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Sneak Peek: When I Cast Your Shadow by Sarah Porter

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A teenage girl calls her beloved older brother back from the grave, with disastrous consequences….

RUBY
Haunted by her dead brother, unable to let him go, Ruby must figure out whether his nightly appearances in her dreams are the answer to her prayers—or a nightmare come true.

EVERETT
He’s always been jealous of his dashing older brother. Now Everett must do everything he can to save his twin sister Ruby from his clutches.

DASHIELL
Charming, handsome, and manipulative, Dash has run afoul of some very powerful forces in the Land of the Dead. His only bargaining chips are Ruby and Everett. At stake is the very survival of the Bohnacker family, bodies and souls….

opens in a new windowWhen I Cast Your Shadow will become available September 12th. Please enjoy this excerpt.

Ruby

There it is again: in the middle of the black river a pale arm sweeps up and then curves down with a splash. Someone is swimming out there and I know with all my heart who it must be. “Dashiell?” I say, but my voice clings in the nearby air. He doesn’t hear me.

I’ve been here before, I think. Only once or twice, and never for longer than it took to catch the first glimpse of his back, wandering far away from me along the shore. It’s always so dark here, the river so viscous and slow, its surface shoving in jellied wrinkles at the stones. But this time nothing happens to pull me away from this place and I see him again and again: the broad line of his shoulders parting the water, his face like a blurry moon.

“Dashiell!” I call. “It’s me, it’s your Ruby-Ru! Please come back.”

And thank God, he must hear me now, because he laughs—I’d know that laugh anywhere—and rolls onto his back. I can see the pale arch of his bare chest, his streaming arms. He’s still far away but the sound waves must have shifted somehow, because I can hear every tiny stir of his feet in the water.

“You shouldn’t be swimming out there, should you, Dash? That water doesn’t look healthy.” I know there’s something I have to explain to him, that it’s urgent, but I can’t think of the right way to put it. “Dash, I think you don’t understand? This is a really unusual opportunity for you. I mean, people don’t just get chances to come back to life? And if you keep taking so many risks, it might seem like you don’t appreciate it.”

The shape of his body shifts into an arrowhead; he’s traveling away from me. My throat thickens at the sight.

“If you want me to get a second chance, Ruby Slippers, then you’re going to have to come to me. Swim out here and we’ll discuss it.”

That water looks so sickening though somber and gluey. “No! Dash, please come back here. Please don’t do anything crazy. I don’t think you understand how much we’ve missed you. And now—you have this chance, and you won’t even listen to me!”

How can I find the words for what’s happening to him? Dashiell died, that much I’m sure of, and now by some wild, sweet, improbable fluke he can have one more try at being alive—if he’ll only care enough to take it. I don’t know how I know that, but the truth of it is diamond-hard and sharp inside my chest. Out of all the people in the world who’ve ever died and been mourned, of course Dashiell would be the one who gets such an incredible opportunity. But how do I make him take it seriously?

“It wasn’t fair, Dash. The way you died. It was a mistake and it wasn’t fair to anyone, and maybe that’s why—”

“Oh, pah, Ruby-Ru. You can’t still be such a child, can you, that you’d suppose fairness could come crawling into a place like this? Swim out to me, and I can explain things to you without shouting.”

No one is shouting. He’s so far in the distance that I can barely make out the disturbance of his rising arms, but we can hear each other perfectly. I can feel him smiling at me across the water, and I don’t know why I’m so afraid, why my heart tumbles featherlight inside me.

“Why can’t you come to me? You don’t know what it’s been like, Dash. Without you. It’s like—everything I thought was solid is hollowed out.”

Everyone in our family is afraid of everything; I can feel Dash thinking that. I can feel him thinking that I’m just like our father, a man who was always cowering away from his own son, looking at his brilliant face with hunted eyes. Because the fire that was in Dash could burn anything, everything. But that never frightened me, and I won’t let Dash think it scares me now.

“If you really want me back,” Dash says, “you’re going to have to prove it, Miss Slippers. Come get me.”

With Dashiell you always have to prove everything, again and again, and nothing you can do is ever enough. You can’t just tell him you love him, because he’ll smile and play with your hair and say how absurd you are for thinking that words could be enough to make it true. I look at the black swirls inches from my feet, frilled with light shining from no moon.

“If I swim out there, then do you promise you’ll come home with me?”

The water coils with anticipation; it could be the grease exuded from daydreams gone bad. I take a step forward and it sucks at my shoes.

“Oh, Ru-Ru, of course I do. Come for me now, and I’ll follow you back like a little lost lamb. If you’d only been paying attention, you’d know that I’ve always been truthful with you.”

I always paid attention to him; how can he not know that? Whenever I saw him I’d concentrate as hard as I could, trying to memorize the exact shapes the sunlight made on his face, every nuance of his voice, because I always knew that someday we might lose him for good. The water is up past my ankles now, and my shadow on its surface looks like a hole. Waiting to take me in.

“You won’t believe the view out here, Ru-Ru. It’s distance like you’ve never seen it before! That much black, that much emptiness. Ah, the night sky when I was alive was positively middling by comparison.”

Something skids beneath my foot and I stumble in, thigh-deep now. That water will ruin my dress but I’m not about to take it off, not when Dashiell might see me. Besides, I can’t imagine what could be hidden under that slick surface: things shimmying and almost alive.

“Ah, and here we go. I knew I could count on you, sweetest Ru. But you should consider how severely our father would forbid you from doing any such thing. He’d say you should leave me where I am, and good riddance. You wouldn’t want to do anything he’d disapprove of, would you, Ruby Slippers?”

“Dad misses you, too,” I say. “He just pretends not to. Dashiell, we all want you to come home, so much. And I’m—” I’m coming for you, because I have to. Because you won’t give me any other choice, but it’s cruel of you to make me do this. I can’t say that, though. The water is at my throat now and I stumble forward, flailing. I can hear Dashiell’s harsh laugh. I know I have to kick—I’m usually an okay swimmer, even if I don’t look like I should be—but at first I can’t get my feet up to the surface.

“I can see our Earth!” Dashiell calls. “Still very far away, but it appears to be flying closer at precipitous speed. Do you realize, Ru-Ru, that everything I’m seeing now is coming from you? Left to our own devices, the dead can’t envision for beans.”

I’ve got the best rhythm going that I can, though I have to tug my arms free of the water at every stroke. I can’t tell if I’ve just left the shore, or if I’ve been swimming for hours. “Dash? I can’t see you anymore. Where—”

“Not so much farther now, Ruby-Ru. You’re doing just fine.”

