
FromĀ New York TimesĀ bestselling author Cixin Liu,Ā The Wandering EarthĀ is a science fiction short story collection featuring the title tale–the basis for the blockbuster international film, now streaming on Netflix.
These ten stories, including five Chinese Galaxy Award-winners, are a blazingly original ode to planet Earth, its pasts, and its futures. Liu’s fiction takes the reader to the edge of the universe and the end of time, to meet stranger fates than we could have ever imagined.
With a melancholic and keen understanding of human nature, Liu’s stories show humanity’s attempts to reason, navigate, and above all, survive in a desolate cosmos.
Please enjoy this excerpt ofĀ The Wandering EarthĀ by Cixin Liu, on sale 10/12/21.
With Her Eyes
Prologue
Two months of nonstop work had left me exhausted. I asked my director for a two-day leave of absence so that I could go on a short trip and clear my mind. He agreed, but only on the condition that I take a pair of eyes along with me. I accepted, and he took me to pick them up from the Control Center.
The eyes were stored in a small room at the end of a corridor. I counted about a dozen pairs. The director gestured to the large screen in front of us as he handed me a pair and introduced me to the eyesā owner, a young woman who appeared to be fresh out of university. She was staring blankly at me. The womanās puffy spacesuit made her appear even more petite than she probably was. She looked miserable, to be honest. No doubt she had dreamt of the romance of space from the safety of her university library; now she faced the hellish reality of the infinite void.
āIām really sorry for the inconvenience,ā she said, bowing apologetically. Never in my life had I heard such a gentle voice. Her soft words seemed to float down from space like a gentle breeze, turning those crude and massive orbiting steel structures into silk.
āNot at all. Iām happy to have some company,ā I replied sincerely. āWhere do you want to go?ā
āReally? You still havenāt decided where youāre going?ā She looked pleased. But as she spoke, my attention was drawn to two peculiarities.
Firstly, any transmission from space reaches its destination with some degree of delay. Even transmissions from the Moon have a lag of two seconds. The lag time is even longer with communications from the Asteroid belt. Yet somehow her answers seemed to arrive without any perceptible delay. This meant that she had to be in LEO: low-Earth orbit. With no need for a transfer mid-journey, returning to the surface from there would be cheap and quick. So why would she want me to carry her eyes on a vacation?
Her spacesuit was the other thing that seemed odd. I work as an astro-engineer specializing in personal equipment, and her suit struck me as odd for a couple of reasons. For one thing, it lacked any visible anti-radiation system, and the helmet hanging by her side appeared to lack an anti-glare shield on its visor. Her suitās thermal and cooling insulation also looked incredibly advanced.
āWhat station is she on?ā I asked, looking over at my director.
āDonāt ask.ā His expression was glum.
āLeave it, please,ā echoed the young woman on the screen, abjectly enough to tug at my heartstrings.
āYou arenāt in lockup, are you?ā I joked.
The room displayed on the monitor looked exceedingly cramped. It was clearly some sort of cockpit. An array of complex navigation systems pulsed and blinked around her, yet I could see no windows, not even an observation monitor. The pencil spinning near her head was the only visible evidence that she was currently in space.
Both she and the director seemed to stiffen at my words. āOK,ā I continued hurriedly. āI wonāt ask about things that arenāt my concern. So where are we going? Itās your choice.ā
Coming to a decision appeared to be a genuine struggle for her. Gloved hands gripped in front of her chest, she shut her eyes. It was as though she were deciding between life and death, or as if she thought the planet would explode after our brief vacation. I couldnāt help but chuckle.
āOh, this isnāt easy for me. Have you read the book by Helen Keller Three Days to See? If you have, youāll understand what Iām talking about!ā
āWe donāt have three days, though. Just two. When it comes to time, modern-day folk are dirt-poor. Then again, weāre lucky compared to Helen Keller: in three hours, I can take your eyes anywhere on Earth.ā
āThen letās go to the last place I visited before leaving!ā
She told me the name of the place. I set off, her eyes in my hand.
