusses The Dog Master, the story of one tribe’s struggle for survival and one extraordinary man’s bond with a wolf—a friendship that changed mankind forever.

How did the idea for The Dog Master originate? What was your inspiration? Was there a particular event, circumstance, or something else that spurred you to write it?

I read that all dogs share common DNA with the first domesticated wolves, which means that the dog lying at my feet while I write this is, deep inside his double helix, a wolf. That’s why, in the wild, wolves chew shoes and bark at the UPS man.

My dog seems to have been bred to take naps. He regards my bed as his and grudgingly allows me to sleep there at night. To get to his particular breed mix from wolves must have involved a lot of odd Darwinian processes, and I began thinking about that. How, in other words, did we get here?

I started tracking stories about when humans and wolves began living together, and was startled to learn that the fossil record suggests we adopted canine companions right when things were looking the bleakest for mankind. Ice was crushing everything in its path as the glaciers ground their way south, so that we were forced out of the trees and onto the plains where we could be hunted by animals of speed and tooth and claw. Neanderthals, who were stronger and faster and perhaps, judging by their brain pans, smarter, were competing for the same scare resources. Yet somehow, despite all these challenges, we survived, prevailed.

It seemed obvious to me that it was because of the dogs. I wanted to tell the story of how that all came to pass.

Can you tell us a little about The Dog Master?

Think of how unlikely it was that humans and wolves would come to trust each other. After all, even today wolves avoid us. Back then, before we developed the technology to eliminate the aggressive ones, we were probably just another food source to them—soft, slow, and weak, armed with sticks instead of gunpowder.

And we were starving. Why would we share fresh meat with an animal when we were having problems feeding our children?

So something extraordinary, unique in our history, must have occurred to bring these two competing species together. The Dog Master imagines what that was, how this all came about.

The Dog Master is a work of fiction based on an indisputable fact: dogs are our modern-day companions, their fates inextricably bound to ours. How do you envision this intimate relationship developing?

Evolution is the water torture of processes, a drip-by-drip force of nature that moves so slowly no one can see it while it’s happening right in front of them. So no one could have had the time, nor the patience, to steadily work with a pack of wolves to induce them to trust us enough to join us at the camp fire. It was, instead, a single wolf, and a single human, coming together under extraordinary circumstances.

There are a lot of complex-but-relatable characters in The Dog Master. Do you have a favorite? Is there a character you ended up not liking at all?

Ah, well, I don’t think I’ve ever created such a deliciously wicked villain as Albi. And, like most truly evil people, her motives are clear and out in the open, which makes it that much more difficult to stop her.

I won’t say here which character I like the least, except to say that the reason I despise him is because he is, at heart, a coward.

What was your favorite part of writing The Dog Master? Least favorite?

My favorite part of the writing is that all the drama, mystery, and suspense was already built into the landscape. We were being hunted, we were having trouble finding food, the landscape was changing, other tribes were menacing—and yet we were determined to survive. Our social fabric was complex enough to allow us to live together in clans and communities, and the things that are important today—finding a mate, having and protecting children—were even more important then, because it was how we were surviving when the odds were so against us.

Least favorite? There was so much more to write about! The book had to end, of course, but there are so many amazing things to come for the characters in The Dog Master.

Are there any new updates about the upcoming A Dog’s Purpose movie, which is being directed by Lasse Hallström for DreamWorks?

We start shooting in August 2015. I’ve been told I will have a major role in the movie if they decide not to hire actors.

What’s next for you?

Looks like I’ll be on the set for A Dog’s Purpose a week or so after the release of The Dog Master. And we’ve got another independent movie that we hope will be out in 2016. After that, I’ve got another novel in the series that started with The Midnight Plan of the Repo Man that is written and will be out in 2016. More immediately, I’m going to make a burrito and then take Tucker for a walk.

Buy The Dog Master today:

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Q&A with W. Bruce Cameron, the Author of Ellie’s Story

Ellie's Story by W. Bruce CameronAuthor W. Bruce Cameron discusses Ellie’s Story, his heartwarming illustrated novel adapted for young readers from the beloved and New York Times bestselling A Dog’s Purpose.

Will you tell us a little about Ellie’s Story: A Dog’s Purpose Novel and what inspired you to write it?

When I was researching search and rescue dogs for A Dog’s Purpose, I was captivated by the world of service animals who save people from danger. I knew children would love the story of Ellie! Some of the themes of A Dog’s Purpose might be too intense for young children, so Ellie’s Story is a way to introduce younger readers to this wonderful dog.

Did you find it easy or challenging to re-tell Ellie’s story for a younger audience?

Honestly the most difficult part is to stop imagining other adventures this dog could have.

Did you learn anything surprising while researching or writing Ellie’s Story?

I didn’t realize that everywhere we go we are shedding skin cells, and that a dog’s nose is so powerful that it can track these minute traces in the air and on the ground. What I learned while researching search and rescue dogs is just how powerful a dog’s nose it. This information has informed everything I write.

What do you enjoy most about writing?

There is really not an aspect I don’t enjoy. I don’t particularly care for reading what I’ve written—all I can see are ways to improve it. If I had been a sculptor, I would have kept chopping away at the marble until it was all gone.

Do you have any writing rituals?

My best writing is done after a long bike ride. I usually can work out a story problem while cycling.

What’s the first book you remember loving?

The City Boy, by Herman Wouk. I’m not sure how old I was, maybe third grade. I was burning through these books at school, and I think my parents thought if they gave me a real, full-length novel, I would stop pestering them to take me to the book store all the time. I absolutely loved it. I read it maybe ten times that year.