All I see are the dark folds and my own hands struggling against them. But Dash’s voice still rings in both my ears; he could be inches away to either side, or right behind me.

“Dash? Wherever I go I keep thinking I’m about to see you, or that I’ve just missed you somehow. Like, that you got off the train one second before I got on, and I missed you in the crowd? Because it was so, so wrong what happened to you. You were going to be okay. You were clean.”

“Ah, but technically I’m much cleaner since I’ve been dead, Ru-Ru. There’s no clean like sloughing off your body completely, is there? If you bring me back now, I’ll be sullied again by the whole sticky mess of carnality, blood and guts and hunger and desire. If clean is what you want for me, you might reconsider. Death works better for that than shampoo.”

“But don’t you miss us?” I can’t tell if I’m moving forward anymore. I could be twisting in place, surrounded by night-colored walls. God, I’m going to sink before I find him. “Don’t you miss me?

Then I smack into something warm and slippery. Bare skin. I flush and try to jerk away, but Dashiell is there, his wavy strawberry-gold hair bright against the dimness. He’s gripping me hard by my wrists and smiling. And he’s completely naked.

“Poor little Ruby-Ru,” Dashiell lilts. His face is silvery-gold, as gorgeous as ever, but with something sickly in the way it shines. “You’ve been so brave, but you don’t grasp the consequences of your actions, do you? I’m sorry for what you’ll have to go through, now. I don’t suppose there’s anything I can say that will make this easier for you.”

And then I’m jolted out of myself, and I watch while Dashiell slides his hands to my shoulders. I watch while he shoves my head under the surface. The thrust catches me in the middle of an inhalation and water floods my throat before I know what’s happening. I feel the cold pouring into my lungs, and at the same time I observe it all from a distance: a dumpy sixteen-year-old girl kicking desperately below me.

I’m not really struggling that hard, though, and as I watch myself I know why: I don’t want to hurt him. Not my adored brother, not when he’s finally been returned to me. Not when he’s been through so much pain already.

“Ruby Slippers,” Dashiell muses while he drowns me. “She slipped under the rug, she disappeared from view. Oh, where have you gone, Ruby-Ru, Ruby-Ru?”

My dark blond hair boils on the surface. I can see my own fingers starting to go limp, wet white commas drifting on the black sea.

“Dashiell,” I say. “Dashiell, I love you so much! How could you do this to me?”

I don’t know if he’ll hear me. I don’t know if I have a voice anymore, or a face, or a heart. The girl I was is bobbing below the surface. Dashiell jiggles me up and down experimentally, checking to make sure I’m dead.

“How could I do this? Ah, Ru, what kind of a question is that?” Dashiell tips his head and smiles, thinking it over. “I did it because there’s no place like home.”

I’m awake, I’m awake, and those are not horrible black waves sticking to me but my drenched sheets. I’m awake and breath is heaving into my lungs. This is my pretty robin’s-egg blue bedroom in our pretty brownstone on Carroll Street, and Dashiell was buried almost two months ago, and even if I dream about him every single night it doesn’t change the fact that I stood on the sweating September grass and dropped dirt on his coffin while my knees buckled.

This dream felt different, though, and not only because it was so terrible. It was somehow much deeper than my usual nightmare: the recurring one where Dashiell sits on my bed holding a syringe, and I know that if he shoots up again he’ll die. In that dream I always know that we’re getting a miraculous chance to change what happened, because the way he died was just too stupid and senseless and he was way too young and talented and amazing. Then he smiles at me and shoves the syringe into his arm while I beg, Not this time, Dash, not again.

I’ve been waking up every morning gasping and sobbing, my hands thrashing at the air as I try to grab him, stop him, before it’s too late.

That nightmare is bad enough, but this was so much worse.

Because it felt like I had dreamed my way into a more powerful part of my mind. Because during the dream I completely believed it was real, and bringing Dash back to life was an actual possibility, and now I’m shivering from the memory of how an idea so absolutely insane felt so true. Because, no matter how bad my dreams get, Dashiell’s never murdered me in one of them before. And because I’m sick with myself: it’s awful of me, disloyal, to even dream about Dashiell doing anything so cruel.

I’m still clutching my blankets, trying to forget the sensation of those gummy waves closing around my head, so I don’t notice right away that my door is open.

Everett is standing there watching me. My twin. Darker hair and a big sloppy mouth instead of my small one, but basically the same degree of podgy, unattractive, and socially hopeless. We were IVF babies, meaning our parents really wanted one of us—they paid a whole heap of money to get one of us—but then after three years of doctors and hormone shots it turned out to be a twofer and they were stuck with more than they’d planned on. Considering that their first child six years earlier was Dashiell, so beautiful and enchanting from the moment he was born, it’s impossible to imagine that we didn’t come as a disappointment.

The strain proved to be too much for their marriage, though they were never tactless enough to tell us so in so many words. But one time when she was visiting New York I overheard our mother tell our dad that she’d felt stifled by living with him, or maybe with us. She even told me to my face once that we’d clarified her feelings for her, and helped her realize what she really wanted out of life, and somehow she expected me not to recognize what that meant: Not you, Ruby. Not you and your brother.

Or maybe she knew I’d get it, and she didn’t care that much. She’s one of those people who treats just being honest as an excuse for being hurtful.

Now she contrives to be so very far away, and having such a fabulous life, that no one could reasonably expect her to remember we exist. And she usually doesn’t.

“I heard you scream,” Everett says. “It was Dash again?”

“Dash,” I say. “Yeah. But it’s getting worse, Ever.”

“Every night? And I still haven’t dreamed about him once? It’s like he doesn’t even care about seeing me again. He only wants to talk to you.”

Suddenly I know I can’t tell Everett what Dashiell did to me. Maybe I know now that what happened wasn’t connected to reality, but what if Ever blames Dash anyway? “You don’t want these dreams. They’re horrible.”

“I do want them, though. I mean, I want something. Because—I know it’s not rational—but every night? Don’t you start to wonder sometimes if that’s really him? Like, if he’s trying to get a message to you?”

“Ever, these are dreams. As in, they are not real. As in, I’m talking to something in my head, but it is not actually Dashiell. I think it’s important for us to be clear about that?” I stare at him. “I can’t believe you’re making me say this.”

“Do you believe that?” Everett asks. “I mean, believe it for real? You’re not just trying to talk yourself into it?”

“I have to believe it! Ever, don’t—thinking like this will make us both go crazy!”

If I let myself believe in Dash’s dream-visit, if I imagine that his spirit truly came to me last night, then I would also have to believe in my own dream-murder. That’s a line I can’t cross. The real Dashiell wasn’t an easy person to deal with, and I’m not pretending he was, but he wouldn’t have done that.