Chapter 1
Grassland
Tall mountains, plains, meadows and forest all converged at this one spot. I was more than two thousand kilometers from the space center where I worked; the journey by ionospheric jet had taken all of fifteen minutes. The Taklamakan lay before me. Generations of hard graft had transformed the former desert into grassland. Now, after decades of vigorous population control, it was once again devoid of human habitation.
The grassland stretched all the way to the horizon. Behind me, dark green forests covered the Tian Shan mountain range. The highest peaks were capped with silvery snow. I took out her eyes and put them on.
These āeyesā were, in reality, a pair of multi-sensory glasses. When worn, every image seen by the wearer is transmitted via an ultra-high-frequency radio signal. This transmission can be received by another person wearing an identical set of multi-sensory glasses, letting them view everything that the first individual sees. Itās as if the transmitter is wearing the recipientās eyes.
Millions of people worked year-round on the Moon and the Asteroid Belt. The cost of a vacation back on Earth was astronomical ā pardon the pun ā which is why the space bureau, in all their stinginess, designed this little gadget. Every astronaut living in space had a corresponding pair of glasses planet-side. Those on Earth lucky enough to go on a real-life vacation would wear these glasses, allowing a homesick space-worker to share the joy of their trip.
People had originally scoffed at these devices. But as those willing to wear them received significant subsidies for their travels they actually became quite popular. These artificial eyes grew increasingly refined through the constant use of the most cutting-edge technology. The current models even transmitted their wearersā senses of touch and smell by monitoring their brainwaves. Taking a pair of eyes on vacation became an act of public service among terrestrial workers in the space industry. Not everyone was willing take an extra pair of eyes with them on vacation, citing reasons such as invasion of privacy. As for me, I had no problem with them.
I sighed deeply at the vista before my eyes. From her eyes, however, came the gentle sound of sobs.
āI have dreamed of this place ever since my last trip. Now Iām back in my dreams.ā came her soft voice, drifting out from her eyes. āI feel like I am rising from the depths of the ocean, like Iām taking my first breath of air. I canāt stand being closed in.ā
I could actually hear her taking long, deep breaths.
āBut you arenāt closed in at all. Compared to the vastness of space around you, this grassland might as well be a closet.ā
She fell silent. Even her breathing seemed to have stopped.
I continued, if only to break the silence.
āOf course, people in space are still closed in. Itās like when Chuck Yeager described the Mercury astronauts as beingā
āSpam in a can.ā She finished the thought for me.
We both laughed. Suddenly she called out in surprise.
āOh! Flowers! I see flowers! They werenāt here last time!ā Indeed, the broad grassland was adorned with countless small blooms. āCan you look at the flowers next to you?ā
I crouched and looked down.
āOh, how beautiful! Can you smell her? No, donāt pick her!ā
Left with little choice, I had to lie almost flat on my belly to pick up the flowerās light fragrance.
āAh, I can smell it too! Itās like sheās sending us a delicate sonata.ā
I shook my head, laughing. In this age of ever-changing fads and wild pursuits, most young women were restless and impulsive. Girls as dainty as this particular specimen, who was practically moved to tears at the sight of a flower, were few and far between.
āLetās give this little flower a name, shall we? Hmm⦠Weāll call her Dreamy. How about that one? What should we call him? Umm, Raindrop sounds good. Now go to that one over there. Thanks. Her petals are light blue ā her name should be Moonbeam.ā
We went from flower to flower in this way, first looking, then smelling and finally naming them. Utterly entranced, she kept at it with no end in sight, all else forgotten. I, however, soon grew bored to death of this silly game, but by the time I insisted that we stop, we had already named over a hundred flowers.
Looking up, I realized we had wandered a good distance, so I went back to retrieve my backpack. As I bent down to pick it up, I heard a startled shout in my ear.