What’s your favorite method of procrastination?

Okay, how did you know… My biggest time waster is the internet. Facebook and email distract me in the middle of my work. Next thing I know I’m looking at puppy videos on YouTube.

Can you tell us about any upcoming projects you’re working on?

August 2015 will see the publication of my most ambitious work: The Dog Master, which tells the story of the first domesticated wolf—the first dog, in other words. Set in the Paleolithic era, this coming together of two struggling species occurred just as the world was entering the Ice Age. It’s a thrilling adventure and an epic tale.

Pre-order Ellie’s Story today:

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Highlights from Marie Brennan’s Reddit AMA

The Tropic of Serpents by Marie Brennan
In case you missed it, The Tropic of Serpents author Marie Brennan did a Reddit AMA (Ask Me Anything) earlier this week. Here are the highlights from it, including information about the world of Lady Trent, future books, and about Marie herself!

Why dragons? What do you think of the resurgence of dragons lately?

I think you’re right that dragons sort of became “unfashionable” for a while, because they seemed so overdone. But there’s still room to do interesting things with them; for example, Naomi Novik’s Temeraire books crossbred them with Patrick O’Brian to get a really interesting historical and military flavor, focusing on whole crews rather than the single telepathically bonded rider that we were used to from Anne McCaffrey. It’s just a matter of getting outside our assumptions and saying, okay, if that’s been done, what else is there to do? In my case, it was a matter of looking at the 3rd edition D&D book Draconomicon and thinking, what if instead of killing them and taking their stuff, you were there to study their life cycle or something? It wouldn’t have worked very well as a game, I think, but I’ve been having a blast with it as a story.

Why do you use a pseudonym?

Because my legal name is unmanageable. My first name is often mistaken for male, and I don’t want to do the gender-ambiguous thing some female authors use to get around sexism. (I totally see why they do it, and don’t blame them, but I choose not to do the same.) My last name is unpronounceable and unspellable for most people, and my cover designers would punch me in the face for making them cram fourteen letters in there. 🙂

I knew at the age of ten that I would write under a pseudonym someday. “Marie Brennan” is probably the only decent writing-related idea I had at that age….

Did you read a lot of non-fiction books or books from the Victorian era to get the right tone for A Natural History of Dragons?

Yes, the Memoirs are written as if they were the true story of Isabella’s life, intended for readers in her own world. Most first-person fiction is narrated in a more “unspecified” frame—you’re just in the head of the viewpoint character, without an explicit definition of their reason for telling it and the point in time they’re telling it from. So I definitely draw a lot of the style from actual memoirs (Victorian or otherwise) and that sort of thing. When it comes to the content, of course, I take my cue from fantasy and pulp adventure, along with actual historical explorers and scientists.

I want to read the books Isabella mentions. Any plans for releasing versions of those?

You’re not the first person to ask that, actually. It delights me that so many people are interested in seeing the books Isabella refers to (whether that one or one of her own academic works). At the moment I don’t have any plans for that—writing the actual novels is occupying my time and energy—but if the series does well enough, that might be very fun to do. I’m a fan of “companion books” myself, like the sorts of things they’ve released for Harry Potter or His Dark Materials; it would be nifty to have something similar for my own work.

I love The Tropic of Serpents. What other books or authors should I try?

The most similar thing in my ouv oeuev oueueueouvre—seriously how do you spell that word—in my body of work is probably the Onyx Court series. They’re all historical fantasy set in London, but each one takes place in a different century, going from the Elizabethan (Midnight Never Come) up through the Victorian (With Fate Conspire), stopping off at the English Civil War (In Ashes Lie) and the Enlightenment (A Star Shall Fall) along the way. They’re all semi-standalone, in that their plots are mostly self-contained, but they do gain some effect if you read them in chronological order.

As for other authors, I have to take a moment to pimp Mary Robinette Kowal, author of the Glamourist Histories. They’re alternate Regency fantasies; the elevator pitch for the first one (Shades of Milk and Honey) is basically “Jane Austen with magic,” but they get more political as they go along, with some very fun intrigue. Our books have enough in common that Tor, our mutual publisher, will be sending us on a tour together in May, to Chicago, Seattle, Portland, Salem, Houston, Salt Lake City, San Diego, and San Francisco—details are at that link. No dragons in her books, though; if you want more of those, Naomi Novik’s Temeraire series is the logical one to recommend. Napoleonic War WITH DRAGONS!

Any fun traditions relating to Daylight Savings?

Heheheheh. Yes, the Coming of the Hour (in the fall) and the Going of the Hour (in the spring). The former begins at 2 a.m. and lasts for one hour, ending at 2 a.m., while the latter begins at 2 a.m. and lasts for one hour, ending at 4 a.m. The duly appointed Grand Poobah does not lead a quasi-religious procession around campus, bearing a cardboard clock and chanting random things, and even if they did, the ceremony absolutely under no circumstances would end with the burning of the clock, because open flame is not permitted on campus.

Hail Chronos!

Will there be more adventures of Lady Trent?

There will be five books in total! I just announced the title for the third this past weekend; it will be Voyage of the Basilisk. (And if that reminds you of Darwin’s Voyage of the Beagle, you’re not wrong.) I can’t deliver “forever,” I’m afraid—I do have an arc in mind, which means there will be an end—but hopefully five will be enough to entertain you thoroughly.

For the rest of Marie’s AMA, head to r/books.

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