Everybody else has always been way too ready to believe the worst about Dash, so that means it’s up to me to remember him the way he really was. To fight for his memory.

He seemed like he loved me, at least a little. Like, in direct proportion to how lovable I actually am. It wasn’t his fault that he got all the looks and glamour and charisma, so there was hardly any left over for Ever and me. It wasn’t Dashiell’s fault that he was the one who everybody wanted either to be or to sleep with. So since he was just inherently way more lovable than I am, it was natural that I loved him more than he was ever going to love me back. I didn’t have any problem with that then, and I don’t now.

It made sense. Everything made sense except the part where he OD’d six months after he kicked heroin.

Everett is still watching me. “It was just a dream, Ever,” I say again, and my voice comes out rough. “You’re supposed to be so realistic, remember? Superstitious stuff like this is totally beneath you. You are the last person who should start believing in ghosts. Right?”

“Fine,” he says, and turns his back on me. “At least I don’t read my stupid horoscope.” I get up and shut the door, just a little too hard.

I’m still mad at Everett for saying those things, actually, especially since he’s made it his job to be skeptical and detached all the time. So why did he have to let me down and start believing in something so utterly berserk—our dead brother coming to me in a dream, seriously?—and right at the moment when I have to pour all my strength into convincing myself there’s no way it could be true?

Dash wouldn’t hurt me. Not on purpose. Not like that. It’s a ridiculous idea.

When I’m showered and dressed, I pull on the cherry-red, patent leather Doc Martens Dashiell bought me the last time I saw him, just three days before he died. Ruby slippers for you, my sweet Ruby-Ru.

And I do it to remind myself of just how wonderful he really was.

Copyright © 2017 by Sarah Porter

Order Your Copy

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New Releases: 9/20/16

Here’s what went on sale today!

opens in a new windowDeadlands: Thunder Moon Rising by Jeffrey Mariotte

opens in a new windowDeadlands: Thunder Moon Rising by Jeffrey MariotteFear is abroad in the Deadlands as a string of brutal killings and cattle mutilations trouble a frontier town in the Arizona Territory, nestled in the forbidding shadow of the rugged Thunder Mountains. A mule train is massacred, homes and ranches are attacked, and men and women are stalked and butchered by bestial killers who seem to be neither human nor animal, meanwhile a ruthless land baron tries to buy up all the surrounding territory-and possibly bring about an apocalypse.

opens in a new windowDeath’s End by Cixin Liu

opens in a new windowDeath’s End by Cixin LiuWith The Three-Body Problem, English-speaking readers got their first chance to experience the multiple-award-winning and bestselling Three-Body Trilogy by China’s most beloved science fiction author, Cixin Liu. Three-Body was released to great acclaim including coverage in The New York Times and The Wall Street Journal. It was also named a finalist for the Nebula Award, making it the first translated novel to be nominated for a major SF award since Italo Calvino’s Invisible Cities in 1976. Now this epic trilogy concludes with Death’s End.

opens in a new windowThe Family Plot by Cherie Priest

opens in a new windowThe Family Plot by Cherie PriestChuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he’s thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter Dahlia to personally oversee the project.

The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there’s the cemetery, about thirty fallen and overgrown graves dating to the early 1900s, Augusta insists that the cemetery is just a fake, a Halloween prank, so the city gives the go-ahead, the bulldozer revs up, and it turns up human remains. Augusta says she doesn’t know whose body it is or how many others might be present and refuses to answer any more questions. Then she stops answering the phone.

opens in a new windowMetaltown by Kristen Simmons

opens in a new windowMetaltown by Kristen SimmonsThe rules of Metaltown are simple: Work hard, keep your head down, and watch your back. You look out for number one, and no one knows that better than Ty. She’s been surviving on the factory line as long as she can remember. But now Ty has Colin. She’s no longer alone; it’s the two of them against the world. That’s something even a town this brutal can’t take away from her. Until it does.

Lena’s future depends on her family’s factory, a beast that demands a ruthless master, and Lena is prepared to be as ruthless as it takes if it means finally proving herself to her father. But when a chance encounter with Colin, a dreamer despite his circumstances, exposes Lena to the consequences of her actions, she’ll risk everything to do what’s right.

opens in a new windowRed Tide by Marc Turner

opens in a new windowRed Tide by Marc TurnerThe Augerans are coming. And their ships are sailing in on a red tide.

The Rubyholt Isles are a shattered nation of pirate-infested islands and treacherous waterways shielding the seaboards of Erin Elal and the Sabian League, a region even dragons fear to trespass.

The Augerans beseech the Warlord of the Isles, seeking passage for their invasion fleet through Rubyholt territory. But they are sailing into troubled waters. Their enemies have sent agents to sabotage the negotiations, and to destroy the Augeran fleet by any means necessary.

opens in a new windowVassa in the Night by Sarah Porter

opens in a new windowVassa in the Night by Sarah PorterIn the enchanted kingdom of Brooklyn, the fashionable people put on cute shoes, go to parties in warehouses, drink on rooftops at sunset, and tell themselves they’ve arrived. A whole lot of Brooklyn is like that now—but not Vassa’s working-class neighborhood.

In Vassa’s neighborhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling out again could become an issue. Babs Yagg, the owner of the local convenience store, has a policy of beheading shoplifters—and sometimes innocent shoppers as well. So when Vassa’s stepsister sends her out for light bulbs in the middle of night, she knows it could easily become a suicide mission.

NEW FROM TOR.COM:

opens in a new windowThe Warren by Brian Evenson

opens in a new windowThe Warren by Brian EvensonX doesn’t have a name. He thought he had one—or many—but that might be the result of the failing memories of the personalities imprinted within him. Or maybe he really is called X.

He’s also not as human as he believes himself to be.

But when he discovers the existence of another—above ground, outside the protection of the Warren—X must learn what it means to be human, or face the destruction of their two species.

NOW IN PAPERBACK:

opens in a new windowNightwise by R. S. Belcher

opens in a new windowNightwise by R. S. BelcherR.S. Belcher, the acclaimed author of The Six-Gun Tarot and The Shotgun Arcana launches a gritty new urban fantasy series set in today’s seedy occult underworld in Nightwise.

In the more shadowy corners of the world, frequented by angels and demons and everything in-between, Laytham Ballard is a legend. It’s said he raised the dead at the age of ten, stole the Philosopher’s Stone in Vegas back in 1999, and survived the bloodsucking kiss of the Mosquito Queen. Wise in the hidden ways of the night, he’s also a cynical bastard who stopped thinking of himself as the good guy a long time ago.

opens in a new windowVienna by William S. Kirby

opens in a new windowVienna by William S. KirbyJustine is an A-list fashion model on a photo shoot in Europe. Adored by half the world, she can have whomever she wants, but she’s never met anyone like the strange English girl whose bed she wakes up in one morning.