āOh no! You crushed Snowflake!ā
I gingerly propped the pale little wildflower back up. The whole scene suddenly felt comical. Covering a flower with both hands, I asked her, āWhat are their names? What do they look like?ā
āThat one on the left is Crystal. Sheās white, too, and has three leaves on her stem. To the right we have Flame. Heās pink, with four leaves. The top two leaves are separate, and the bottom two are joined.ā
She got them all right. Actually, I felt somewhat moved.
āSee? We all know each other. Iāll think of them over and over again during the long days to come. Itāll be like retelling a beautiful fairy tale. This world of yours is absolutely wonderful!ā
āThis world of mine? Itās your world too! And if you keep acting like a temperamental child, those anal-retentive space psychologists will make sure youāre grounded on it for the rest of your life.ā
I began to roam aimlessly about the plains. It wasnāt long before I came across a small brook concealed in the thick grass. I decided to forge ahead, but her voice called me back.
āI want to reach into that stream so much.ā
Crouching, I put my hands into the water. A cool wave of refreshment flowed through my body. I knew she would feel it too, as the ultra-high-frequency waves carried the sensation into the far reaches of space. Again I heard her sigh.
āIs it hot where you are?ā I was thinking of that cramped cockpit and her spacesuitās oddly advanced insulation system.
āHot,ā she replied. āAs hot as hell.ā Her tone changed. āHey, whatās that? The prairie wind?ā I had taken my hands from the water, and the gentle wind was cool against my damp skin. āNo, donāt move. This wind is heavenly!ā I raised both hands to the breeze and held them there until they were dry. At her request, I dipped my hands back into the brook and then lifted them into the wind. Again it felt divine, and again we shared the experience. We idled away a long while like this.
I set out again, silently wandering for a while. I heard her murmur, āThis world of yours is truly magnificent.ā
āI really wouldnāt know. The grayness of my life has dulled it all.ā
āHow could you say that? This world has so many experiences and feelings to offer! Trying to describe them all would be like trying to count the drops of rain in a thunderstorm. Look at those clouds on the horizon, all silvery-white. Right now they look solid to me, like towering mountains of gleaming jade. The meadow below, on the other hand, looks wispy, as if all the grass decided to fly away from the earth and become a green sea of clouds. Look! Look at the clouds floating past the sun! Watch how majestically the light and shadows shift and twist over the grass! Do you honestly feel nothing when you see this?ā
Wearing her eyes, I roamed the grassland for an entire day. I could hear the yearning in her voice as she looked at each and every flower, at every blade of grass, at every beam of sunlight leaping through the prairie and as she listened to all the different voices of the grassy plains. The sudden appearance of a stream, and of the tiny fish swimming within it, would send her into fits of excitement. An unexpected breeze, carrying with it the sweet fragrance of fresh grass, would bring her to tears⦠Her feelings for this world were so rich that I wondered whether something was wrong with her state of mind.
Before sunset, I made my way to a lonely white cabin standing forlornly on the grassland. It had been set up as an inn for travelers, although I seemed to be its first guest in quite some time. Besides myself, the cabinās only other resident was the glitchy, obsolete android that looked after the entire inn. I was as hungry as I was tired, but before I had a chance to finish my dinner, my companion suggested that we go outside right away to watch the sun set.
āWatching the evening sky gradually lose its glow as night falls over the forest ā itās like listening to the most beautiful symphony in the universe.ā
Her voice swelled with rapture. I dragged my leaden feet outside, silently cursing my misfortune.
āYou really do cherish these common things,ā I told her on our way back to the cabin. Night had already fallen, and stars shone in the sky.
āWhy donāt you?ā she asked. āThatās what it means to truly be alive.’
āI canāt really find any satisfaction in those things. Nor can most other people. Itās too easy to get what you want these days. Iām not just talking about material things. You can surround yourself with blue skies and crystal-clear waters just like that. If you want the peace and tranquility of the countryside or a remote island, you barely even need to snap your fingers. Even love. Think of how elusive that was for previous generations and how desperately they chased it, and now it can be experienced through virtual reality, at least for a few moments at a time.
āPeople donāt cherish anything now. They see a platter of fruit an armās length away, only to take a bite out of each piece before throwing the rest away.ā
āBut not everyone has such fruits within reach,ā she said quietly.
I felt my words had caused her pain, but I wasnāt sure why. The rest of the way back, we said nothing more.
I saw her in my dreams that night. She was in her spacesuit, confined to that tiny cockpit. There were tears in her eyes. She reached out to me, calling out, āTake me outside! I donāt want to be closed in!ā I awoke with a start and realized that she really was calling me. I was looking up at the ceiling, still wearing her eyes.
āPlease, will you take me outside? Letās go see the Moon. It should be up by now!ā
My head seemed to be filled with sand as I reluctantly pulled myself out of bed. Once outside, I discovered the Moon had indeed just risen; the night mist lent it a reddish tinge. The vast wilderness below was sound asleep. Pinprick glows from countless fireflies floated through the hazy ocean of grass, as though Taklamakanās dreams were bleeding into reality.
Stretching, I spoke to the night sky. āHey, can you see where the Moon is shining from your position in orbit? Whatās your shipās position? Tell me, and I might even be able to see you. Iām positive your shipās in LEO.ā
Instead of answering me, she began humming a song. She stopped after a few bars and said, āThat was Debussyās āClair de Luneā.ā
She continued humming, seemingly forgetting that I was still listening on the other end ā or that I even existed. From orbit, melody and moonlight descended upon the prairie in unison. I pictured that delicate girl in outer space: the silvery Moon shining from above, the blue Earth below. She flew between the two, smaller than a pinpoint, her song dissolving into moonlightā¦
When I returned to bed an hour later, she was still humming. I had no idea if it was still Debussy, but it made no difference. That delicate music fluttered through my dreams.
Some time later ā Iām not sure how long ā her humming turned into shouting. Her cries stirred me from sleep. She wanted to go outside again.
āWerenāt you just looking at the Moon?ā I was angry.
āBut itās different now. Remember the clouds in the west? They might have floated over by now. The Moon will be darting in and out of the clouds; I want to see the light and shadows dance on the plains outside. How beautiful that must look. Itās a different kind of music. Please, take my eyes outside!ā
My head throbbed with anger, but I went out. The clouds had floated on, and the Moon was shining through them. Its light filtered hazily over the grassland. It was as though the Earth were pondering deep and ancient memories.
āYouāre like a sentimental eighteenth-century poet. Tragically unfit for these times. Even more so for an astronaut,ā I said, peering into the night sky. I took off her eyes and hung them from a branch of a nearby salt cedar. āIf you want to look at the Moon, you can do it by yourself. I really need to sleep. Tomorrow I have to get back to the space center and continue my woefully prosaic life.ā
That soft voice whispered from her eyes, but I could no longer hear what she was saying. I went back to the cabin without another word.
It was daytime when I awoke. Dark clouds covered the sky, shrouding the Taklamakan in a light drizzle. The eyes were still hanging from the tree, mist covering the lenses. I carefully wiped them clean and put them on. I assumed that after watching the Moon for an entire night she would be fast asleep by now. However, I heard her sobbing quietly. A wave of pity overwhelmed me.
āIām really sorry. I was just too tired last night.ā
āNo, it isnāt you,ā she said between sobs. āThe sky grew overcast at half past three. And after five oāclock, it started to rainā¦ā
āYou didnāt sleep at all?ā I nearly shouted.
āIt started raining, and I⦠I couldnāt see the sun when it rose,ā she choked out. āI really wanted to see the sun rise over the plains. I wanted to see it more than anythingā¦ā
Something had melted my heart. Her tears flowed through my thoughts, and I pictured her small nose twitching as she sniveled. My eyes actually felt moist. I had to admit: she had taught me something over the past twenty-four hours, though I couldnāt put my finger on exactly what. It was hazy, like the light and shadows moving over the grasslands. My eyes now saw a different world because of it.