Vienna is an autistic savant, adrift in a world of overwhelming patterns and connections only she can see. Socially awkward and inexperienced, she’s never been with anyone before, let alone a glamorous supermodel enmeshed in a web of secrets and intrigue.

NEW IN MANGA

opens in a new windowArpeggio of Blue Steel Vol. 8 by Ark Performance

opens in a new windowNTR: Netsuzou Trap Vol. 1 by Kodama Naoko

opens in a new windowTomodachi x Monster Vol. 3 by Yoshihiko Inui

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What Is a Changeling, Really?

opens in a new windowVassa in the Night by Sarah PorterAnd now, a few unsettling words from opens in a new windowSarah Porter, the author of Vassa in the Night.

The baby wakes everyone with an ungodly yowl in the depths of the night. Its head looks distended, its eyes bulbous and glowering. Surely it didn’t appear so grotesque when you sang it to sleep? And that cry: it hardly sounds human at all.

Conversely, the baby is so silent that you rush to its side, terrified that it might have died while you dreamed. It gawps at you with an expression morose and wooden. Its tiny limbs feel dry, airy, and rotten. But those eyes, bulging, pale, at once vacant and horribly knowing: they never leave your face, not while you change its diaper and tuck it in again, not while you croon at it, Sleep tight, my poppet, all is peaceful, all is well, and back out of the nursery. You can barely force yourself to switch off the light.

Feed it, and it will suck so ravenously that you will thrust it away in sudden dread, sure that it means to drain your blood once it has finished your milk.

What is this thing that lies in your cradle? Is it truly your own sweet child?

Anyone familiar with the ways of the world will tell you, Why, no. Your child has been stolen by the faeries. They have left you this hideous effigy in its place.

The folklorist Charles G. Leland wrote that the faeries who steal children are personified fevers, the spirits of pox and typhus and cholera that snatched so many infants in the days before antibiotics. There are other connections between faeries and the land of the dead: one is the well-known rule that eating anything in either Faerie or Hades will trap you there forever. Catherynne Valente called the law permitting human-stealing “the Persephone clause” in her Fairyland books. And the medieval English poem Sir Orfeo, a retelling of the myth of Orpheus and Eurydice, makes the association even more explicit. In it, the harpist has to rescue his wife not from the underworld but from the faerie king, who holds his court in the midst of a field of butchered, but still living, bodies: people wrongly believed to be dead when they were actually transported to his realm.

Take another look, then, at that monstrous, babyish lump staring at you with such resentment. Are you sure it’s even there? Are you sure you aren’t remembering your lost child, however imperfectly; that your longing has not made this projected memory appear as something solid and alive? The changeling’s distorted features are a bit too much like the warped and uncertain faces that those we love wear in dreams: He didn’t look anything like you, but I knew it was you anyway. And could anything living, truly living and present in the room with you, be quite so hungry? Only ghosts, monsters, or memories consume so much of us.

One traditional way to get rid of a changeling is to subject it to sadistic abuse. In theory, its otherworldly parents will be so appalled that they will remove it from your custody, and return your rightful child. I wouldn’t count on it, personally.

The other method is to make the changeling laugh. Brew coffee in an eggshell, say; the creature will betray its real nature by cackling in surprise, and once exposed, protocol demands that it go.

That’s what the stories say. In practice, your changeling might stay right where it is, and keep on laughing at you. The one you mourn was taken, like Eurydice was taken, and like her will not be returning. What laughs in the cradle is your own swollen, relentless, and insatiable grief; that is what the faeries leave behind.

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Follow Sarah Porter on opens in a new windowTwitter and on her opens in a new windowwebsite.

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On the Road: Tor/Forge Author Events for September

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opens in a new windowTor/Forge authors are on the road in September! See who is coming to a city near you this month.

Shannon Baker,  opens in a new windowStripped Bare

Wednesday, September 7
opens in a new windowBoulder Bookstore
Boulder, CO
7:30 PM
Also with Kevin Wolf

Thursday, September 8
opens in a new windowOld Firehouse Books
Fort Collins, CO
6:00 PM

Tuesday, September 20
opens in a new windowBookworks
Albuquerque, NM
6:00 PM

Wednesday, September 21
opens in a new windowOp. Cit. Books
Taos, NM
11:30 AM

Saturday, September 24
opens in a new windowBarbed Wire Books
Longmont, CO
3:00 PM

Sunday, September 25
opens in a new windowHampden Hall
Englewood, CO
3:00 PM

Tuesday, September 27
opens in a new windowBarnes & Noble
Cheyenne, WY
4:00 PM

Wednesday, September 28
opens in a new windowBooks-a-Million
Rapid City, SD
6:00 PM

Thursday, September 29
opens in a new windowTattered Cover
Littleton, CO
7:00 PM
Also with Kevin Wolf

Friday, September 30
opens in a new windowBarnes & Noble
Pueblo, CO
4:00 PM

Robert Brockway, opens in a new windowThe Empty Ones

Saturday, September 3
opens in a new windowVillage Books
Bellingham, WA
7:00 PM

Blake Charlton,  opens in a new windowSpellbreaker

Wednesday, September 14
opens in a new windowMysterious Galaxy
San Diego, CA
7:30 PM

Max Gladstone, opens in a new windowFour Roads Cross

Sunday, September 4
opens in a new windowDecatur Book Festival
Decatur, GA
5:00 PM

David Hagberg, opens in a new windowEnd Game

Sunday, September 4
opens in a new windowDecatur Book Festival
International Covert Ops Panel, with David Hagberg, Bret Witter, moderated by Alice Murray
Decatur, GA
5:00 PM

Thursday, September 8
opens in a new windowBookstore 1
Sarasota, FL
7:00 PM

Kij Johnson opens in a new windowThe Dream-Quest of Vellitt Boe

Thursday, September 15
Kansas University, opens in a new windowJayhawk Ink Lounge
Lawrence, KS
5:30 PM

Sarah Porter, opens in a new windowVassa in the Night

Sunday, September 18
Brooklyn Book Festival
opens in a new windowMagic and Mayhem in New York
Brooklyn, NY
4:00 PM

Sunday, September 25
opens in a new windowOblong Books
Also with Danielle Paige
Rhinebeck, NY
4:00 PM

Monday, September 26
opens in a new windowBooks of Wonder
Also with Kerri Maniscalco
New York, NY
6:00 PM

Thursday, September 29
opens in a new windowOne More Page Books
Fall for the Book YA Panel
Also featuring opens in a new windowA. J. Hartley and opens in a new windowCarrie Jones
Arlington, VA
7:00 PM

Cherie Priest, opens in a new windowThe Family Plot

Tuesday, September 20
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Chattanooga, TN
7:00 PM

Thursday, September 22
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Chattanooga, TN
6:00 PM

Brandon Sanderson, opens in a new windowThe Dark Talent

Tuesday, September 6
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Salt Lake City, UT
6:00 PM

Nisi Shawl, opens in a new windowEverfair

Tuesday, September 6
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Seattle, WA
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Friday, September 9
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Also with Christopher Brown
Austin, TX
7:00 PM

Saturday, September 10
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Scottsdale, AZ
2:00 PM

Monday, September 12
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San Diego, CA
7:30 PM

Tuesday, September 13
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Los Angeles, CA
7:00 PM

Monday, September 19
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Madison, WI
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Wednesday, September 21
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Ann Arbor, MI
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Friday, September 23
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Atlanta, GA
7:30 PM

Kristen Simmons, opens in a new windowMetaltown

Tuesday, September 20
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Thursday, September 22
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Lexington, KY
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Friday, September 23
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Paula Stokes, opens in a new windowVicarious

Thursday, September 22
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Friday, September 23
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Downers Grove, IL
7:00 PM

Fran Wilde, opens in a new windowCloundbound

Tuesday, September 27
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With Chuck Wendig
Philadelphia, PA
7:00 PM

Anne A. Wilson, opens in a new windowClear to Lift

Thursday, September 22
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6:00 PM

Simone Zelitch, opens in a new windowJudenstaat

Saturday, September 3
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12:30 PM

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Vassa in the Night Sweepstakes

opens in a new windowVassa in the Night by Sarah Porter opens in a new windowVassa in the Night, Sarah Porter’s modern retelling of the Russian folktale “Vassilissa the Beautiful,” goes on sale September 20th, but we’re offering you the chance to read it now! We’ve got advance reading copies to give out to five lucky readers.

Comment below to enter for a chance to win!

NO PURCHASE NECESSARY TO ENTER OR WIN. A purchase does not improve your chances of winning. Sweepstakes open to legal residents of 50 United States, D.C., and Canada (excluding Quebec), who are 18 or older as of the date of entry. To enter, leave a comment  opens in a new windowhere beginning at 10:00 AM Eastern Time (ET) August 16, 2016. Sweepstakes ends at 12:00 PM ET August 23, 2016. Void outside the United States and Canada and where prohibited by law. Please see full details and official rules here. Sponsor: Tom Doherty Associates, LLC, 175 Fifth Ave., New York, NY 10010.

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Sneak Peek: Vassa in the Night by Sarah Porter

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Vassa in the Night by Sarah PorterIn the enchanted kingdom of Brooklyn, the fashionable people put on cute shoes, go to parties in warehouses, drink on rooftops at sunset, and tell themselves they’ve arrived. A whole lot of Brooklyn is like that now—but not Vassa’s working-class neighborhood.

In Vassa’s neighborhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling out again could become an issue. Babs Yagg, the owner of the local convenience store, has a policy of beheading shoplifters—and sometimes innocent shoppers as well. So when Vassa’s stepsister sends her out for light bulbs in the middle of night, she knows it could easily become a suicide mission.

But Vassa has a bit of luck hidden in her pocket, a gift from her dead mother. Erg is a tough-talking wooden doll with sticky fingers, a bottomless stomach, and a ferocious cunning. With Erg’s help, Vassa just might be able to break the witch’s curse and free her Brooklyn neighborhood. But Babs won’t be playing fair….

Inspired by the Russian folktale “Vassilissa the Beautiful” and her years of experience teaching creative writing to students in New York City public schools, acclaimed author Sarah Porter weaves a dark yet hopeful tale about a young girl’s search for home, love, and belonging.

Vassa in the Night will be available September 20th. Please enjoy this excerpt.

CHAPTER 1

People live here on purpose; that’s what I’ve heard. They even cross the country deliberately and move in to the neighborhoods near the river, and suddenly their shoes are cuter than they are, and very possibly smarter and more articulate as well, and their lives are covered in sequins and they tell themselves they’ve arrived. They put on tiny, feathered hats and go to parties in warehouses; they drink on rooftops at sunset. It’s a destination and everyone piles up and congratulates themselves on having made it all the way here from some wherever or other. To them this is practically an enchanted kingdom. A whole lot of Brooklyn is like that now, but not the part where I live.

Not that there isn’t any magic around here. If you’re dumb enough to look in the wrong places, you’ll stumble right into it. It’s the stumbling out again that might become an issue. The best thing you can do is ignore it. Cross the street. Don’t make eye contact—if by some remote chance you encounter something with eyes.

This isn’t even a slum. It’s a scrappy neither-nor where no one arrives. You just find yourself here for no real reason, the same way the streets and buildings did, squashed against a cemetery that sprawls out for miles. It has to be that big, because the dead of New York keep falling like snow but never melt. There’s an elevated train station where a few subway lines rattle overhead in their anxiety to get somewhere else. We have boarded-up appliance stores and nail salons, the Atlantis Wash and Lube, and a mortuary on almost every block. There are houses, the kind that bundle four families close together and roll them around in one another’s noise as if the ruckus was bread crumbs and somebody was going to come along soon and deep-fry us. Really, it’s such a nothing of a place that I have to dye my hair purple just to have something to look at. If it weren’t for those little zigs of color jumping in the corners of my eyes, I might start to think that I was going blind.

It seemed that way even before the nights started lasting such a very, very long time.

 

We can’t prove it. By the clock everything’s fine. The sun goes down around seven p.m. these days, right on schedule for your standard New York April, and comes up at six the next morning. The effect was so sneaky at first that it was months before anybody worked up the nerve to say anything. Then, maybe around November, I started hearing diskreet wisecracks, muttered like they were something embarrassing, like, “Hey, Vassa! Long time no see!” when I walked into school in the morning. But winter was coming on then, anyway, so you could tell yourself that, hey, the nights are supposed to feel long now.

By January, though, it was getting harder to ignore. It gets to the point, when your whole family is waking up around two a.m., and eating cereal, and shuffling around, and watching a lot of old movies, and then it’s still only three thirty so you all go back to bed, where you might kind of mention that it seems a little unusual. And when it gets to be February, then March, and the nights are officially getting shorter but everyone can feel how they drag on and on, the hours like legless horses struggling to make it to the end of the darkness, then you might even start to complain. You might say that the nights feel like they’re swallowing your drab nowhere neighborhood and refusing to cough it back up again the way they ought to. And the more the nights gobble up, the bigger and fatter and stronger they get, and the more they need to eat, until nobody can fight their way through to the next dawn.