āThereāll always be another sunrise. Iāll definitely take your eyes out again to see it. Or maybe Iāll see it with you in person. How does that sound?ā
Her sobbing stopped. Suddenly she whispered to me.
āListenā¦ā
I didnāt hear anything, but I tensed.
āItās the first bird of the morning. There are birds out, even in the rain.ā Her voice was solemn, as though she were listening to the peal of bells marking the end of an era.
Chapter 2
Sunset 6
My memories of this experience quickly faded once I had returned to my drab existence and busy job. When I remembered to wash the clothes I had worn during my trip ā which was some time afterwards ā I discovered a few grass seeds in the cuffs of my trousers. At the same time, a tiny seed also remained buried within the depths of my subconscious. In the lonely desert of my soul, that seed had already sprouted, though its shoots were so tiny they were barely perceptible. This may have happened unconsciously, but at the end of each grueling work day I could feel the natural poetry of the evening breeze stir against my face. Birdsong could catch my attention. I would even stand on the overpass at twilight and watch as night enveloped the city⦠The world was still dreary to my eyes, but it was now sprinkled with specks of verdant green ā specks that grew steadily in number. Once I began to perceive this change, I thought of her again.
She began to drift into my idle mind and even into my dreams. Over and over again, I would see that cramped cockpit, that strangely insulated spacesuit⦠Later on, these things retreated from my consciousness. Only one thing protruded from the void: that pencil, drifting in zero gravity around her head. For some reason, I would see that pencil floating in front of me whenever I shut my eyes.
One day I was walking into the vast lobby of the space center when a giant mural, one that I had passed countless times before, suddenly caught my eye. The mural depicted Earth viewed from space; a gem of deepest blue. That pencil again floated before my mindās eye, but now it was superimposed over the mural. I heard her voice again.
I donāt want to be closed in.
Realization flashed through my brain like lightning. Space wasnāt the only place with zero gravity!
I ran upstairs like a madman and banged on the Directorās door. He wasnāt in. Guided by what felt like a premonition, I flew down to the small room where the eyes were stored. The director was there, gazing at the girl on the large monitor. She was still inside that sealed-off cockpit, still wearing that āspacesuitā. The image was frozen; almost certainly a recording.
āYouāre here for her, I suppose,ā he said, still looking at the monitor.
āWhere is she?ā My voice boomed inside the small room.
āYou may have already guessed the truth. Sheās the navigator of Sunset 6.ā
The strength drained from my muscles and I collapsed onto the carpet. It all made sense now.
The Sunset Project had originally planned to launch ten ships, from Sunset 1 to Sunset 10. After the Sunset 6 disaster, however, the project had been abandoned.
The project was an exploratory flight mission like many before it. It followed the same basic procedures as each of the space centerās other flight missions. There was just one difference ā the Sunset vessels were not headed to outer space. These ships were built to dive into the depths of the Earth.
One-and-a-half centuries after the first space flight, humanity began to probe in the opposite direction. The Sunset-series terracraft were its first attempt at this form of exploration.
Four years ago, I had watched the Sunset 1 launch on television. It was late at night. A blinding fireball lit up the heart of the Turpan Depression so bright it caused the clouds in Xinjiangās night sky to glow with the gorgeous colors of dawn. By the time the fireball faded, Sunset 1 was already underground. At the center of this circle of red-hot, scorched earth now churned a lake of molten magma. White-hot lava seethed and boiled, hurling bright molten columns into the air⦠The tremors could be felt as far away as Urumqi as the terracraft burrowed through the planetās inner layers.