I’m exaggerating. Morning does always come around eventually. At least, it does for now.

See, to whatever degree we have magic around here, it’s strictly the kind that’s a pain in the ass.

 

So it’s the middle of the night—unprecedented, I know—and the kid upstairs is practicing skateboarding on some kind of janky homemade half pipe and wiping out at ten-second intervals and I’m watching a random black-and-white movie with the girls people call my sisters, though they’re sisters step and fractional. I forget, but I think Chelsea is step-half and Stephanie is third-step once removed, or something like that, or possibly it’s the other way around. Whatever they are exactly, they’ve been assigned to me by the twitching of fate, and they’re usually at least plausibly sisteresque. We even share a bedroom. The woman who it’s fair to assume must have given birth to at least one of us, but by no means to me, is off at the night shift at the pharmacy where she works in Manhattan. Seems awful to be stuck with the night shift now, but she says it’s not as bad there. She says people barely notice the difference yet in Manhattan. She says they can afford all the day they want. Maybe they’ve found some slot where you can stick a credit card and order up a new morning.

Steph whirls in with a bowl of microwave popcorn and sets it on the bed between her and Chels. She scowls a bit when I come crawling across their pink-fleeced legs to snag some, piling it on the back of my chemistry textbook and then carrying it to my own bed. However carefully I balance, there’s a fair amount of drift over the book’s sides. Popcorn is hardly ideal, too noisy, but it’ll have to do.

It’s a rotten movie for my purposes. Ingrid Bergman is kissing somebody. Personally I prefer guys who are less gray, though I guess she’s in no position to be picky. “Let’s watch something else.”

“Shut up, Vass. It’s almost the end!”

“Then you won’t be missing much, right?” But there’s no hurry. They’ll put on something nice and loud eventually. There’s a lot of squirming in the pocket of my sweatshirt and I cover it with my hand. Tiny teeth nip at my thumb, though the thick fabric keeps it from hurting much. So impatient.

Static abruptly drowns out Ingrid, forcing the issue. That happens a lot these days and then there’s nothing to do but change the channel, which Stephanie does after casting a scowl my way. Just because it’s convenient for me doesn’t make it my fault.

The next movie is tenderly devoted to chasing and shooting and blasting. When the first car goes up in a fireball I slip a puff of corn into my pocket and then start crunching loudly myself for good measure. Chels and Steph don’t seem to notice. They’re mesmerized by the flashing lights. I can hear it, though, the shrill styrofoamy nibble-squeak from my pocket. I can feel the slight vibrations against my waist as she chews. A tiny fist prodding my guts. Erg wants more. Such a little thing, but she never stops eating, and why should she? When you’re carved out of wood you never gain weight. I’ve seen her gnaw through a candy bar bigger than she is in two hours flat. I’ve seen her actually burrow under the crispy batter on a chicken leg and then pop out near the bone, leaving the skin sagging into the tunnel left by her mauling.

Erg and I have gone on this long without Chels or Steph or anyone getting wise to her. My sisters think I’m the greedy one, always stashing cookies in my pockets for later. They think I suffer from strange compulsions. All my clothes have grease stains on the right hip. Sometimes I get sick of how demanding she is. Sometimes I’ve even toyed with the idea of letting her go hungry for a few days, or even not feeding her again. She’d complain at first but eventually, I’m pretty sure, she’d just go back to being inanimate.

Instead I stuff a whole handful of popcorn in. No matter what I pretend I’ll never actually starve her, and she knows it. She’s the only thing I have from my mother so there’s nostalgia working in her favor, and then I made a promise.

Little crunching noises squeak from my pocket. I’m way ahead on my reading for school, we all are—Chels has already moved on to college math and science textbooks, just to have something to do—but I get out Great Expectations anyway and try to concentrate.

In the window it’s night, with cottony puffs of light clinging to the streetlamps. In the window there’s no hint of dawn. It’s been 4:02 a.m. for an astoundingly long time. Then 4:03. Progress!

I look up at the TV for a moment to see a girl with big curls and a plaid cap walking past shuttered stores. The street is dark and she jumps as a rat skitters over her boot. She looks lost and lonely, hunching her shoulders to hold off the night. Then a tide of light washes her face and she looks up in rapture to see a BY’s. Wow, you can see her thinking, it’s still open! The store dances and spins and as the girl pirouettes ecstatically more BY’s stores appear around her, and more, all dancing on spindly legs of their own, until the whole dark night gets crowded out by the flash of their windows. “Turn around,” the girl sings. “Turn around and stand like Momma placed you! Face me, face me!”

We’ve all seen this ad a million times, of course. None of us can be bothered to make snide remarks anymore, or to mention that they left out the all-important ring of stakes skewering rotting human heads. All the mockery we could possibly mock is too done and too obvious and wasn’t really all that funny in the first place. We used to sing, “Turn around. Turn around and run the other way! Chop me, chop me!”

We don’t bother. Maybe it means we’re getting old. Maybe the nights are so long now that we’re only superficially kids, and we’ve lost years to the darkness.

Steph suddenly puts a hand to her throat and lets out a gasp.

“What?” Chelsea asks her. “You lost your locket?” She shoots me a significant look. The slight squirming in my pocket stops dead.

“I was wearing it! I hope—maybe I just knocked the clasp open?” Steph starts ransacking her pillows.

“It will show up soon, I’m quite sure,” Chelsea says, taking time to enunciate each word, and arches her eyebrows my way.

I excuse myself to the bathroom and perch on the toilet lid. The bathroom is bright pink, with this cheesy mermaid wallpaper Steph picked out when she was five; the shower curtain is stained with garish purple streaks from my hair dye. I can feel the lump in the pocket of my hoodie but it’s as still as a wad of used tissues. Erg is pretending to be asleep. I get her by one tiny wooden foot and drag her out anyway. She dangles upside down, her eyes closed, her painted black hair gleaming in its flat spit curls. She doesn’t react when I drop her in the sink, which is enough to prove that she’s faking.

I turn the water on full blast. I’m not a kleptomaniac, really. I just harbor one. Erg leaps up sputtering, water sheeting off her spherical head. Her feet clop on the pink porcelain as she leaps around but the sink is too slippery for her to climb out; she’s lacquered so she doesn’t have much traction. She lands on her carved blue rear, legs clacking. “You turn that off! Vassa! You’d better stop!”