Each of the Sunset Projectās first five missions successfully completed their subterranean voyages and returned safely to the Earthās surface. Sunset 5 set a record for the furthest any human had traveled beneath the planetās surface: 3,100 kilometers. It was a record that Sunset 6 did not intend to break, and with good reason. Modern geophysics had concluded that the boundary between the Earthās mantle and core lay between 3,400 and 3,500 kilometers underground; this convergence is referred to academically as the āGutenberg Discontinuityā. Breaching this boundary meant entering the planetās iron-nickel core. Upon entering the core, the density of the surrounding matter would abruptly and exponentially increase to levels that went beyond the Sunset 6ās design specifications to navigate.
Sunset 6ās voyage began smoothly. It took the terracraft all of two hours to pass through the boundary between the Earthās surface and mantle, also known as the āMohoā. After resting upon the sliding surface of the Eurasian plate for five hours, the ship began its slow three-thousand-plus kilometer journey through the mantle.
Space travel may be lonely, but at least astronauts can gaze at the infinity of the universe and the majesty of the stars. The terranauts voyaging through the planet, however, had nothing but the sensation of endlessly increasing density to guide them. All they could glean from peering into the terracraftās holographic rearview monitors was the blinding glare of the seething magma following in their shipās wake. As the craft plunged deeper, the magma would merge behind the aft section, instantly sealing the path that the ship had just forged.
A terranaut once described the experience. Whenever she and her fellow crew members shut their eyes, they would see the onrushing magma gather behind them, pressing down and sealing them in all over again. The image followed them like a phantom, and it made the voyagers aware of the massive and ever-increasing immensity of matter pressing against their ship. This sense of claustrophobia was difficult for those on the surface to comprehend, but it tortured each and every terranaut.
Sunset 6 completed each of its research tasks with flying colors. The craft traveled at approximately fifteen kilometers per hour; at this rate, it would require twenty hours to reach its target depth. Fifteen hours and forty minutes into their voyage, however, the crew received an alert. Subsurface radar had picked up a sudden increase of density in their vicinity, leaping from 6.3 grams per cubic centimeter to 9.5 grams. The surrounding matter was no longer silicate-based but primarily an iron-nickel alloy; it was also no longer solid but liquid. Despite having only achieved a depth of 2,500 kilometers, all signs currently indicated that Sunset 6 and its crew had entered the planetās core.
The crew would later learn that they had chanced upon a fissure in the Earthās mantle ā one that led directly to its core. The fissure was filled with a high-pressure liquid alloy of iron and nickel from the Earthās core. Thanks to this crack, the Gutenberg discontinuity had reached up one thousand kilometers closer to the Sunset 6ās flight path. The ship immediately took emergency measures to change course. It was during this attempt to escape that disaster truly struck.
The shipās neutron-laced hull was strong enough to withstand the massive and sudden pressure increase to 1,600 tons per cubic centimeter, but the terracraft itself was comprised of three parts: a fusion engine at the bow, a central cabin, and a rear-mounted drive engine. When it attempted to change direction, the section linking the fusion engine to the main cabin fractured due to the density and pressure of liquid iron-nickel alloy that far exceeded the shipās operating parameters. The images broadcast from Sunset 6ās neutrino communicator showed the forward engine splitting from the hull only to be instantly engulfed by the crimson glow of the liquid metal. A Sunset shipās fusion engine fired a super-heated jet that cut through the material in front of the vessel. Without it, the drive engine could barely push the Sunset 6 an inch through the planetās solid inner layers.
The density of the Earthās core is startling, but the neutrons in the shipās hull were even denser. As the buoyancy created by the liquid iron-nickel alloy did not exceed the shipās deadweight, Sunset 6 began to sink towards the Earthās core.
One-and-a-half centuries after landing on the Moon, humanity was finally capable of venturing to Mercury. It had been anticipated that we would travel from mantle to core in a similar time frame. Now a terracraft had accidentally entered the core, and, just like an Apollo-era vessel spinning off course and into the depths of space, the chance of a successful rescue was simply nonexistent.
Fortunately, the hull of the shipās main cabin was sturdy, and Sunset 6ās neutrino communications system maintained a solid connection with the control center on the surface. In the year that followed, the crew of the Sunset 6 persisted in their work, sending streams of valuable data gleaned from the core to the surface.