“Are you going to give the locket back?” I’m not going to yield quite so easily. I’m sick of getting blamed for Erg’s lousy behavior.

“Probably. Eventually. If you don’t do anything to provoke me in the meantime.”

I reach toward the knob that lowers the stopper into place. “How about you do it tonight? You can put it in her bed. So there’s at least some plausible deniability in regard to my being a thieving psycho?”

Erg squeals and snaps her legs closed, wedging her feet below the metal disk that stoppers the sink. I could just pull her out of the way, though. Being fierce doesn’t get you too far when you’re an imposing four and a half inches tall. “You wouldn’t dare!”

“Oh, Erg,” I say. She reminds me of my mother more than I like to admit. “Just quit the damn stealing and we won’t have these problems. Okay? Say you’ll put it back tonight and I’ll dry you off.”

“And oil me?”

I turn off the tap. No matter how mad she makes me, Erg is still my doll. Her painted lashes flick up and down, batting droplets out of her flat blue eyes. “Sure. Just put it back.”

“You’re going to ruin my finish if you keep doing this,” Erg complains. “I might even split.” She waits for me to pick her up, buff her in a warm towel. Instead I stare at her. I know her ways. “I’ll slide it in her bed tonight, and she won’t have any reason to accuse sweet Vassa of doing anything untoward, okay? Okay?”

I pick her up between my thumb and forefinger and wrap her in a hand towel. She’s a pretty thing with her swooping violet eyelids and tiny ruby mouth, her thin arched black brows and perfect curls. She has a carved wooden dress, sky blue with white painted loops standing in for lace at the collar and cuffs. Her exposed skin is just varnished pale wood, then her legs end in white socks with more of that curly trim and black Mary Janes, all painted. Her knees, elbows, and waist are jointed and she can pivot her head. Nice workmanship. Too bad they didn’t spend more time on her personality.

In spite of myself, I kiss the top of her shiny head. She tries to bite my lip, but I yank her back in time and her little wooden jaws snap on empty air.

When I said that magical things in Brooklyn should be shunned like the plague? I’m sorry to say that’s not always an option. I was leaving Erg out of the equation although, with her being a talking doll and everything, she’d be magic by anyone’s standards. I don’t have much chance of avoiding her, since we’re bound to each other for life. And no, I didn’t name her that. It’s what she calls herself. When I was younger I tried to get her to accept names like Jasmine or Clarissa but she wasn’t having it.

I plonk Erg down on my lap and get out the bottle of lemon oil from under the sink. It’s her favorite and I always try to keep some around. Dab the oil on some toilet paper and give her a nice rubdown, working it up and down her limbs while she makes little purring sounds. Getting oiled makes her sleepy and she rolls on my black flannel pajamas and rubs her face against me like a kitten. She can be cute sometimes. She’d better be cute, really, considering all the trouble she causes.

“You don’t like Stephanie anyway,” Erg murmurs. “She’s kind of a bitch.”

“I like her fine,” I say. “You need to quit projecting.” Erg snuggles into the folds of my pajama leg, yawning and wrapping her tiny arms around the loose fabric. By the time I slip her back into my pocket she’s fast asleep.

When I get back to the bedroom Chels and Steph are both glowering at me like they have synchronized brainwaves. “You were gone a while,” Chels observes coolly.

“What?” I say. I’m still standing against the door. “Like two minutes?” We all know how meaningless minutes are now, at night anyway. “Did you find your locket, Steph?”

“Yeah,” she says, then pauses. “I did.”

“So where was it?” I try to sound uninterested.

“In your shoe. One of the ones with the spikes.”

My guts tighten up just a bit. “Weird.”

“Under your bed.”

“Double weird.” Erg will be lucky if she eats again this week.

“You think that just because you can get away with murder with boys, you can mess with me, too? My mom gave me that locket, Vassa!” Maybe that’s why Erg was attracted to it. Another mom-present, like she and the locket could be comrades and start an insurrection.

“I didn’t touch it,” I say. But this is one of those times when truth is utterly worthless. They won’t stop scowling.

“Vassa,” Chelsea hazards, “if you won’t admit you have a problem then there’s no way we can even try to help. You’re basically our sister, and we both really want to be able to trust you. Right? And you’re a great person, but you have this serious issue which is making everyone feel like you’re bad news to be around. I am saying this,” she adds carefully, “out of love.”

“I appreciate the love part,” I tell her. “But I didn’t do it.”

“Then who did?”

I can’t answer that, is the problem. Everything would be so much simpler if I could just tell them the truth, and I want to. I could pull Erg out of my pocket and let her take some responsibility for once. But, well, I promised my mom, an hour before she died, that I would keep Erg completely secret forever, and feed her and take care of her, and—like three more times—that I would really, truly never tell anyone. I don’t want to lie to Chelsea, though. “Not me. That’s all I can tell you, Chels. Okay?”

Very not okay.” Chelsea is nobody’s fool. She has huge dark eyes that could make anyone feel ashamed. “Very, extremely not. When you decide you’re ready to try some honesty, V., you let me know.”

Since there’s nothing else to say I go to my bed and curl up with my book. They both keep watching me to see if I’m embarrassed yet, which I am, so I turn my back. In a way it’s my fault that this keeps happening. If Erg can’t control herself, then it’s my job to keep her in line. I start thinking about those metal key chains that snap shut. Maybe Erg is going to get one installed around her neck, though I’m not sure if there’s a way I can attach the other end inside my pocket that she won’t be able to undo. Her hands are shaped like mittens with nothing but thin lines to show the separations between her fingers, but she does have opposable thumbs and she can work them like a fiend. You’ve never seen a human being with hands that quick and sly.

Maybe Stephanie dozes off at some point, because a while later I feel my bed sinking behind me. I roll onto my back and Chelsea is there, looking down at me with concern. “Hey,” she whispers, “I can understand if you don’t want to talk about it in front of Stephanie, V.” I just look at her. She’s trying to be sweet but there’s nothing much I can say. “Look, okay, I have a theory, Vassa? That you’re compensating for your parents being gone by stealing things that represent the love you deserve? Symbolically? And you’re right, you do deserve that love, but I’m just trying to tell you that this isn’t the way to get it. Nothing you take can make up for your mom dying or your dad being … away.”

None of us ever say directly what happened to him. The facts of the case just howl for euphemism.

“I know that,” I tell her. “Chelsea, look, I really do appreciate what you’re trying to do, or what you think you’re doing, but I’m not going to confess when I didn’t take the damn locket!”

“A present from our mother? When you lost your mom? Really?” She does a fantastic job of loading every syllable with significance. “Anyway he’s Steph’s dad, too. It’s not like you’ve got some special relationship with tragedy. Do you ever think about how all of this affects her?”

Maybe not. I maybe tend to repress the reality that Steph and I share a father.

“Not when I’m trying to read,” I tell her.

Chelsea sighs. “I’m here whenever you want to talk. Just think about what I’m telling you. Please?”

She gets up again, but she’s only going back to her own bed a few feet away.

I’ll try to break it down for you. Chelsea and Stephanie have the same mother but different fathers; Steph and I have the same father but different mothers; Chelsea is oldest, Steph is second, and I’m the youngest, but only by a week; and yes, that means my dad got both our moms pregnant at almost the same time, maybe on the same night for all I know. He spent the next ten years going back and forth between them, depending on who made him feel guiltiest, I guess, and then my mom considerately died and simplified his decision-making process. So he married Iliana, making her actually my stepmother for all of five months, and then bailed on all of us in dramatic style.

In consequence of our scrambled parentage we’re all different colors: Chelsea is chestnut brown, Stephanie is kind of beige, and I’m almost disturbingly pale. If I didn’t dye my hair I’d look a lot like a human version of Erg, all blue eyes and raven tresses. Chelsea is the smartest, due to get the hell out of here in September on a full scholarship, assuming September ever comes that is, Stephanie doesn’t have two brain cells to bang together, and I get by. So Chelsea and I aren’t actually blood but she more or less considers me a sister, and we might even love each other most of the time, but Steph, who is related by blood, definitely thinks of me as an interloper, and we maybe hate each other just a microscopic bit, though sometimes we have fun anyway.

If all of that sounds messy, well, it surely is, but to put it in perspective there are plenty of things that are messier. My own emotions, for example, which could make a city dump look like a library. And the big blue world outside of our apartment is messier and grubbier and more chaotic than anything we’ve ever personally come up with.

I say that with complete confidence.

Copyright © 2016 by Sarah Porter

Buy Vassa in the Night here:

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Tor Teen Sweepstakes

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We’ve got some amazing YA books coming out this Fall, and we want to give you a chance to read them before they publish! This collection includes advance reading copies of Kristen Simmons’ opens in a new windowMetaltown, Sarah Porter’s opens in a new windowVassa in the Night, Gregg Hurwitz’ opens in a new windowThe Rains, and Tina Connolly’s opens in a new windowSeriously Shifted.

Comment below to enter for a chance to win!

NO PURCHASE NECESSARY TO ENTER OR WIN. A purchase does not improve your chances of winning. Sweepstakes open to legal residents of 50 United States, D.C., and Canada (excluding Quebec), who are 18 or older as of the date of entry. To enter, leave a comment  opens in a new windowhere beginning at 10:00 AM Eastern Time (ET) July 12, 2016. Sweepstakes ends at 12:00 PM ET July 19, 2016. Void outside the United States and Canada and where prohibited by law. Please see full details and official rules here. Sponsor: Tom Doherty Associates, LLC, 175 Fifth Ave., New York, NY 10010.

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Visit Tor/Forge Books at ALA!

AC16-General opens in a new windowThe American Library Association’s 2016 Annual Conference is in Orlando this week! Tor/Forge Books will be there. Come say hello at Booth #2114, or at one of these events:

Saturday, June 25

  • 9:30 – 10:15 AM opens in a new windowBook Buzz Theater: The Future According to Harlequin TEEN, Tor Teen, and Starscape
    We’re pleased to present a selection of must-shelve upcoming fiction from Harlequin TEEN, Tor Teen, and Starscape. Join us as Tor’s Ali Fisher and Harlequin TEEN’s Siena Koncsol discuss some of our excellent forthcoming titles, as well as highlights from the current season. Galleys, posters, and other giveaways are available in booth #1402 and #2114.
    Location: Orange County Convention Center, Exhibit Hall – Book Buzz Theater
  • 1:00 – 2:30 PM opens in a new windowTor/LITA Author Panel: Science Fiction/Fantasy and Information Technology: Where We Are and Where We Could Have Been
    Science Fiction and Fantasy Literature have a unique ability to speculate about things that have never been, but can also be predictive about things that never were. Through the lens provided by alternate history/counterfactual literature one can look at how the world might have changed if different technologies had been pursued. For examples what if instead of developing microprocessors computing depended on vacuum tubes or something fantastic like the harmonies in the resonance of crystals? Join LITA, the Imagineering Interest Group, and a panel of distinguished Science Fiction and Fantasy writers as they discuss what the craft can tell us about not only who we are today, but who, given a small set of differences, we could have been. Featuring authors Charlie Jane Anders, Brian Staveley, Catherynne M. Valente, and Katherine Addison.
    Location: Orange County Convention Center, Room W208
  • 3:30 PM – Thomas Olde Heuvelt will be signing copies of his nightmare-inducing novel opens in a new windowHEX
    Location: Booth #2114

Sunday, June 26

  • 9:00 – 10:00 AM opens in a new windowYA Author Coffee Klatch
    Enjoy coffee and meet with YALSA’s award winning authors! This informal coffee klatch will give you an opportunity to meet authors who have appeared on one of YALSA’s six annual selected lists or have received one of YALSA’s five literary awards. Librarians will sit at a table and every 3 or 4 minutes, a new author will arrive at your table to talk about their current projects! Featuring Tor Teen author Kathleen Baldwin.
    Location: Orange County Convention Center, Room W110
  • 1:00 – 1:50 PM opens in a new windowPop Top Stage: Thomas Olde Heuvelt
    Named as “One of Europe’s foremost talents in fantastic literature” by BBC Radio, a multiple winner of the Paul Harland Prijs for best Dutch Fantasy, and nominated for a Hugo and World Fantasy Award for his short fiction, Thomas Olde Heuvelt brings his bestselling Dutch horror-fantasy— opens in a new windowHEX—to the English language. HEX has been praised by authors such as Paul Cornell, Sarah Lotz, among others, and lauded by venues including Crimezone, for “…expos[ing] how psychological fear can make a modern society spiral into dark, medieval practices…. Terrifying and tantalizingly good.”
    Location: Orange County Convention Center, Room Exhibit Hall – PopTop Stage
  • 2:00 PM – J. A. Souders will be signing copies of the first book in her young adult series The Elysium Chronicles, opens in a new windowRenegade
    Location: Booth #2114

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Download the Tor Teen Sampler!

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What: To read special excerpts of BRAND NEW fiction from Tor Teen, like opens in a new windowMetaltown and  opens in a new windowVassa in the Night, plus a deleted scene from Susan Dennard’s upcoming  opens in a new windowWindwitch!

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