Encased as they were in thousands of kilometers of rock, air and survival were the least of their worries ā what they lacked more than anything else was space. They were pummeled by temperatures of over five thousand degrees Celsius and surrounded by pressures that could crush carbon into diamonds within seconds. Only neutrinos could escape the incredible density of the material in which the Sunset 6 was entombed. The ship was completely trapped in a giant furnace of molten metal. To the shipās crew, Danteās Inferno would depict a paradise. What could life mean in a world like this? Is there any word beyond āfragileā that can describe it?
Immense psychological pressure shredded the nerves of the Sunset 6ās crew. One day, the shipās geological engineer woke, leapt from his cot and threw open the heat-insulation door protecting his cabin. Even though this was only the first of four such doors, the wave of incandescent heat that washed in through the remaining three layers instantly reduced him to charcoal. To prevent the shipās imminent destruction, the commander rushed to seal the open door. Although he was successful, he suffered severe burns in the process. The man died after making one last entry into the shipās log.
With one crew member remaining, Sunset 6 continued its voyage through the planetās darkest depths.
By now, the interior of the vessel was entirely weightless. The ship had sunk to a depth of 6,800 kilometers ā the planetās deepest point. The last remaining terranaut aboard the Sunset 6 had become the first person to reach the Earthās core.
Her entire world had shrunk to the size of a cramped, stuffy cockpit. She had less than ten square meters to move around in. The shipās onboard pair of neutrino glasses allowed her a small measure of sensory contact with the planetās surface. However, this lifeline was doomed to be short-lived, as the craftās neutrino communications system was nearly out of power. By now, the power levels were already too low to support the super-highspeed data relay that these sensory glasses relied on. In fact, the system had lost contact three months ago, just as I was taking the plane back from my vacation in the plains. By that time, her eyes were already stored inside my travel bag.
That misty, sunless morning on the plains had been her final glimpse of the surface world.
From then on, Sunset 6 could only maintain audio and data links with the surface. But late one night this connection had also ceased, sealing her permanently into the planetās lonely core.
Sunset 6ās neutron shell was strong enough to withstand the coreās massive pressure, and the craftās cyclical life support systems were fully capable of an additional fifty to eighty years of operation. So she would remain alive, at the center of the Earth, in a room so small she could traverse its area in less than a minute.
I hardly dared imagine her final farewell to the surface world. However, when the Director played the recording, I was shocked.
The neutrino beam to the surface was already weak when the message was sent, and her voice occasionally cut out, but she sounded calm.
āā¦have received your final advisement. Iāll do all I can to follow the entire research plan in the days to come. Someday, maybe generations from now, another ship might find the SunsetĀ 6 and dock with it. If someone does enter here, I can only hope that the data I leave behind will be of use. Please rest assured; I have made a life for myself down here and adapted to these surroundings; I donāt feel constrained or closed-in anymore. The entire world surrounds me. When I close my eyes, I see the great plains up there on the surface. I can still see every one of the flowers that I named.
āGoodbye.ā
Epilogue
A Transparent World
Many years have passed, and I have visited many places. Everywhere I go, I stretch out upon the Earth.
I have lain on the beaches of Hainan Island, on Alaskan snow, among Russiaās white birches and on the scalding sands of the Sahara. And every time the world became transparent to my mindās eye. I saw the terracraft, anchored more than six thousand kilometers below me at the center of that translucent sphere, whose hull once bore the name Sunset 6; I felt her heartbeat echo up to me through thousands of kilometers. As I imagined the golden light of the sun and the silvery glow of the Moon shining down to the planetās core, I could hear her humming āClair de Luneā, and her soft voice:
‘ā¦How beautiful that must look. Itās a different kind of musicā¦ā
One thought comforted me: even if I traveled to the most distant corner of the Earth, I would never be any farther from her.
Copyright Ā© Cixin Liu 2021
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